A favorite Regency romance from #1 New York Times bestselling author Stephanie Laurens… Jack Lester seeks the perfect bride—one who is attractive and kind but who also loves him in spite of his wealth. Which is why he keeps this trifling detail hidden. But when Sophie Winterton enters his life, believing he must marry into wealth to run his family's estate, how will he convince her that she is the woman he desires—and that he can be the husband she deserves?
A Lady of Expectations Jack Lester seeks the perfect bride—one who is attractive and kind, but who also loves him in spite of his wealth. Which is why he keeps this trifling detail hidden. But when Sophie Winterton enters his life, believing he must marry into wealth to run his family's estate, how will he convince her that she is the woman he desires—and that he can be the husband she deserves? Secrets of a Courtesan Eve Nightingale thought she had put her past as mistress to the Duke of Welburn behind her. But when the handsome duke strolls into her small village, she finds it hard to keep her secrets concealed…and to keep her heart from stirring for him once again. How to Woo a Spinster Still unmarried at twenty-eight, Lady Emmaline Daughtry has resigned herself to spinsterhood. Then Captain John Alistair arrives at her door—the very image of the perfect lover of her most private dreams. But can a man with a secret and a woman who's never known love find happiness together?
This eBook features the unabridged text of ‘Great Expectations’ from the bestselling edition of ‘The Complete Works of Charles Dickens’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dickens includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Great Expectations’ * Beautifully illustrated with images related to Dickens’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Dickens scholar Jerome Meckier's acclaimed Hidden Rivalries in Victorian Fiction examined fierce literary competition between leading novelists who tried to establish their credentials as realists by rewriting Dickens's novels. Here, Meckier argues that in Great Expectations, Dickens not only updated David Copperfield but also rewrote novels by Lever, Thackeray, Collins, Shelley, and Charlotte and Emily Brontë. He periodically revised his competitors' themes, characters, and incidents to discredit their novels as unrealistic fairy tales imbued with Cinderella motifs. Dickens darkened his fairy tale perspective by replacing Cinderella with the story of Misnar's collapsible pavilion from The Tales of the Genii (a popular, pseudo-oriental collection). The Misnar analogue supplied a corrective for the era's Cinderella complex, a warning to both Haves and Have-nots, and a basis for Dickens's tragicomic view of the world.
Pap set off to one side just listenin' to both sides of that conversation. He had a real big smile on his face, but he had nothin' to say. Finally, I said, 'I'd be most interested to hear what you got to say on the matter, Pap.' 'A man has a few choices to make during his life. If you make good choices, you turn out like Otis. You make bad choices you end up somethin' less.' 'Lately, I've been worryin' if I'm even smart enough to know the difference. You and Otis just appear to come by it natural.' Pap said, 'A little worry can go a long way in the makin' of a man.' Then Pap went back to sippin' his coffee, and he was done talkin'. That old boy was always doin' that to me. Just give me enough to think on and then go real quiet again before I had the full answer.It was a time of great adventure and great danger around every bend. For Matt Dobson, it was a time to become a man. With the guidance of good friends and good family, Matt is challenged with a tough road to travel. As Matt learns about integrity, courage, and love, will he be able to meet hisHigh Expectations? Travel back in our nation's history to the Old West, when a man made his own opportunities. Throughout the land, a person was only as good as their word. It was a time when a handshake and a smile were a person's contract. If a person broke one of those contracts, there was nothing they could say or do after that to redeem their reputation. These are the lessons that Pap Franklin knew all so well. In the second book of the Pap Franklin series, follow along as Matt Dobson tries to become the next great member of his family.
A Tale of Two Cities: A Tale of Two Cities is a novel by Charles Dickens, set in London and Paris before and during the French Revolution. The novel depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, the corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution, and many unflattering social parallels with life in London during the same time period. It follows the lives of several protagonists through these events. Great Expectations: Great Expectations is a bildungsroman, or a coming-of-age novel, and it is a classic work of Victorian literature. It depicts the growth and personal development of an orphan named Pip. The novel was first published in serial form in Dickens' weekly periodical All the Year Round, from 1 December 1860 to August 1861. David Copperfield: David Copperfield is the common name of the eighth novel by Charles Dickens, first published as a novel in 1850. Many elements of the novel follow events in Dickens' own life, and it is probably the most autobiographical of his novels. Oliver Twist: Oliver Twist is notable for Dickens' unromantic portrayal of criminals and their sordid lives. The book exposed the cruel treatment of many a waif-child in London, which increased international concern in what is sometimes known as "The Great London Waif Crisis": the large number of orphans in London in the Dickens era. A Christmas Carol: The tale has been viewed by critics as an indictment of 19th-century industrial capitalism. It has been credited with restoring the holiday to one of merriment and festivity in Britain and America after a period of sobriety and sombreness. Charles Dickens (1812–1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era.
Charles Dickens’ second novel, Oliver Twist, or The Parish Boy’s Progress, was first published as a serial (in monthly instalments) in the magazine Bentley’s Miscellany from February 1837 to April 1839. The novel was inspired by Robert Blincoe’s account of his childhood spent in a cotton mill. Oliver Twist, an orphan, is born in a workhouse and later sold off into an apprenticeship. Dickens situates his protagonist amid the squalid lives of beggars, criminals and petty thieves. Trapped in a world of corruption and poverty, Oliver with his pure heart is rewarded with a fairytale ending. The dark reality of child labour, the effects of industrialisation and the condition of orphans in London in the mid-19th century form the crux of Dickens’ heart-rending novel. Great Expectations revolves around the life of an orphan nicknamed Pip. The novel, set in the 19th century, traces the psychological growth of Pip in three stages: his childhood in the marshes of Kent, his journey from the rural environs to the London metropolis, and finally his reluctant reconciliation with the vanity of false promises and values. The cast includes the cold yet ethereal Estella, the kind-hearted blacksmith Joe, the ‘pale young gentleman’ Herbert Pocket and the affluent, eccentric spinster Miss Havisham, among others. George Bernard Shaw said of the novel, ‘All of one piece and consistently truthful.’
This volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses. Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance. They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment. The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization, and variety seeking, and a new stage of genre development, genre bending. It is an ideal resource for students and scholars interested in the symbiotic relationship between audiences and the moving image products they consume, as well as the way the current digital media environment has impacted our understanding of film and TV genres.
Young Isabel Archer, a beautiful American, travels to Europe where her naivete - and recent inheritance - attracts many suitors. But despite her great promise, she falls victim to her own provincialism. Exposing the differences between the New and the Old Worlds, James's masterpiece examines the themes of freedom, sexuality, and betrayal.
A level 5 Oxford Bookworms Library graded reader. Retold for Learners of English by Clare West. In a gloomy, neglected house Miss Havisham sits, as she has sat year after year, in a wedding dress and veil that were once white, and are now faded and yellow with age. Her face is like a death’s head; her dark eyes burn with bitterness and hate. By her side sits a proud and beautiful girl, and in front of her, trembling with fear in his thick country boots, stands young Pip. Miss Havisham stares at Pip coldly, and murmurs to the girl at her side: ‘Break his heart, Estella. Break his heart!’
