A YA thriller described as The Curious Incident of the Dog in the Night-Time meets John le Carré, about a teen math prodigy with an extreme anxiety disorder who finds himself caught in a web of lies and conspiracies after an assassination attempt on his mother. Seventeen-year-old Peter Blankman is a math genius. He also suffers from devastating panic attacks. Pete gets through each day with the help of his mother—a famous scientist—and his beloved twin sister, Bel. But when his mom is nearly assassinated in front of his eyes and Bel disappears, Pete finds himself on the run. Dragged into a world where state and family secrets intertwine, Pete must use his extraordinary analytical skills to find his missing sister and track down the people who attacked his mother. But his greatest battle will be with the enemy inside: the constant terror that threatens to overwhelm him. Weaving between Pete’s past and present, This Story Is a Lie is a testimony from a protagonist who is brilliant, broken and trying to be brave.
Motel Chronicles reveals the fast-moving and sometimes surprising world of the man behind the plays that have made Sam Shepard a live legend in the theater. Shepard chronicles his own life birth in Illinois, childhood memories of Guam, Pasadena and rural Southern California, adventures as ranch hand, waiter, rock musician, dramatist, and film actor. Scenes from this book form the basis of his play Superstitions, and of the film (directed by Wim Wenders) Paris, Texas, winner of the Golden Palm Award at the 1984 Cannes Film Festival.
People say that when you have a life-altering experience, your brain takes a picture, and that snapshot stays forever in your memory to retrieve again. And again, and again. Kendra Sullivan loves taking pictures. But when a photograph reveals something unexpected, she sets out to investigate the situation. Before long, Kendra is torn between destroying her family as she's known it and keeping a very dark secret that might ultimately destroy her. This emotionally charged young adult mystery pushes the boundaries between truth and deception and explores the consequences of uncovering life-changing information. A Christy Ottaviano Book
In this chilling mystery from a New York Times bestselling author, a storm strands a group of teens in a creepy motel—leaving them trapped with a killer. Nell has always wanted to be an actor, but she doubts her ability. As a member of her school’s theater program, she prefers working backstage. On the way to a contest, an unexpected blizzard strands her acting troupe in a creepy motel. Soon they meet a group of strangers from another high school—including the mysterious and handsome Knox, who insists they play the game Two Truths and a Lie. When it’s Nell’s turn, she draws a slip of paper written in unfamiliar handwriting: I like to watch people die. I’ve lost count of how many people I’ve killed. Suddenly a night of harmless fun turns into a matter of life and death. As guests go missing, it becomes clear that a murderer is hiding in their midst ready to strike again. In a room full of liars and performers, the truth is never quite what it seems. Nell is going to have to act like her life depends on it—because it does.
...eloquently dramatizes questions of responsibility, guilt and pathology...the complex moral issues are translated into challenging story theater, like a cubist portrait of grief...Homage must be paid, this grieving mother cries to the stars, and Medoff answe The mysteries of life, death and survival in the city, of friendships among women and relationships between the sexes are explored...in Jacquelyn Reingold's GIRL GONE...the playwright display[s] admirable talent and generate[s] plenty of interest, tension an
Three former CIA officers--the world's foremost authorities on recognizing deceptive behavior--share their techniques for spotting a lie with thrilling anecdotes from the authors' careers in counterintelligence.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
From the New York Times bestselling author of the Pucked series comes a romantic comedy about instant attraction, second chances, and not-so-little white lies. Sometimes I need an escape from the demands, the puck bunnies, and the notoriety that come with being an NHL team captain. I just want to be a normal guy for a few weeks. So when I leave Chicago for some peace and quiet, the last thing I expect is for a gorgeous woman to literally fall into my lap on a flight to Alaska. Even better, she has absolutely no idea who I am. Lainey is the perfect escape from my life. My plan for seclusion becomes a monthlong sex fest punctuated with domestic bliss. But it ends just as abruptly as it began. When I'm called away on a family emergency, I realize too late that I have no way to contact Lainey. A year later, a chance encounter throws Lainey and me together again. But I still have a lie hanging over my head, and Lainey's keeping secrets of her own. With more than lust at stake, the truth may be our game changer.
This searing, extraordinarily evocative narrative opens with a man in his house at dawn, surrounded by aspens, coyotes cackling in the distance as he quietly navigates the distance between present and past. As memory overtakes him, he sees the bygone America of his childhood: the farmland and the feedlots, the railyards and the diners—and, most hauntingly, his father’s young girlfriend, with whom he also became involved, setting into motion a tragedy that has stayed with him. His complex interiority is filtered through views of mountains and deserts as he drives across the country, propelled by Benzedrine, rock and roll, and a restlessness born out of exile. The rhythms of theater, the language of poetry, and a flinty humor combine in this stunning meditation on the nature of experience, at once celebratory, surreal, poignant, and unforgettable.