William Fenton

William Fenton

Author: William Nelson Fenton

Publisher: U of Nebraska Press

Published: 2009-12-01

Total Pages: 398

ISBN-13: 0803216076

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William N. Fenton?s contributions to the understanding of the cultures and histories of the Iroquois are formidable. Fenton grounded his studies in decades of fieldwork among the Senecas, an encyclopedic knowledge of pertinent historical accounts, a keen appreciation for interpretive theory and practice in ethnohistory and anthropology, and an enduring, generous character. ø William Fenton: Selected Writings brings together for the first time Fenton?s most influential writings on the Iroquois and anthropology, written across nearly six decades. This volume includes Fenton?s classic studies of such key issues as Iroquois folklore, factionalism, and the repatriation of material culture; discussions of theory and practice and the methodology of ?upstreaming?; obituaries of colleagues and reviews of other studies of the Iroquois; and summaries of the early Conferences on Iroquois Research. This collection reveals much about the world of the Iroquois, past and present, as well as the career and accomplishments of Fenton himself.


Pacific Art

Pacific Art

Author: Anita Herle

Publisher: University of Hawaii Press

Published: 2002-01-01

Total Pages: 486

ISBN-13: 9780824825560

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Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.


Inventorying Cultural Heritage Collections

Inventorying Cultural Heritage Collections

Author: Sandra Vanderwarf

Publisher: Rowman & Littlefield

Published: 2022-03-14

Total Pages: 235

ISBN-13: 1538107260

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This two-part text opens with an argument few collections practitioners would contest: Regular inventories are central to meaningful, sustainable, and ethical collections preservation and access. But Vanderwarf and Romanowski argue that in practice—some 25 years working with diverse collections between them—inventories are uncommon: instead of functioning as a commonplace feature of collections care, they tend to be evoked as a last resort when a museum has lost control of its collection. Part I offers a flexible project management framework that illustrates strategies for reining in control of collections now. From identifying objectives that best serve the collection in question to securing stakeholder support and planning time and resources, Part I eliminates some guesswork around what may be an unprecedented and intensive project. To maintain the benefits of a project-style inventory, the authors then encourage practitioners to embrace inventory as an ongoing, evolving collections care function that reflects changing professional values and expectations from the communities museums serve. By centering computerized databases, barcoding, and digital collections, the authors further acknowledge these technologies as permanent, evolving features of collections and inventory practice that merit increased resourcing. Part II gives voice to practitioners around the world through case studies that affirm the vital role of inventories in regaining control of collections. Some of these inventories occurred during the course of everyday work, while others were responses to natural disasters and armed conflict. Still others may be seen as expressions of social justice. As much as the authors offer a guide to performing inventories, thereby filling a longstanding gap in the literature, they invite cultural heritage institutions to rethink how the stories held in collections can be better told and preserved through enhanced inventory practice. The book will benefit seasoned museum collections practitioners as well as those who lack access to formal museology education and training. The book targets stewards of cultural heritage and material culture collections with varying resources