This is a comprehensive narrative history of Korean literature. It provides a wealth of information for scholars, students and lovers of literature. Combining both history and criticism the study reflects the latest scholarship and offers a systematic account of the development of all genres. Consisting of twenty-five chapters, it covers twentieth-century poetry, fiction by women and the literature of North Korea. This is a major contribution to the field and a study that will stand for many years as the primary resource for studying Korean literature.
This book explores the history of modern Korean literature from a sociocultural perspective. Rather than focusing solely on specific authors and their works, Young Min Kim argues that the development of modern media, shifting conceptualizations of the author, and a growing mass readership fundamentally shaped the types of narratives that appeared at the turn of the twentieth century. In particular, Kim follows the trajectory of the sin sosŏl (new fiction) as it meshed with the new print and media culture to give rise to innovative and hybrid genres and literary styles. In doing so, he compellingly illuminates the relationship between literary systems and forms and underscores the necessity of re-locating literary texts in their sociohistorical contexts.
Preeminent scholar and translator David R. McCann presents an anthology of his own translations of works ranging across the major genres and authors of Korean writing—stories, legends, poems, historical vignettes, and other works—and a set of critical essays on major themes. A brief history of traditional Korean literature orients the reader to the historical context of the writings, thus bringing into focus this rich literary tradition. The anthology of translations begins with the Samguk sagi, or History of the Three Kingdoms, written in 1145, and ends with "The Story of Master Hô," written in the late 1700s. Three exploratory essays of particular subtlety and lucidity raise interpretive and comparative issues that provide a creative, sophisticated framework for approaching the selections.
This book examines one of the seminal chapters in the history of the modern Korea. Through an analysis of texts of various genres and types, the author analyzes Japanese colonialism and modernity and its impact on Korean culture and society during the first half of the twentieth century.
"Outlining the major developments, characteristics, genres, and figures of the Korean literary tradition from earliest times into the new millennium, this volume includes examples, in English translation, of each of the genres and works by several of the major figures discussed in the text, as well as suggestions for further reading"--
This study examines the development and characteristics of various historical and contemporary genres of Korean literature. It presents explanations on the development of Korean literacy and offers a history of literary criticism, traditional and modern, giving the discussion an historical context.
An understanding of contemporary North Korea’s literature is virtually impossible without an investigation of its formative period, 1945–1960, which saw a gradual transformation from the initial "Soviet era" to a Korean version of "national Stalinism." This turbulent epoch established a long-lasting framework for North Korean literature and set up an elaborate system of political control over literary matters, as well as over the people who served in this field. In 1946 Democratic People’s Republic of Korea (DPRK) leader Kim Il Sung described the country’s writers as "soldiers on the cultural front," thus clearly defining what the nascent Communist regime expected from its intellectuals. As a result, many literary nonentities were rewarded with fame and success (often only to be relegated once again to obscurity within a few years) while many outstanding luminaries of the past were erased from the pages of official publications or even lost their lives. The Soviet cultural impact brought new tropes, artistic images, and rhetoric, which were quickly absorbed into the North Korean discourse. However, the cultural politics of the DPRK and the USSR revealed profound and irreconcilable disparities that were rooted in the different political conditions and traditions of each country. Soldiers on the Cultural Front presents the first consistent research on the early history of North Korea’s literature and literary policy in Western scholarship. It traces the introduction and development of Soviet-organized conventions in North Korean literary propaganda and investigates why the "romance with Moscow" was destined to be short lived. It reconstructs the biographies and worldviews of major personalities who shaped North Korean literature and teases these historical figures out of popular scholarly myth and misconception. The book also investigates the specific forms of control over intellectuals and literary matters in North Korea. Considering the unique phenomenon of North Korean literary critique, the author analyzes the political campaigns and purges of 1947–1960 and investigates the role of North Korean critics as "political executioners" in these events. She draws on an impressive variety and number of sources—ranging from interviews with Korean and Soviet participants, public and family archives, and memoirs to original literary and critical texts—to present a balanced and eye-opening work that will benefit those interested in not only understanding North Korean literature and society, but also rethinking forms of socialist modernity elsewhere in the world.
The first English-language history of Korea to appear in more than a decade, this translation offers Western readers a distillation of the latest and best scholarship on Korean history and culture from the earliest times to the student revolution of 1960. The most widely read and respected general history, A New History of Korea (Han’guksa sillon) was first published in 1961 and has undergone two major revisions and updatings. Translated twice into Japanese and currently being translated into Chinese as well, Ki-baik Lee’s work presents a new periodization of his country’s history, based on a fresh analysis of the changing composition of the leadership elite. The book is noteworthy, too, for its full and integrated discussion of major currents in Korea’s cultural history. The translation, three years in preparation, has been done by specialists in the field.
An easy to read, extensive exploration of premodern Korean literature. The work covers the beginning of Korean literature until the end of the nineteenth century and would be ideal for students in Korean or Asian literature classes.
This volume offers essential information and a basic framework for understanding twentieth-century Korean literature. Growing out of a continuous tradition of over 2,000 years, twentieth-century Korean literature, termed "modern Korean Literature" by Korean scholars, has been shaped by profound social and political transformations on the peninsula. Those decades of great suffering and change gave birth to poets and writers of broad vision and to works of literature that testify both to actual Korean experience within this history and to the Korean spirit of resistance and transcendence. It is this literature that offers the most concrete and abundant knowledge and intuition of the sensibilities and habits of thought and the moral values and aesthetic views that guided the lives of Koreans in the twentieth century.CONTENTS1900-1945: THE RISE OF MODERN LITERATURE: Two Moderns: Yi Kwangsu and Kim Tong-in Between Enlightenment and Art Elegies for a Lost Era: Kim Sowol and Han Yong-un Social Consciousness and the Rise of Realist Fiction Colonial Pastorals: Rural Sketches in Time of Oppression Modernization of Poetic Language and Imagination1945-1970: LIBERATION AND THE KOREAN WAR: Abundance Amid Privation: The Poetry of So Chongju Exploring Nature and Life: Yu Chihwan and Pak Mog-wol Tradition and Humanity: Kim Tongni and Hwang Sunwon Prose Poetry and Condensations of Poetic Language: Kim Su-yong and Kim Ch?unsu Currents in Fiction: Political Life and Existential Life1970-1990: LITERATURE IN AN INDUSTRIALIZING SOCIETY: The Shadows Cast by Industrialization Continuing Consequences of Korean Division The Expression of Social Concerns in Poetry Women?s Voices Explorations of Existence and Quests for New Language Expansions of Fictional Space ?The Era of Poetry? and Deconstructions of Language
