A Life of Anthony Ashley Cooper

A Life of Anthony Ashley Cooper

Author: William Dougal Christie

Publisher: Nabu Press

Published: 2013-11-01

Total Pages: 638

ISBN-13: 9781293155547

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.


A Life of Anthony Ashley Cooper, First Earl of Shaftesbury, 1621-1683 Volume 1

A Life of Anthony Ashley Cooper, First Earl of Shaftesbury, 1621-1683 Volume 1

Author: William Dougal Christie

Publisher: Hardpress Publishing

Published: 2012-01

Total Pages: 472

ISBN-13: 9781407747019

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.


Anthony Ashley Cooper, First Earl of Shaftesbury 1621–1683

Anthony Ashley Cooper, First Earl of Shaftesbury 1621–1683

Author: John Spurr

Publisher: Routledge

Published: 2016-04-08

Total Pages: 314

ISBN-13: 1317180518

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Anthony Ashley Cooper, First Earl of Shaftesbury, was a giant on the English political scene of the later seventeenth century. Despite taking up arms against the king in the Civil War, and his active participation in the republican governments of the 1650s, Shaftesbury managed to retain a leading role in public affairs following the Restoration of Charles II, being raised to the peerage and holding several major offices. Following his dismissal from government in 1673 he then became de facto leader of the opposition faction and champion of the Protestant cause, before finally fleeing the country in 1681 following charges of high treason. In order to understand fully such a complex and controversial figure, this volume draws upon the specialised knowledge of nine leading scholars to investigate Shaftesbury's life and reputation. As well as re-evaluating the well-known episodes in which he was involved - his early republican sympathies, the Cabal, the Popish Plot and the politics of party faction - other less familiar themes are also explored. These include his involvement with the expansion of England's overseas colonies, his relationship with John Locke, his connections with Scotland and Ireland and his high profile public reputation. Each chapter has been especially commissioned to give an insight into a different facet of his career, whilst simultaneously adding to an overall evaluation of the man, his actions and beliefs. As such, this book presents a unique and coherent picture of Shaftesbury that draws upon the very latest interdisciplinary research, and will no doubt stimulate further work on the most intriguing politician of his generation.


Pasticcio opera in Britain

Pasticcio opera in Britain

Author: Peter Morgan Barnes

Publisher: Manchester University Press

Published: 2024-07-09

Total Pages: 303

ISBN-13: 1526165171

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This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.