Engraving and Etching, 1400-2000

Engraving and Etching, 1400-2000

Author: Ad Stijnman

Publisher: Hes & De Graff Pub B V

Published: 2012

Total Pages: 0

ISBN-13: 9789061945918

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"This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries"--Publisher's website.


The Renaissance of Etching

The Renaissance of Etching

Author: Catherine Jenkins

Publisher: Metropolitan Museum of Art

Published: 2019-10-21

Total Pages: 311

ISBN-13: 1588396495

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The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}


Etching, Engraving and Other Intaglio Printmaking Techniques

Etching, Engraving and Other Intaglio Printmaking Techniques

Author: Ruth Leaf

Publisher: Courier Corporation

Published: 2012-07-12

Total Pages: 242

ISBN-13: 0486139247

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Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.


The Complete Engravings, Etchings and Drypoints of Albrecht Drer

The Complete Engravings, Etchings and Drypoints of Albrecht Drer

Author: Albrecht Drer

Publisher: Courier Corporation

Published: 1972-06-01

Total Pages: 255

ISBN-13: 0486228517

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All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.


The Art and Practice of Etching

The Art and Practice of Etching

Author: Henry Thomas Alken

Publisher:

Published: 2019-08-14

Total Pages: 98

ISBN-13: 9780371204917

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This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!


Artists and Amateurs

Artists and Amateurs

Author: Perrin Stein

Publisher: Yale University Press

Published: 2013-10-29

Total Pages: 247

ISBN-13: 0300197004

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Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.


The Restoration of Engravings, Drawings, Books, and Other Works on Paper

The Restoration of Engravings, Drawings, Books, and Other Works on Paper

Author: Max Schweidler

Publisher: Getty Publications

Published: 2006

Total Pages: 320

ISBN-13: 9780892368358

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Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati