Mary Queen of Scots: Catholic martyr or manipulative femme fatale On 10 February 1567, conspirators bent on killing Henry, Lord Darnley, King-Consort of Mary Queen of Scots successfully razed his Edinburgh residence at Kirk o' Field in a huge explosion. Soon afterwards, Darnley's partially-clothed body was discovered in a nearby orchard, strangled to death by an unknown assailant. Rumours of Mary's involvement in his murder quickly surfaced. Placards across Edinburgh implied that she had provoked the Earl of Bothwell into killing her husband in a crime of passion. This became more plausible when she tried to avoid having to prosecute him for the murder, and subsequently married him, encouraged by her most senior Protestant nobles. While Mary's motives for the marriage might be explained by her need for his protection, those of the Nobility who had encourage it are confusing. Why would they want a union, which would inevitably place Bothwell, a man they hated, as head of government? Was their motif to associate her in the murder plot? Mary's involvement in Darnley's murder has remained one of the great historical mysteries. Genealogist and author Robert Stedall has spent ten years researching the inter-marriages within Scottish peerage to provide an explanation for their motives in removing Mary from the throne. In this first volume, of his two volume history of Mary and James, he explains in vivid detail the switching allegiances of the nobility, and can reveal for the first time, the gripping true story of Mary's downfall and imprisonment.
In this, the second, and concluding, part of his masterly account of Mary Queen of Scots, her son James, and the hoary question of their succession to the English throne, Robert Steddall takes us from the aftermath of Bothwell's murder, through Mary's imprisonment and execution for treason, to James's eventual coronation as James I of England. In this volume, James moves to centre-stage and his complex, neurotic personality is explored. What exactly was his relationship with his mother, removed from his side at such an early age, and how can we explain his seeming lack of feeling with regard to her fate?
The inside story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. It is a vivid and often dramatic account, offering a deeper insight into Elizabeth's emotional and political conduct, and challenging many popular myths about her.
The Oxford Handbook of John Donne presents scholars with the history of Donne studies and provides tools to orient scholarship in this field in the twenty-first century and beyond. Though profoundly historical in its orientation, the Handbook is not a summary of existing knowledge but a resource that reveals patterns of literary and historical attention and the new directions that these patterns enable or obstruct. Part I--Research resources in Donne Studies and why they they matter--emphasizes the heuristic and practical orientation of the Handbook, examining prevailing assumptions and reviewing the specialized scholarly tools available. This section provides a brief evaluation and description of the scholarly strengths, shortcomings, and significance of each resource, focusing on a balanced evaluation of the opportunities and the hazards each offers. Part II--Donne's genres--begins with an introduction that explores the significance and differentiation of the numerous genres in which Donne wrote, including discussion of the problems posed by his overlapping and bending of genres. Essays trace the conventions and histories of the genres concerned and study the ways in which Donne's works confirm how and why his "fresh invention" illustrates his responses to the literary and non-literary contexts of their composition. Part III--Biographical and historical contexts--creates perspective on what is known about Donne's life, shows how his life and writings epitomized and affected important controversial issues of his day, and brings to bear on Donne studies some of the most stimulating and creative ideas developed in recent decades by historians of early modern England. Part IV--Problems of literary interpretation that have been traditionally and generally important in Donne Studies--introduces students and researchers to major critical debates affecting the reception of Donne from the 17th through to the 21st centuries.