This book strives to motivate kids to take charge of their history and to follow their dreams, no matter what. Take a trip to the museum with Sophia and see how she decides to make her history matter.
This book strives to motivate kids to take charge of their history and to follow their dreams, no matter what. Take a trip to the museum with Sophia and see how she decides to make her history matter.--
When a diphtheria epidemic hits her 1840 village, thirteen-year-old Jessie discovers it is actually a 1996 tourist site under unseen observation by heartless scientists, and it's up to Jessie to escape the village and save the lives of the dying children.
Who are the girls that helped build America? Conventional history books shed little light on the influence and impact of girls’ contributions to society and culture. This oversight is challenged by Girl Museum and their team, who give voices to the most neglected, yet profoundly impactful, historical narratives of American history: young girls. Exploring American Girls’ History through 50 Historic Treasures showcases girls and their experiences through the lens of place and material culture. Discover how the objects and sites that girls left behind tell stories about America that you have never heard before. Readers will journey from the first peoples who called the continent home, to 21st century struggles for civil rights, becoming immersed in stories that show how the local impacts the global and vice versa, as told by the girls who built America. Their stories, dreams, struggles, and triumphs are the centerpiece of the nation’s story as never before, helping to define both the struggle and meaning of being “American.” This full-color book is a must-read for those who yearn for more balanced representation in historic narratives, as well as an inspiration to young people, showing them that everyone makes history. It includes color photographs of all the treasured objects explored.
A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and the Sunday Times (London). A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and the reader’s delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.
The first museum in the world to focus exclusively on art created by women, the National Museum of Women in the Arts opened to the public in Washington, D.C., in 1987. Its treasures include paintings, sculpture, photographs, and crafts by renowned women artists from the Renaissance through this century and from four continents. Full-color illustrations.
“A charming, tender, and hilarious debut you will want to get lost in.” —Gayle Forman, bestselling author of If I Stay and I Was Here In this ode to all the things we gain and lose and gain again, seventeen-year-old Penelope Marx curates her own mini-museum to deal with all the heartbreaks of love, friendship, and growing up. Welcome to the Museum of Heartbreak. Well, actually, to Penelope Marx’s personal museum. The one she creates after coming face to face with the devastating, lonely-making butt-kicking phenomenon known as heartbreak. Heartbreak comes in all forms: There’s Keats, the charmingly handsome new guy who couldn’t be more perfect for her. There’s possibly the worst person in the world, Cherisse, whose mission in life is to make Penelope miserable. There’s Penelope’s increasingly distant best friend Audrey. And then there’s Penelope’s other best friend, the equal-parts-infuriating-and-yet-somehow-amazing Eph, who has been all kinds of confusing lately. But sometimes the biggest heartbreak of all is learning to let go of that wondrous time before you ever knew things could be broken…
Once there was a girl who lived in a castle. The castle was inside a museum. When children visited, they’d press against the glass globe in which the castle sat, to glimpse the tiny girl. But when they went home, the girl was lonely. Then one day, she had an idea! What if you hung a picture of yourself inside the castle inside the museum, inside this book? Then you’d able to keep the girl company. Reminiscent of “The Lady of Shalot,” here is an original fairy tale that feels like a dream—haunting, beautiful, and completely unforgettable.
This 1995 Whitbread Book of the Year paints a rich, vivid portrait of heartbreak and happiness, recounting the story of Ruby Lennox, a narrator who will leave no stone unturned in her account of family life above a pet shop in England. "A poignant and beautifully wrought portrait of a young girl's growth".--"Seattle Times".