The stories behind various objects found in the fictional National Museum of Romance--numerous tales of love and what men and women were willing to risk for it.
Increasing literacy rates and advanced printing technology gave rise to the pulp magazine in the late 19th century. Affordable, disposable, and commercially in-demand, the fiction magazines remained popular through the mid 20th century, and are now frequently cited by researchers as culturally and historically significant documents. This work is a comprehensive index of American pulp magazines. Entries are organized alphabetically by magazine title, and offer bibliographic data including author, volume/issue numbers, dates of publication, publisher, and a brief categorization. Each entry also includes a helpful list of current library holdings, if any, among American, Canadian, and European libraries.
This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
The Handbook to Romanticism Studies is an accessible and indispensible resource providing students and scholars with a rich array of historical and up-to-date critical and theoretical contexts for the study of Romanticism. Focuses on British Romanticism while also addressing continental and transatlantic Romanticism and earlier periods Utilizes keywords such as imagination, sublime, poetics, philosophy, race, historiography, and visual culture as points of access to the study of Romanticism and the theoretical concerns and the culture of the period Explores topics central to Romanticism studies and the critical trends of the last thirty years
This work explains the origins of the familiar and the unfamiliar in everyday speech and literature, including the colloquial and the proverbial. It embraces archaeology, history, religion, the arts, science, mythology and characters from fiction.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.