In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters—Michelangelo, Raphael, and Bramante—and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth—and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.
Think you really know Church History? Think Again The Catholic Church is the longest-standing and the most universal of all institutions. The contributions made by Catholic men and women over the past 2000 years are most impressive, from a properly functioning calendar to the inventions of many things that we all take for granted today. In 101 Surprising Facts About Church History, Fr. Meconi, SJ walks readers through the most amazing achievements of Christ's Body on earth. From economic and mercantile developments to scientific and astronomical advances, from the cataloging of zoological and botanical species to the cherishing of beautiful music and fine arts, Fr. Meconi shows you why the Catholic Church stands as the greatest promoter of human culture and knowledge. Did you know: -A Catholic priest held the first insights into the "BigBang" theory well before anyone else? -The first prototype of today's moving robots wasfound in a medieval monastery? -Many types of food and drink have their originswithin the Church, including cappuccino, sparklingwine, and pretzels -The Holy Bible was the first work of the GutenbergPress -The Church has patron saints for all sorts of things, including headaches, ugliness, fireworks, hangoversand television Fr. Meconi's 101 Surprising Facts About Church History takes you through 2,000 years of amazing achievements and contributions by the Church and her many sons and daughters. Beautifully illustrated and chronologically arranged, this work is a reliable guide through centuries of Church figures, facts, and fun.
During the course of the 19th and 20th centuries Brighton grew from a small fishing village on the Sussex coast to a large thriving city, popular with residents and visitors alike. Much building work went on during this time, but sadly many of the theatres, cinemas, dance halls and churches that were such a part of life in these earlier times have either been made redundant or converted for other uses or demolished. One of the iconic buildings of the city is St Peters Church. When it was first built it stood at the entrance to the main part of Brighton, on the road that goes past the Royal pavilion to the Palace Pier. It was the first important design that Sir Charles Barry created. He later became one of the foremost architects of Victorian times being responsible for the Houses of Parliament and Highclere Castle (now known to millions of television viewers as Downton Abbey). St Peters is a fine example of Barrys work, but this book will record how a chancel was added to the north of the building seventy-five years after the original structure had been completed. We will also see how the incumbent of St Peters became Vicar of Brighton which put him at the centre of the building and development of other churches throughout the town. In the twentieth century St Peters continued to be the spiritual hub for civic life in the town, but there was one occasion when the vicar failed to get to the church for the Sunday morning service. Later on the church suffered an arson attack, and the century ended with an extraordinary impromptu time of reflection in the early hours of 1st January 2000. However as the new century began, it was recognised that falling attendances and failing masonry could lead to St Peters going the same way as other older buildings in the city. The church authorities did not have the financial resources to cover all the expenses that this grand old building was requiring, and thus St Peters came under the threat of closure. This horrified the inhabitants of the city who saw St Peters as being just as much a part of the cityscape as the Pavilion and the Pier. To the great delight of all, the church was eventually saved through the last minute intervention of Holy Trinity Brompton Church in London. This book documents the story of a church that, amid many ups and downs along the way, has come to be much loved in Brighton, Hove and Sussex.
The story of St Peter's begins in the 1st century CE with the Hippodrome of Nero, one of two places where the Apostle Peter may have been crucified. 250 years later Constantine the Great marked the supposed site of Peter's tomb in an ancient cemetery with a great basilica. That in turn was replaced over a hundred-year period by a series of competitive renaissance and baroque Popes using the greatest artists of their day, all seeking to leave their mark on St Peter's. Here Keith Miller offers a rewarding account of a world-famous building: who built it; what it looks like and why; and how it affects the tourist or pilgrim. An intricate history, telling biography and the study of great art and architecture all play their part in a book that is a brilliant debut.
"As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's Architect' is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter's project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over. In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo's biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter's deepened Michelangelo's faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design."--Provided by publisher.
The Chair of Saint Peter surveys the history of the papal office from the first century to the current papacy of Pope John Paul II. At the approach of the third millennium, the office of the papacy remains a vital sign of unity in the Catholic church and a link with the earliest church. But the papal office in its current form is the product of a long and conflicted history of evolution. The Chair of Saint Peter is an essential resource for future discussions about the shape of the church to come.
Shedding light on a memorable monument in the Italian metropolis, this beautifully illustrated guide demonstrates why St. Peter’s Basilica is a "must-see” for any visitor to Rome. The tour begins in St. Peter’s Square, following a walkabout through the Basilica, the lower church, the dome overlooking the gardens of the Vatican, the excavations underneath St. Peter and the Campo Santo Teutonico, and the German cemetery, which is only accessible through the Vatican city. A plan of the Basilica and the lower church is also included, and the religious experience of the site is emphasized, citing excerpts from the scriptures related to St. Peter. Combining the history of the arts, the Italian culture, and the institution of the church itself, this is a superb overview of a magnificent landmark.
