A General History of the Pirates has long been a classic of seafaring literature and was inspiration to both Robert Louis Stevenson and J.M. Barrie. Nothing is known about Captain Charles Johnson, and it is thought that the name may be assumed - there are even some who believe he may have been Daniel Defoe. All that can be stated with any certainty is that in 1724 a small octavo volume appeared that became so popular it grew through 4 editions over 2 years and is still famed today. Historians from both sides of the Atlantic have attested to the accuracy of the work's content. This is a reprint of the 1927 reissued 4th edition - enhanced by the Arthur L. Hayward's editorial touches.
Treasure Neverland is about factual and fictional pirates. Swashbuckling eighteenth-century pirates were the ideal pirates of all time and tales of their exploits are still popular today. Most people have heard of Blackbeard and Captain Kidd even though they lived about three hundred years ago, but most have also heard of other pirates, such as Long John Silver and Captain Hook, even though these pirates never lived at all, except in literature. The differences between these two types of pirates - real and imaginary - are not quite as stark as we might think as the real, historical pirates are themselves somewhat legendary, somewhat fictional, belonging on the page and the stage rather than on the high seas. Based on extensive research of fascninating primary material, including testimonials, narratives, legal statements, colonial and mercantile records, Neil Rennie describes the ascertainable facts of real eighteenth-century pirate lives and then investigates how such facts were subsequently transformed artistically, by writers like Defoe and Stevenson, into realistic and fantastic fictions of various kinds: historical novels, popular melodramas, boyish adventures, Hollywood films. Rennie's aim is to watch, in other words, the long dissolve from Captain Kidd to Johnny Depp. There are surprisingly few scholarly studies of the factual pirates - properly analysing the basic manuscript sources and separating those documents from popular legends - and there are even fewer literary-historical studies of the whole crew of fictional pirates, although those imaginary pirates form a distinct and coherent literary tradition. Treasure Neverland is a study of this Scots-American literary tradition and also of the interrelations between the factual and fictional pirates - pirates who are intimately related, as the nineteenth-century writings about fictional pirates began with the eighteenth-century writings about supposedly real pirates. 'What I want is the best book about the Buccaneers', wrote Stevenson when he began Treasure Island in 1881. What he received, rightly, was indeed the best book: the sensational and unreliable History of the Pyrates (1724).
More than just a history of the real 'pirates of the Caribbean,' Pirates: A History explores piracy from ancient times to the present day, from the bloodthirsty Viking raiders who terrorised northern Europe to the legendary female Chinese pirate of the 1920s, Lai Choi San. In this history we see how thin the line was between a royally chartered privateer and a pirate, most notably epitomised by Francis Drake. Then there were the Renegades: Europeans captured by the Barbary corsairs who converted to Islam and became pirate captains in their own right. Some were simply cut-throat drunkards, but many pirate ships were run on surprisingly progressive, democratic principles. The 'golden age' of piracy is examined afresh and the colourful characters of the era brought to life. Accounts of Blackbeard, Black Barty and William Kidd illustrate the truth behind the legends of the Jolly Roger.
Postmodern Pirates offers a comprehensive analysis of Disney’s Pirates of the Caribbean series and the pirate motif in British literature and Hollywood movies through the lens of postmodern film theories.
This volume makes available the 1926 reissue of Captain Smith's fifth edition of A Complete History of the Highwaymen. The accounts and confessions are drawn from imprisoned villains who awaited their fate at the gallows.
A Complete History of the Highwaymen discloses the most secret and barbarous murders, unparalleled robberies, notorious thefts and unheard of cheats, setting them in a true light and exposing them to public view for the common benefit of mankind. The accounts and confessions are drawn from imprisoned villains who awaited their fate at the gallows. This reprint makes available the 1926 reissue of Captain Smith's fifth edition and includes an introduction by Arthur L. Hayward, which sets the accounts in the appropriate historical context.
"Dillman elegantly explores the evolution of English and British perceptions of the landscape of the West Indies and how their representations were used to support the development of the islands they colonized"--
