This handbook is the first comprehensive field guide to both agricultural and Native American stone structures found throughout northeastern United States. These stone structures include stone cairns, chambers, standing stones, niches, enclosures, stone walls, foundations, wells, pedestal boulders, Manitou stones, and other structures. The handbook provides the means to identify, document, analyze, and interpret these structures.
A Guide to New England Stone Structures is a basic field guide to identifying the many different types of stone structures found while hiking through the forest and conservation lands in New England.
A ground-breaking study of ceremonial stone landscapes in Northeast America and their relationship to other sites around the world • Features a comprehensive field guide to hundreds of megalithic stone structures in northeastern America, including cairns, perched boulders, and effigies • Details the Wall of Manitou, the Hammonasset Line, landscape astronomy along the Hudson River, and a several-acre area in Woodstock, NY, with large, carefully constructed lithic formations • Analyzes the archaeoastronomy, archaeoacoustics, and symbolism of these sites to reveal their relationships to other ceremonial stone sites across America and the world Presenting a comprehensive field guide to hundreds of lost, forgotten, and misidentified megalithic stone structures in northeastern America, Glenn Kreisberg documents many enigmatic formations still standing across the Catskill Mountain and Hudson Valley region, complete with functioning solstice and equinox alignments. Kreisberg provides a first-person description of the “Wall of the Manitou,” which runs for 10 miles along the eastern slopes of the Catskill Mountains, as well as narratives about related sites that include animal effigies, reproductive organs, calendar stones, enigmatic inscriptions, and evidence of alignments. Using computer software, he plots the trajectory of the Hammonasset Line, which begins at a burial complex near the tip of Long Island and runs to Devil’s Tombstone in Greene County, New York. He shows how the line runs at the same angle that marks the summer solstice sunset from Montauk Point on Long Island, and, when extended, intersects the ancient copper mines of Isle Royal in Upper Michigan. He documents a several-acre area on Overlook Mountain in Woodstock, New York, with a grouping of very large, carefully constructed lithic formations that together create a serpent or snake figure, mirroring the constellation Draco. He demonstrates how this site is related to the Serpent Mount in Ohio and Ankor Wat in Cambodia and reveals how all of the vast, interlocking sites in the Northeast were part of an ancient spiritual landscape based on a sophisticated understanding of the cosmos, as practiced by ancient Native Americans. While modern historians consider these sites to be colonial era constructions, Kreisberg reveals how they were used to communicate with the spirit world and may be remnants of a long-vanished civilization.
"This is an important new reference work for the professional archaeologist as well as the student and collector." --Central States Archaeological Journal "Justice... admirably synthesizes the scientific information integrating it with the popular approach. The result is a publication that readers on both sides of the spectrum should enjoy as well as comprehend." --Choice "... an indispensable guide to the literature. Attractive layout, design, and printing accent the useful text.... it should remain the standard reference on point typology of the midwest and eastern United States for many years to come." --Pennsylvania Archaeologist Archaeologists and amateur collectors alike will rejoice at this important reference work that surveys, describes, and categorizes the projectile points and cutting tools used in prehistory by the Indians in what are now the middle and eastern sections of the United States, from 12,000 B.C. to the beginning of the historic period. Mr. Justice describes over 120 separate types of stone arrowheads and spear points according to period, culture, and region. His detailed drawings show how Native Americans shaped their tools, what styles were peculiar to which regions, and how the various types can best be identified. There are over 485 drawings organized by type cluster and other identifying characteristics. The work also includes distribution maps and 111 examples in color.
For most people, the term “root cellar” evokes an image of a brick or stone masonry subterranean structure tunneled into a hillside. These classic root cellars are only one of a number of different types of structures used to preserve root crops, vegetables and fruits over the past 400 years. The other structures include subfloor pits, cooling pits, house cellars, barn cellars, field root pits & trenches, and root houses. Root Cellars in America provides a history of all the structures, discusses their design principles, and details how they were constructed. The text is accompanied by period illustrations from the agricultural literature along with archaeological photographs.
Scattered throughout the woodlands and fields of the eastern seaboard of the United States and Canada are tens of thousands of stone monuments. These stone constructions have been the subject of debate among archaeologists and antiquarians for the past seventy-five years. Prominent among the competing hypotheses have been the allegations that all of these structures were built by colonial farmers removing rocks from their fields; or that they were built by pre-Columbian transatlantic voyagers; or that they are the result of natural deposition by glaciers or downslope erosion; or that they were constructed as sacred places by the indigenous peoples of the region. The latter hypothesis has gained significant attention over the past decade, as the result of strong and vocal support from the regional descendant indigenous communities for the preservation of these monuments, called by them "stone prayers," from encroachment and desecration by development interests. The purpose of this book is to provide quantitative support for the indigenous construction hypothesis, by providing a framework firmly and explicitly situated in the scientific method to test the four hypotheses above against a robust set of data - a total of 5,550 sites from the entire region.
In the summer of 1974 Byron Dix discovered in Vermont the first of many areas in New England believed to be ancient Native American ritual sites. Dix and coauthor James Mavor tell the fascinating story of the discovery and exploration of these many stone structures and standing stones, whose placement in the surrounding landscape suggests that they played an important role in celestial observation and shamanic ritual.
Children of the Stone is the unlikely story of Ramzi Hussein Aburedwan, a boy from a Palestinian refugee camp in Ramallah who confronts the occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then inspires scores of others to work with him to make that dream a reality. That dream is of a music school in the midst of a refugee camp in Ramallah, a school that will transform the lives of thousands of children through music. Daniel Barenboim, the Israeli musician and music director of La Scala in Milan and the Berlin Opera, is among those who help Ramzi realize his dream. He has played with Ramzi frequently, at chamber music concerts in Al-Kamandjati, the school Ramzi worked so hard to build, and in the West-Eastern Divan Orchestra that Barenboim founded with the late Palestinian intellectual, Edward Said. Children of the Stone is a story about music, freedom and conflict; determination and vision. It's a vivid portrait of life amid checkpoints and military occupation, a growing movement of nonviolent resistance, the past and future of musical collaboration across the Israeli-Palestinian divide, and the potential of music to help children see new possibilities for their lives. Above all, Children of the Stone chronicles the journey of Ramzi Aburedwan, and how he worked against the odds to create something lasting and beautiful in a war-torn land.
