The Theatre of Howard Barker

The Theatre of Howard Barker

Author: Charles Lamb

Publisher: Psychology Press

Published: 2005

Total Pages: 239

ISBN-13: 041531531X

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First published in 1997 as Howard Barker's theatre of seduction. This second, fully revised, edition includes a new interview with Barker, a revised introduction, an updated bibliography and a full production chronology.


Howard Barker: Ecstasy and Death

Howard Barker: Ecstasy and Death

Author: D. Rabey

Publisher: Springer

Published: 2009-04-17

Total Pages: 299

ISBN-13: 0230582036

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Barker has been acclaimed as 'England's greatest living dramatist' in The Times and as 'the Shakespeare of our age' by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.


Howard Barker's art of theatre

Howard Barker's art of theatre

Author: David I Rabey

Publisher: Manchester University Press

Published: 2016-05-16

Total Pages: 391

ISBN-13: 1526111225

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Director-dramatist Howard Barker is a restlessly prolific, compulsively controversial and provocative multi-media artist. Beyond his internationally performed and acclaimed theatrical productions, and his award-winning theatre company The Wrestling School, he is also a poet, a painter whose work has been exhibited internationally, and a philosophical essayist cognisant of the unique power of art to provoke moral speculation, and of the distinctive theatricality of the human being in times of crisis. This collection of essays provides international perspectives on the full range of Barker’s achievements, theatrical and otherwise, and argues for their unique importance and urgency at the forefront of several genres of provocative modern art. It includes an interview with the artist and an essay by Barker himself.


Arguments for a Theatre

Arguments for a Theatre

Author: Howard Barker

Publisher: Manchester University Press

Published: 1993

Total Pages: 196

ISBN-13: 9780719039980

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Howard Barker, author of over thirty plays, has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays include The Castle, Scenes from an Execution and The Possibilities. All of his plays are emotionally highly charged, intellectually stimulating and far removed from the theatrical conventions of what he terms 'the Establishment Theatre'. These fragments, essays, thoughts and poems on the nature of theatre likewise reject the constraints of 'objective' academic theatre criticism. They explore the collision (and collusion) of intellect and artistry in the creative act. This book is more than a collection of essays: it is a cultural manifesto for Barker's own 'Theatre of Catastrophe'.


Body and Event in Howard Barker's Drama

Body and Event in Howard Barker's Drama

Author: Alireza Fakhrkonandeh

Publisher: Springer Nature

Published: 2019-11-09

Total Pages: 160

ISBN-13: 3030286991

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This book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).


Gertrude

Gertrude

Author: Howard Barker

Publisher: Calder Publications Limited

Published: 2002

Total Pages: 156

ISBN-13:

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Drama. Barker's recent work, now firmly part of the international repertoire, is characterized by an ever deepening investment in language and metaphor; a poet of the stage, his texts resonate at many levels of the European cultural past and illuminate its present. The plays in this volume review the roles of two legendary women in fiction--Gertrude, Hamlet's mother and Snow White's Wicked Stepmother--placing them at centre stage and offering a fresh interpretation of their attitudes and actions.


British Playwrights, 1956-1995

British Playwrights, 1956-1995

Author: William W. Demastes

Publisher: Bloomsbury Publishing USA

Published: 1996-10-23

Total Pages: 515

ISBN-13: 1567507433

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The year 1956 marked a point when British drama and theater fell into the hands of a group of young playwrights who revolutionized the stage. During that time, playwrights such as Samuel Beckett and Harold Pinter made the British theater as rich, varied, and vital as any national theater in history. This reference chronicles the history of British theater from 1956 to 1995 by providing detailed information about the playwrights of that period. Included are entries for some three dozen British playwrights active between 1956 and 1995. Entries are arranged alphabetically to facilitate use. Each entry supplies biographical information, the production history for particular plays, a survey of the playwright's critical reception, an assessment of the dramatist's work, and primary and secondary bibliographies. A selected, general bibliography at the end of the volume directs the reader to important sources of additional information about this period in theater history.


Theatre of Catastrophe

Theatre of Catastrophe

Author: Karoline Gritzner

Publisher: Bloomsbury Publishing

Published: 2016-03-02

Total Pages: 333

ISBN-13: 1783192313

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Fifteen essays on the style, language and vision of one of Britain’s most influential and controversial playwrights. Focusing on different aspects of what Barker has called the Theatre of Catastrophe, an international range of academics offer illuminating interpretations of his work. Includes analyses of the political, moral and historical aspects of his writing, its poetry and eroticism, its depiction of the figure of the artist, and Barker’s writing in performance. Includes contributions from Elisabeth Angel-Perez, Mary Karen Dahl, Helen Iball, Christine Kiehl, Charles Lamb, Chris Megson, Roger Owen, Dan Rebellato, James Reynolds, Elizabeth Sakellaridou, Andy Smith, Liz Tomlin, Heiner Zimmerman.