The Art of Music

The Art of Music

Author: Patrick Coleman

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 321

ISBN-13: 0300215479

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"The Art of Music takes the relationship between two of the more prominent and oft-intersecting branches of artistic creation as its subject. The liaison between music and the visual arts has inspired countless generations of artists. The two have had manifold complex interactions across all periods of history, in Western and non-Western contexts alike, yet their intersection has only become a rich vein for research by art historians and musicologists in the last thirty years. By tracing these relationships, new insights into the affinities of the arts become clear"--


Representing History, 900-1300

Representing History, 900-1300

Author: Robert Allan Maxwell

Publisher: Penn State Press

Published: 2010

Total Pages: 290

ISBN-13: 0271036362

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"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.


Music in Art

Music in Art

Author: Alberto Ausoni

Publisher: Getty Publications

Published: 2009

Total Pages: 386

ISBN-13: 0892369655

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From ancient sculptures to Renaissance paintings & modern art, this volume explores the depiction of music, musical instruments & musical performance in Western art through the ages.


Music in Art

Music in Art

Author: Tom Phillips

Publisher: Prestel Publishing

Published: 1997

Total Pages: 136

ISBN-13:

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Art loves music: From the tombs of Ancient Egypt to the late 20th century, painting and sculpture have played their variations on musical themes. Tom Phillips examines masterpieces from the history of the visual arts that have been inspired by music. In a series of colorful images we meet the music-makers -- the men and women who, in the act of playing and listening to music, have provided rich subject matter for artists throughout the centuries. The long affair between these arts had its passionate moments. The orchestral angels of the Renaissance and the seraphic choristers of the Baroque yield to the domestic music-making of the masters of the Dutch interior. The pastoral concerts of Venetian and French artists of the 17th and 18th centuries give way to the Impressionists and the still lifes and soloists of Cubism. Finally, the musical abstractions of Paul Klee and Wassily Kandinsky lead to the often-ironic or iconoclastic references to music in the experimental art of the end of this century. Tom Phillips seeks out these colorful meetings between the sister arts and spins an intriguing web of anecdote and interpretation to link them through the ages. As an artist, he understands how pictures are made and as a writer he can convey this understanding with humor and clarity. Since he is also a composer in his own right his insights have the added value of musical authenticity as well as artistic authority. Each of the 50 short essays focuses on a particular work of art or contrasts two or more approaches to a similar theme. A diverse range of artists is featured, including Rembrandt, Leonardo, Veronese, Titian, Caravaggio, Renoir, Van Gogh, Matisse and Picasso. We are introduced tocomposers who are painters, and painters who are accomplished musicians, and learn how their thoughts can often provide the key to understanding musical and artistic styles.


The Invisible Art of Film Music

The Invisible Art of Film Music

Author: Laurence E. MacDonald

Publisher: Scarecrow Press

Published: 2013-05-02

Total Pages: 625

ISBN-13: 0810883988

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Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain,and Slumdog Millionaire. MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.


Music as an Art

Music as an Art

Author: Roger Scruton

Publisher: Bloomsbury Publishing

Published: 2018-08-23

Total Pages: 293

ISBN-13: 1472955722

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Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author's struggle to encourage his students to distinguish the qualities of good music. Scruton then explains – via erudite chapters on Schubert, Britten, Rameau, opera and film – how we can develop greater judgement in music, recognising both good taste and bad, establishing musical values, as well as musical pleasures. As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment. As he shows in Music as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization.


Art and Music in the Early Modern Period

Art and Music in the Early Modern Period

Author: KatherineA. McIver

Publisher: Routledge

Published: 2017-07-05

Total Pages: 459

ISBN-13: 1351575686

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The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.


Art, Music and Spectacle in the Age of Rubens

Art, Music and Spectacle in the Age of Rubens

Author: Anna C. Knaap

Publisher: Harvey Miller Pub

Published: 2014-05-06

Total Pages: 351

ISBN-13: 9781905375837

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This volume deals with the triumphal entry of the Cardinal-Infante Ferdinand, brother of King Philip IV of Spain, into Antwerp in 1635, one of the largest and most spectacular festivals ever mounted in an early modern city. The outdoor festivities in honor of the city's new governor included a citywide procession, performances, fireworks, music, and political speeches. Along the processional route appeared nine richly ornamented stages and arches designed by Peter Paul Rubens and executed by a group of local painters and sculptors, including Jacob Jordaens, Theodoor van Thulden, and Jan van den Hoecke. A group of highly distinguished specialists from different disciplines will discuss the entry and Gevaerts' book from a myriad of viewpoints, including art, architecture, music, theater, history, politics, classical knowledge, and economic and intellectual networks. It is the first time that the entry will be examined from a truly interdisciplinary perspective.