In the heart of Miami, Little Havana is a neighborhood buzzing with culture. Still imagined as primarily a Cuban extension of the city, it has been a sanctuary to refugees since the 1959 revolution and has experienced fascinating changes to become what it is today. Find out how a location associated with old Cubans playing dominos has become a vibrant, multi-ethnic community and a birthplace of Miami's most exciting arts and music movements. Learn why Little Havana has continued to serve as a political stage for thousands of Cubans demonstrating on its streets, like the famous Calle Ocho. Authors Guillermo Grenier and Corinna Moebius trace the history and growth of this Latino epicenter in the first in-depth portrait of a world-renowned neighborhood.
In the heart of Miami, Little Havana is a neighborhood buzzing with culture. Still imagined as primarily a Cuban extension of the city, it has been a sanctuary to refugees since the 1959 revolution and has experienced fascinating changes to become what it is today. Find out how a location associated with old Cubans playing dominos has become a vibrant, multi-ethnic community and a birthplace of Miami's most exciting arts and music movements. Learn why Little Havana has continued to serve as a political stage for thousands of Cubans demonstrating on its streets, like the famous Calle Ocho. Authors Guillermo Grenier and Corinna Moebius trace the history and growth of this Latino epicenter in the first in-depth portrait of a world-renowned neighborhood.
For the past 50 years, Cuban refugees and Central American immigrants have moved to an old quarter of Miami known as Little Havana. This internationally known community is famous for its sizzle, its heated ethnic politics, its entrepreneurial zest, and its colorful street life and celebrations. Before it became Little Havana, the area was home to a vast array of people, including white and black Bahamians, Jews, people from parts of the Middle East, and folks with Deep South pedigrees. The quarter's most famous neighborhoods then were Riverside and Shenandoah. Riverside emerged from the piney woods at the start of the 19th century and hosted some of the earliest city institutions, as well as picturesque homes and tree-shaded streets. Shenandoah was farmland as late as the 1920s, before a real estate boom transformed it into a neighborhood of gorgeous Mediterranean Revival-style homes. Southwest Eighth Street, the famed Calle Ocho, once divided the two neighborhoods, but the vast influx of Hispanics erased that division as the thoroughfare developed its own identity.
"Revolution uprooted six-year-old Cecilia from her comfortable middle-class Cuban home and dropped her into the low-income neighborhood of Miami's Little Havana. Her philandering father focused on rebuilding his career, chasing the American promise of wealth and freedom from the past. Her mother spiraled into madness trying to hold the family together and get him back. Neglected and trapped, Cecilia rebelled against her conservative culture and embraced the 1960s counter-culture - seeking love, attention and a place of her own in America. But immigrant children either thrive or self-destruct in a new land. How will Cecilia beat the odds? While most memoirs by Cuban-Americans revolve around childhood scenes in Cuba and explore the experiences of a young man, Leaving Little Havana is the first refugee memoir to focus on a Cuban girl growing up in America, rising above the obstacles and clearing a path to her dream." -- Publisher's description.
This is the first comprehensive history of the culturally diverse city, and the first to be co-authored by a Cuban and an American. Beginning with the founding of Havana in 1519, Cluster and Hernández explore the making of the city and its people through revolutions, art, economic development and the interplay of diverse societies. The authors bring together conflicting images of a city that melds cultures and influences to create an identity that is distinctly Cuban.
WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.
Little Havana Blues is a medley of voicesÑnarrators, essayists and poetsÑthat have come to forge a literary identity within the United States since their parents left Cuba to go into exile. However, this first comprehensive anthology of Cuban-American literature is not a symphony of the exile or immigrant generation and its letters. Instead, these writers are staking their claim on part of the American mosaic, with Pulitzer Prices and other awards in hand. But in their Americanization they are not rejecting their heritage or their Hispanic culture; rather they are Cubanizing, tropicalizing, expanding the realm of American culture and letters. Their vision is inclusive; their sources go deep into Anglo- and Hispano-European tradition and as deeply into Afro-Caribbean and mestizo culture, not to mention their love affair with popular culture and its icons. Included in Little Havana Blues are writers both established and burgeoning onto the literary scene: Pulitzer Prize winter Oscar Hijuelos, Rafael Compo, Gustavo PŽrez Firmat, Margarita Engle, Roberto Fern‡ndez, Dolores Prida, Jose Yglesias and many others. Accompanying the selections are an introduction and bibliography by the editors.
A survivor of the Cuban Revolution recounts his pre-war childhood as the religiously devout son of a judge, and describes the conflict's violent and irrevocable impact on his friends, family, and native home.
Cuba's grassroots revolution prevailed on America's doorstep in 1959, fueling intense interest within the multiracial American Left even as it provoked a backlash from the U.S. political establishment. In this groundbreaking book, historian Teishan A. Latner contends that in the era of decolonization, the Vietnam War, and Black Power, socialist Cuba claimed center stage for a generation of Americans who looked to the insurgent Third World for inspiration and political theory. As Americans studied the island's achievements in education, health care, and economic redistribution, Cubans in turn looked to U.S. leftists as collaborators in the global battle against inequality and allies in the nation's Cold War struggle with Washington. By forging ties with organizations such as the Venceremos Brigade, the Black Panther Party, and the Cuban American students of the Antonio Maceo Brigade, and by providing political asylum to activists such as Assata Shakur, Cuba became a durable global influence on the U.S. Left. Drawing from extensive archival and oral history research and declassified FBI and CIA documents, this is the first multidecade examination of the encounter between the Cuban Revolution and the U.S. Left after 1959. By analyzing Cuba's multifaceted impact on American radicalism, Latner contributes to a growing body of scholarship that has globalized the study of U.S. social justice movements.
When a history teacher decides to throw out an old, threadbare Cuban flag, he doesn’t plan for the air of suspicion that quickly descends on him… A woman’s attempt to register ownership of her family home draws her into a bureaucratic labyrinth that requires a grasp of higher mathematics to fully comprehend… On the day of their graduation, a group of students spend the night drinking around the ‘Fountain of Youth’, ironically celebrating the bright future that doesn’t await them… The stories gathered in this anthology reflect the many complex challenges Havana’s citizens have had to endure as a result of their country’s political isolation – from the hardships of the ‘Special Period’, to the pitfalls of Cuba’s schizophrenic currency system, to the indignities of becoming a cheap tourist destination for well-heeled Westerners. Moving through various moments in its recent history, as well as through different neighbourhoods – from the prefab, Soviet-era maze of Alamar, to the bars and nightclubs of the Malecón and Vedado – these stories also demonstrate the defiance of Havana: surviving decades of economic disappointment with a flair for the comic, the surreal and the fantastical that remains as fresh as the first dreams of revolution. Translated from the Spanish by Orsola Casagrande and Séamas Carraher.
