History of Art

History of Art

Author: Marcia Pointon

Publisher: Routledge

Published: 2014-03-21

Total Pages: 182

ISBN-13: 113618614X

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This fully revised edition of the History of Art: A Student's Handbook introduces students to the kinds of practices, challenges, questions and writings they will encounter in studying the history of art. Marcia Pointon conveys the excitement of Art History as a multi-faceted discipline addressing all aspects of the study of media, communication and representation. She describes and analyses different methods and approaches to the discipline, explaining their history and their effects on the day-to-day learning process. She also discusses the relationship of Art History to related disciplines including film, literature, design history and anthropology. The fifth edition of this classic text includes: • information on why Art History is important and relevant in today’s world guidance on choosing a degree course case studies of careers pursued by Art History graduates advice on study skills and reading methods a bibliography and further reading detailed up to date advice on electronic resources and links to essential websites History of Art covers academic, training and vocational aspects of Art History, providing a wealth of information on the characteristics of courses available and on the relationship between Art History and the world of museums and heritage.


Kerry James Marshall: History of Painting

Kerry James Marshall: History of Painting

Author:

Publisher: David Zwirner Books

Published: 2019-09-17

Total Pages: 97

ISBN-13: 1644230151

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Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.


A Handbook of Roman Art

A Handbook of Roman Art

Author: Martin Henig

Publisher: Phaidon Press

Published: 1994-01-01

Total Pages: 288

ISBN-13: 9780714823010

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An indispensable guide to the creative output of the Roman empire. In this companion volume to Gisela Richter's Handbook of Greek Art, the subject of Roman art is treated by a team of 11 experts. Extending in time from Early Rome to Late Antiquity, and including the provinces as well as Rome and Italy, the book covers a vast scope, ranging from architecture and painting to jewellery, coins and inscriptions. Richly illustrated and with detailed notes and bibliography, this survey is a comprehensive text for all students of Roman art and civilization.


Art History for Filmmakers

Art History for Filmmakers

Author: Gillian McIver

Publisher: Bloomsbury Publishing

Published: 2017-03-23

Total Pages: 647

ISBN-13: 1474246206

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Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.