Seventeen explorations of the morbid and the macabre include works by Roald Dahl, A. E. Coppard, Ambrose Bierce, Milovan Djilas, Terry Southern, William Goyen, George Heym, H. G. Wells, and H. P. Lovecraft
From the creative team that brought you the Mississippi Zombie anthology series. For fans of Creepshow, Tales from the Crypt, Black Mirror, and The Twilight Zone! Welcome to the Harvest of Horror! The stories contained within are a smorgasbord of entertaining tales designed to thrill, chill, and just plain ol scare the hell out of you! From World War 1 vampires to serial killers, to scary dolls and even scarier kids, with a creature or two thrown in. This collection contains some of the twisted short tales by the three award nominated original Mississippi Zombie creators, Bradley Golden, Peter Breau, and Marcus H Roberts. So sit back, relax if you can, and be prepared to be served up a heaping helping of horror! A Caliber Comics release.
Chronicles the events of 1929 to 1933 in the Ukraine when Stalin's Soviet Communist Party killed or deported millions of peasants; abolished privately held land and forced the remaining peasantry into "collective" farms; and inflicted impossible grain quotas on the peasants that resulted in mass starvation.
NOW AN ORIGINAL MOTION PICTURE, AVAILABLE FOR STREAMING! Norman Partridge's Bram Stoker Award-winning novel, Dark Harvest, is a powerhouse thrill-ride with all the resonance of Shirley Jackson's "The Lottery." “A major talent.” —Stephen King Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town. He's willing to risk everything, including his life, to be a winner for once. But before the night is over, Pete will look into the saw-toothed face of horror—and discover the terrifying true secret of the October Boy. “This is contemporary American writing at its finest.” —Publishers Weekly, starred review At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Bell Witch is real. And her terrifying game has begun...In Black River, Tennessee, there is a legend hiding in the shadowy trees. The Bell Witch, a vile, vindictive spirit, is said to haunt the dark woods. Driven by rage, she stalks the descendants of four ancient families-cursed bloodlines, doomed to play out her sadistic game for eternity. Until four young survivors take a stand, and vow to end the witch's curse once and for all. Their journey will pit them against death, madness, and demonic forces. But if they fail, the witch's curse will claim a new generation of souls... This volume contains books 1 - 3 of the bone-chilling Bell Witch series: The Harvest (Book 1): When a member of each family stumbles upon the witch's cursed music box, they are forced to journey into the dark and twisted woods in search of the keys to their salvation. Sacrificial Grounds (Book 2): A bloody confrontation with the witch's cult forces the group to flee into her decrepit old house, where they must each confront their darkest fears... The Witch Cave (Book 3): Vowing to destroy the Bell Witch once and for all, the four survivors venture into a network of flooded tunnels, where demonic spirits torment them with nightmares of the past. And the only way out requires one of them to make the ultimate sacrifice...
Amid the sweet sounds of a music box, their darkest fears will haunt them...In Black River, Tennessee, everyone knows the legend of the Bell Witch... and the alleged curse that hangs like a dark shroud over the town. To some, it is just a local tall tale. But to others, it is terrifyingly real. For centuries, four families have been forced into the ritualistic tradition of sacrifice and terror. Every year, a member of each family stumbles upon an antique music box they need to lock before the time is up. And a horrible fate awaits them once the boxes open. Trapped in the witch's sadistic game, the families' young offspring are forced to journey into the dark and twisted woods of Black River in search for the keys to their salvation. But as they search for a way to end the curse, a haunting melody echoes through the trees. And each lost soul must wonder... Will they survive the night? Or will the Bell Witch's bloody harvest claim more victims?
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
Different Horrors, Same Hell brings together a variety of essays demonstrating the breadth of contributions that feminist theory and gender analysis make to the study of the Holocaust. The collection provides new perspectives on central works of Holocaust scholarship and representation, from the books of Hannah Arendt and Ruth Kl�ger to films such as Claude Lanzmann's Shoah and Steven Spielberg's Schindler's List. Interviews with survivors and their descendants draw new attention to the significance of women's roles and family structures during and in the aftermath of the Holocaust, and interviews and archival research reveal the undercurrents of sexual violence within the Final Solution. As Doris Bergen shows in the book's first chapter, the focus on women's and gender issues in this collection "complicates familiar and outworn categories, and humanizes the past in powerful ways."