Spending the Christmas season at her aunt and uncle’s country manor for the first time since her father’s death, Lucy both yearns for and dreads reuniting with Walter, to whom she’d almost become engaged. In her present financial straits, Lucy feels she’s no longer a proper match for a wealthy gentleman’s heir. How can she let Walter down gently without destroying the friendship she still treasures? On the night before Christmas Eve, Walter tells a tale of a long-ago daughter of the household who eloped with her forbidden lover, a simple farmer. After his violent death in the mansion’s topiary garden, his spirit supposedly lingered. When Lucy’s little brother claims to glimpse the ghost among the animal-shaped bushes, she joins Walter in investigating the apparition—forcing them to face their shared past and the challenges of the future.
What has a bluish-greenish nose, sharp white teeth and big yellow eyes? It is the Big Green Monster, in this book children can change the features of the monster, it is designed to help dispel their fears of night-time monsters.
NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • Three generations of Taiwanese American women are haunted by the myths of their homeland in this spellbinding, visceral debut about one family’s queer desires, violent impulses, and buried secrets. “Gorgeous and gorgeously grotesque . . . Every line of this sensuous, magical-realist marvel is utterly alive.”—O: The Oprah Magazine FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • NPR • The New York Public Library • Kirkus Reviews One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth—and that she will have to bring her family’s secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family’s history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood. Praise for Bestiary “[A] vivid, fabulist debut . . . the prose is full of imagery. Chang’s wild story of a family’s tenuous grasp on belonging in the U.S. stands out with a deep commitment to exploring discomfort with the body and its transformations.”—Publishers Weekly
The Fantasy AGE Basic Rulebook is your entry point to tabletop roleplaying. Now you can be the hero in your own sword and sorcery adventures! This is the game played on Wil Wheaton's new tabletop RPG show, Titansgrave: The Ashes of Valkana. The Adventure Game Engine (AGE) rules are easy to learn, and feature an innovative stunt system that keeps the action tense and exciting. This Basic Rulebook includes full 20 level advancement for all three classes, a new magic system, advice for players and GMs, and an introductory adventure so you can get started right away. You can use Fantasy AGE to run adventures in the campaign setting of your choice or a world of your own creation. A new AGE is upon us!
In 1954, a massive irradiated dinosaur emerged from Tokyo Bay and rained death and destruction on the Japanese capital. Since then Godzilla and other monsters, such as Mothra and Gamera, have gained cult status around the world. This book provides a new interpretation of these monsters, or kaiju-ū, and their respective movies. Analyzing Japanese history, society and film, the authors show the ways in which this monster cinema take on environmental and ecological issues--from nuclear power and industrial pollution to biodiversity and climate change.
Originally published as three separate volumes--"Donkey's Years," " Dog Days," and "The Whole Hog"--"A Bestiary" relates the life and times of one of Ireland's greatest contemporary writers. As in his fiction, Higgins's writing exquisitely captures sights, smells, and emotions, detailing his life from childhood in County Kildare before his family's economic decline, to his mother's slow, agonizing death; from his travels in England and South Africa, to his two years spent living with a schoolmistress after the end of his first marriage. In writing his memoirs Higgins exposes the sources for many of his best novels, from "Scenes from a Receding Past" to "Langrishe, Go Down," giving the reader a rare look into the "story behind the story." But "A Bestiary" is more than a factual expose--this collection of memoirs is constructed in a novelistic way, creating a work of literary art out of a life.
Taking its cue from medieval bestiaries, this alphabet book is composed of 63 entries ranging from ADDER to WOLFHOUNDS, with each entry juxtaposing an image, an excerpt from a story by Alice Munro, and a commentary. The images are reproduced from original medieval illuminations, the excerpts feature an animal, or a human being depicted through animal comparison, and the commentaries highlight the way Munro suggests relationality between the human and the non-human. Munro troubles the boundaries between good and evil as she troubles the boundaries between human and non-human. Through the mask of the animal, she effects a release from strict morality and proposes an uncommon and undomesticated representation of human life, revolving on simultaneous transcendence and derision. The volume will appeal to Munro scholars and to lovers of Alice Munro alike because it solves some of the enigmas set by her stories but suggests other riddles and more secrets.
This spooky spoof on "This Is the House That Jack Built" is perfect Halloween fun! "This is the skeleton who nailed down the floor,That upset the werewolf who put in a door,That stopped the spider who started to crawl,That shocked the mummy who raised the wall,Inside the house that monsters built."This Is the House That Monsters Built uses the building verse characteristic of the original nursery rhyme "This Is the House That Jack Built." A vampire, a ghost, a zombie, a mummy, and more all contribute to the spooky fun in the house that monsters built.Young children will love the zany artwork featuring all the different monsters from bestselling illustrator Jared Lee!
An edge city, poised at the northernmost tip of Africa but just nine miles from Europe, Tangier is more than a destination, it is an escape. The Interzone, as William Burroughs called it, has attracted spies, outlaws, outcasts and writers for centuries – men and women breaking through artistic borders. The results were some of the most incendiary and influential books of our time and the list of outlaw originals is long, stretching from Ibn Battuta and Alexandre Dumas to Twain and Wharton and from the darkly brilliant Beats of Bowles, Kerouac, Gysin and Ginsberg to the great Moroccan novelists: Mohamed Choukri, Mohammed Mrabet and Tahar Ben Jelloun.
