We all have memories. Memories that we take with us and memories that may define us. Some are precious memories of joyous times, others are haunting. It is whatwe make of memories and how we change because of them that make us human.Sometimes, other people's memories and stories can change us too. Memories canbe personal or hard to tell. David Wolnerman survived the Holocaust, and this is his story. A story he so graciously told, and a story you'll never forget.
With an introduction by the author of Circe and The Song of Achilles, Madeline Miller In Lucky Alice Sebold reveals how her life was irrevocably changed when, as an eighteen-year-old college freshman, she was raped and beaten inside a tunnel near her campus. In this same tunnel, a girl had been raped and dismembered. By comparison, Alice was told by police, she was lucky. Though Alice’s friends and family try their best to offer understanding and support, in the end it is Alice’s formidable spirit which resonates most in these pages. In a narrative both painful and inspiring, Alice Sebold shines a light on the true experience of violent trauma. Sebold’s redemption turns out to be as hard-won as it is real.
FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION In the nine expansive, searching stories of A Lucky Man, fathers and sons attempt to salvage relationships with friends and family members and confront mistakes made in the past. An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history. Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class—where luck may be the greatest fiction of all.
'Lucky Jim' is the tale of university lecturer Jim Dixon who has to navigate the stumbling blocks of life at a red brick university, as he attempts to climb the social ladder to a moderately successful future.
“What a gorgeous, heartbreaking novel.”—Roxane Gay A necessary and exciting addition to both the Sri Lankan-American and LGBTQ canons, SJ Sindu's debut novel offers a moving and sharply rendered exploration of friendship, family, love, and loss. Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met. As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.
Paula Power, the daughter of a wealthy railway magnate, inherits De Stancy Castle, an ancient castle in need of modernization. She commissions a young architect from London, George Somerset, to undertake the work. Somerset falls in love with Paula. But Paula, the Laodicean of the title, meaning a person who is lukewarm or halfhearted, is torn between George's admiration and that of Captain De Stancy, whose old-world romanticism contrasts with Somerset's forward-looking outlook. Paula's vacillation in her romantic life is also reflected in her views about religion, politics, and social progress, a dilemma faced by people in the Victorian era as industrialization was beginning to greatly change their lives. Paula will have to decide between the two men, however, or risk losing them both.
