Show Boat
Show Boat

Author: Edna Ferber

Publisher: Wildside Press LLC

Published: 2023-05-16

Total Pages: 411

ISBN-13: 1667623230

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Edna Ferber’s tribute to the Mississippi River and the show boats that ran up and down it. This timeless tale of the “Cotton Blossom”, Cap'n Andy, his shrewd wife Parthy, their beautiful daughter Magnolia, and her remarkable daughter Kim as the story moves from the Reconstruction Era riverboat to Gilded Age Chicago to Roaring Twenties New York, and finally returns to the Mississippi River. It was made famous on Broadway in 1927, when the legendary Jerome S. Kern and Oscar Hammerstein II collaborated on the musical. Since then Show Boat has become a beloved favorite, revived repeatedly to entertain generations through musical and movie renditions with haunting and lyrical songs such as “Old Man River” and “Can’t Help Lovin’ That Man of Mine”.

Show Boat. Illustrated
Show Boat. Illustrated

Author: Edna Ferber

Publisher: Strelbytskyy Multimedia Publishing

Published: 2022-01-17

Total Pages: 330

ISBN-13:

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Show Boat is a novel by Edna Ferber, chronicles the lives of three generations of performers on the Cotton Blossom, a floating theater on a steamboat that travels between small towns along the banks of the Mississippi River, from the 1880s to the 1920s. The story moves from the Reconstruction Era riverboat to Gilded Age Chicago to Roaring Twenties New York, and finally returns to the Mississippi River. Writing for the Jewish Women's Archive, Allison Abrams described Show Boat as "problematic" on race, claiming that the novel "maintains a romanticized and subordinate image of Black Americans", uses "dehumanizing and animalistic terms" for Black people, perpetuates racial stereotypes about Black men, and "lumps Black Americans in the fold of the working class which is reflective of a perception of race as an economic class...and less so a social reality."

Parody
Parody

Author: Robert Chambers

Publisher: Peter Lang

Published: 2010

Total Pages: 292

ISBN-13: 9781433108693

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Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.