Nathaniel Hawthorne remains one of the most widely read and taught of American authors. This Historical Guide collects a number of original essays by Hawthorne scholars that place the author in historical context. Like other volumes in the series, A Historical Guide to Nathaniel Hawthorne includes an introduction, a brief biography, a bibliographical essay, and an illustrated chronology of the author's life and times. Combining cultural criticism with historical scholarship, this volume addresses a wide range of topics relevant to Hawthorne's work, including his relationship to slavery, children, mesmerism, and the visual arts.
One of the first American short story writers, Nathaniel Hawthorne is also among the finest. A sampling of his stories reads like an anthology of great literature: My Kinsman, Major Molineux; The Celestial Railroad; The Minister's Black Veil; The Maypole of Merry Mount; The Birthmark. Common to all Hawthorne's work is an intellectual, emotional, and psychological richness that may well remain unparalleled in fiction today. Indeed, as scholars learn more about history, literature, sociology, and psychology, the more they unlock secrets in Hawthorne's work. Few writers, of any generation, genre, or language have shared - or even approached - Hawthorne's lucid vision of the mind's hidden landscape. More remarkable, perhaps, was the compassion he felt for his subjects, while exploring their sin, guilt, cruelty, and arrogance. Human beings, he felt, can afford to face their flaws because they have the capacity to grow beyond them. Even his peers acknowledged his place in literary history: D. H. Lawrence called Hawthorne "the American wonder-child with his magical, allegorical insight"; Henry James wrote an entire book of criticism about him; and Herman Melville, in deference to Hawthorne's "great power of blackness", dedicated Moby Dick to his friend and neighbor. Nancy Bunge investigates the whole of Hawthorne's short fiction canon, including a number of the less celebrated stories. Her specific and detailed analyses include fresh commentaries on Hawthorne's lush and demanding fiction, including observations afforded by the moral, social, and historical interpretations of the stories. Many of her theories are not found in the extant body of criticism, and still others take the generalpatterns of critical interpretation to new levels. Bunge's thorough inspection also sheds light on the relation of the fiction to Hawthorne's own biography, including his Puritan roots.
Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
Offers critical entries on Hawthorne's novels, short stories, travel writing, criticism, and other works, as well as portraits of characters, including Hester Prynne and Roger Chillingworth. This reference also provides entries on Hawthorne's family, friends - ranging from Herman Melville to President Franklin Pierce - publishers, and critics.
As the author of The Scarlet Letter, Nathaniel Hawthorne has been established as a major writer of the nineteenth century and the most prominent chronicler of New England and its colonial history. This introductory book for students coming to Hawthorne for the first time outlines his life and writings in a clear and accessible style. Leland S. Person also explains some of the significant cultural and social movements that influenced Hawthorne's most important writings: Puritanism, Transcendentalism and Feminism. The major works, including The Scarlet Letter, The House of the Seven Gables and The Blithedale Romance, as well as Hawthorne's important short stories and non-fiction, are analysed in detail. The book also includes a brief history and survey of Hawthorne scholarship, with special emphasis on recent studies. Students of nineteenth-century American literature will find this a rewarding and engaging introduction to this remarkable writer.
Tracing the segmentation of the literary marketplace in 19th century America, this book analyses the implications of the subdivided literary field for readers, writers, and literature itself.
Edgar Allan Poe (1809-1849), son of itinerant actors, holds a secure place in the firmament of history as America's first master of suspense. Displaying scant interest in native scenes or materials, Edgar Allan Poe seems the most un-American of American writers during the era of literary nationalism; yet he was at the same time a pragmatic magazinist, fully engaged in popular culture and intensely concerned with the "republic of letters" in the United States. This Historical Guide contains an introduction that considers the tensions between Poe's "otherworldly" settings and his historically marked representations of violence, as well as a capsule biography situating Poe in his historical context. The subsequent essays in this book cover such topics as Poe and the American Publishing Industry, Poe's Sensationalism, his relationships to gender constructions, and Poe and American Privacy. The volume also includes a bibliographic essay, a chronology of Poe's life, a bibliography, illustrations, and an index.
An excellent primer to the work and milieu of Henry James, this collection of essays highlights the historical and cultural issues that influenced the great novelist.
This important new reading of a central figure in American literary history, significant in its own right, powerfully demonstrates the potential of Davis's critical approach.
With contributions from major scholars of African American literature, history, and cultural studies, A Historical Guide to James Baldwin focuses on the four tumultous decades that defined the great author's life and art. Providing a comprehensive examination of Baldwin's varied body of work that includes short stories, novels, and polemical essays, this collection reflects the major events that left an indelible imprint on the iconic writer: civil rights, black nationalism and the struggle for gay rights in the pre- and post-Stonewall eras. The essays also highlight Baldwin's under-studied role as a trans-Atlantic writer, his lifelong struggle with faith, and his use of music, especially the blues, as a key to unlock the mysteries of his identity as an exile, an artist, and a black American in a racially hostile era.
