A History of Modern Aesthetics: Volume 1, The Eighteenth Century

A History of Modern Aesthetics: Volume 1, The Eighteenth Century

Author: Paul Guyer

Publisher: Cambridge University Press

Published: 2018-09-06

Total Pages: 0

ISBN-13: 9781108733816

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Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth.


A History of Modern Aesthetics: The nineteenth century

A History of Modern Aesthetics: The nineteenth century

Author: Paul Guyer

Publisher:

Published: 2014

Total Pages: 478

ISBN-13: 9781107038042

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"Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth"--


A History of Modern Aesthetics: The twentieth century

A History of Modern Aesthetics: The twentieth century

Author: Paul Guyer

Publisher:

Published: 2014

Total Pages: 658

ISBN-13: 9781107038059

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"Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth"--


A History of Modern Aesthetics

A History of Modern Aesthetics

Author: Paul Guyer

Publisher:

Published: 2014-03-10

Total Pages: 3

ISBN-13: 9781107643222

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"A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century"--


A History of Modern Aesthetics: Volume 2, The Nineteenth Century

A History of Modern Aesthetics: Volume 2, The Nineteenth Century

Author: Paul Guyer

Publisher: Cambridge University Press

Published: 2018-09-06

Total Pages: 0

ISBN-13: 9781108733823

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Volume II: Following the explosion of new ideas about our experience of art and nature in the eighteenth century, recounted in Volume I of A History of Modern Aesthetics, many philosophers at the beginning of the nineteenth century - above all, the German Idealists - regrouped around a conception of art as a form of metaphysics and of aesthetic experience as a form of knowledge. This second volume tells how over the course of the century philosophers in Germany, Britain, and eventually the United States struggled to return to a broader approach to the value of aesthetic experience by finding room for the emotional and playful aspects of art. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth.


Early Modern Aesthetics

Early Modern Aesthetics

Author: J. Colin McQuillan

Publisher: Rowman & Littlefield

Published: 2015-11-30

Total Pages: 204

ISBN-13: 1783482133

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Early Modern Aesthetics is a concise and accessible guide to the history of aesthetics in the early modern period. J. Colin McQuillan shows how philosophers concerned with art and beauty positioned themselves with respect to the ancients and the moderns, how they thought the arts were to be distinguished and classified, the principles they proposed for art and literary criticism, and how they made aesthetics a part of philosophy in the eighteenth century. The book explores the controversies that arose among philosophers with different views on these issues, their relation to the philosophy, science, and art, and their legacy for contemporary aesthetics.


A History of Modern Aesthetics: American aesthetics in the first half of the twentieth century. 6 Santayana. The sense of beauty, Reason in art ; 7. The American reception of expression theory I : Parker to Greene. Parker, Ducasse, Prall, Stace, Greene ; 8. Dewey. Experience and nature, Art as experience ; 9. The American reception of expression theory II : Cassirer and Langer. Cassirer, Langer ; 10. After Dewey and Cassirer. Gotshalk, Isenberg, Beardsley, Goodman

A History of Modern Aesthetics: American aesthetics in the first half of the twentieth century. 6 Santayana. The sense of beauty, Reason in art ; 7. The American reception of expression theory I : Parker to Greene. Parker, Ducasse, Prall, Stace, Greene ; 8. Dewey. Experience and nature, Art as experience ; 9. The American reception of expression theory II : Cassirer and Langer. Cassirer, Langer ; 10. After Dewey and Cassirer. Gotshalk, Isenberg, Beardsley, Goodman

Author: Paul Guyer

Publisher:

Published: 2014

Total Pages:

ISBN-13:

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"Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth"--


A History of Modern Aesthetics: Volume 3, The Twentieth Century

A History of Modern Aesthetics: Volume 3, The Twentieth Century

Author: Paul Guyer

Publisher: Cambridge University Press

Published: 2018-09-06

Total Pages: 0

ISBN-13: 9781108733830

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Volume III: The field of aesthetics was bound to reflect the dramatic upheavals of the twentieth century in philosophy as a whole, in the arts, and in social and political life generally. This third volume of A History of Modern Aesthetics shows how philosophers of art in Germany, Britain, and the United States continued the debate over cognitivist versus alternative approaches to aesthetic experience that was at the heart of the discipline in the previous two centuries while responding to the intellectual challenges of their own times as well. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth.


The Emergence of Modern Aesthetic Theory

The Emergence of Modern Aesthetic Theory

Author: Simon Grote

Publisher: Cambridge University Press

Published: 2017-10-26

Total Pages: 308

ISBN-13: 1107110920

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This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.


Eighteenth-Century Aesthetics and the Reconstruction of Art

Eighteenth-Century Aesthetics and the Reconstruction of Art

Author: Paul Mattick, Jr

Publisher: Cambridge University Press

Published: 1993-05-28

Total Pages: 268

ISBN-13: 9780521431064

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This collection of essays explores the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art developed under the name of 'aesthetics' in the eighteenth century have traditionally been understood as contributions to a field of study in existence since the time of Plato. If art is a practice to be found in all human societies, then the philosophy of art is the search for universal features of that practice, which can be stated in definitions of art and beauty. However, art as we know it - the system of 'fine arts' - is largely peculiar to modern society. Aesthetics, far from being a perennial discipline, emerged in an effort both to understand and to shape this new social practice. These essays share the conviction that aesthetic ideas can be fully understood when seen not only in relation to intellectual and social contexts, but as themselves constructed in history.