Historical Dictionary of Opera

Historical Dictionary of Opera

Author: Scott L. Balthazar

Publisher: Scarecrow Press

Published: 2013-07-05

Total Pages: 564

ISBN-13: 0810879433

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Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.


Thomas ‘Jupiter’ Harris

Thomas ‘Jupiter’ Harris

Author: Warren Oakley

Publisher: Manchester University Press

Published: 2018-08-31

Total Pages: 234

ISBN-13: 1526129140

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This is the first biography of Thomas Harris: confidant of George III, ‘spin doctor’, philanthropist, sexual suspect, brothel owner, and the man who controlled Covent Garden theatre for nearly five decades.


The Operatic State

The Operatic State

Author: Ruth Bereson

Publisher: Psychology Press

Published: 2002

Total Pages: 238

ISBN-13: 0415278511

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Bereson investigates the elite and privileged status of the closed-world of opera, and the way states have financed and supported it since its beginnings.


The Belhurst Story

The Belhurst Story

Author: David J. Sakmyster

Publisher: iUniverse

Published: 2003

Total Pages: 92

ISBN-13: 0595293697

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On a cliff overlooking Seneca Lake in upstate New York, the Belhurst Castle proudly stands at the site of previous mansions and Indian fortresses, a place riddled with history and fantastic legends. Rumors abound of hauntings, hidden treasure, underground tunnels, and a curse on those who disturb old burial grounds. Eccentric and passionate individuals lived and died here over the centuries. Some, perhaps, have never left. Built originally as a private residence, the Belhurst Castle was transformed into a casino, supper club and speakeasy. Currently, it is an upscale dining establishment with a banquet hall and a luxurious inn. Its history, and the tale of this property, is as richly detailed as its red stone walls and elaborate carved wood interiors. The folklore that has sprung up in the last century, a rich tale of tragically doomed lovers, collapsed escape tunnels and the ghost of a woman in white, have remained an enduring mystery-until now. After extensive research and astounding personal experiences, the truth is revealed and it is stranger than fiction, but altogether compelling.


Opera in London

Opera in London

Author: Theodore Fenner

Publisher: SIU Press

Published: 1994

Total Pages: 830

ISBN-13: 9780809319121

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Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.


Reflections '97

Reflections '97

Author: Jon Tolansky

Publisher: Routledge

Published: 2021-02-27

Total Pages: 112

ISBN-13: 1134425139

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Reflections, the Yearbook of the Music Performance Research Centre, is published as an issue within the international journal Musical Performance series. It features articles written by musicians and interviews with performers. Reflections '97 includes an interview with the tenor Jon Vickers and a personal memoir of the conductor Carlos Kleiber.