A Gallery to Play to is an intimate account of the lives and careers of the poets Adrian Henri, Roger McGough and Brian Patten. With unparalleled access to the three writers, Phil Bowen has written an indispensable book for anyone interested in poetry, popular culture and society over the last forty years.
Grayson Perry’s book will overturn everything you thought you knew about “art” Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he’s called this book Playing to the Gallery and not Sucking Up to the Academic Elite). This funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we’re too embarrassed to ask. Questions such as: What is “good” or “bad” art—and does it even matter? Is art still capable of shocking us or have we seen it all before? And what happens if you place a piece of art in a rubbish dump?
A landmark publication celebrating over 5,000 years of creativity, The Story of Scottish Art explores Scotland’s cultural identity and artistic output through the ages. This is the fascinating story of how Scotland has defined itself through its art over the past 5,000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow’s position as a center of artistic innovation today. BBC TV broadcaster and artist Lachlan Goudie passionately narrates the joys and struggles of artists striving to fulfill their vision and the dramatic transformations of Scottish society reflected in their art. The Story of Scottish Art is beautifully illustrated with diverse works from Scotland’s long tradition of bold creativity: Pictish carved stones and Celtic metalwork, Renaissance palaces and chapels, paintings of Scottish life and landscapes by Horatio McCulloch, David Wilkie, the Glasgow Boys, and Joan Eardley; designs by master architect Charles Rennie Mackintosh; and collage and sculpture by pop art pioneer Eduardo Paolozzi. Through Scotland’s remarkable artistic history, Goudie tells the story of a small country with an extraordinary creative output that influenced significant global movements, such as art nouveau and pop art, while constantly redefining its own practices.
The Art Gallery on Stage is the first book to consider the representation of the art gallery on the contemporary British stage and to discuss how playwrights have begun to regard it as inspiration, location, focus or theme in an ever-more intense game of cross-fertilization. The study analyzes the impact on dramatic form and theatrical presentation of what has been a paradigmatic shift in the way art galleries and museums display their collections and how these are perceived, establishing a hitherto unexplored connection between modes of exhibiting and modes of representation. It traces a trajectory from plays that were initially performed in traditional theatres in accordance with a naturalistic play structure to plays that favour of a radical reconfiguration of visual representation. Indeed, since the beginning of the new millennium, playwrights and theatre-makers have increasingly experimented with new dramatic forms and site-specific venues, while forging collaborations with art makers and curators. The book focuses on plays from the 1980s onwards, such as Howard Barker's Scenes from an Execution, Nick Dear's The Art of Success, Alan Bennett's A Question of Attribution, Timberlake Wertenbaker's Three Birds Alighting on a Field and The Line, David Edgar's Pentecost, Martin Crimp's Attempt on Her Life, Rebecca Lenkiewicz's Shoreditch Madonna and The Painter, David Leddy's Long Live the Little Knife, and Tim Crouch's My Arm, An Oak Tree and England, and considers the vital contribution to the field made by set designers. Ultimately, through this study, we come to understand how modern drama can offer a set of interpretative tools to enhance our understanding of the mechanisms underlying the social construction of art and, furthermore, the potential of theatre and the gallery space to question our fundamental cultural assumptions and values.
Starrfucker is a limited-edition fanzine from Los Angeles. Fanzines have become very successful in recent years, showcasing the men of a particular metropolis. They define the style and show the Now, capturing the zeitgeist of the city they represent. And Starrfucker from L.A. is right in the front row. - Current male nude photography from Los Angeles Trend: Limited - edition fanzines.
Featuring work by more than 150 artists from over 500 exhibitions staged at Lisson's galleries in London, Milan and New York since 1967, this substantial 1200-page volume celebrates the legacy and continuing importance of Lisson. The celebration is not only happening in book form, as there is also the accompanying exhibition Everything at Once, co-organised with The Vinyl Factory, taking place at the Store Studios in London (5 October - 10 December).Lisson Gallery's extensive and unique archive provides this book with more than 2,000 illustrations gathered from five decades of resources, including installation views, invitations, letters, postcards and other ephemera, essays and significant press clippings. The A-Z structure of ARTIST WORK LISSON features every artist to have had a solo show with Lisson: from ABRAMOVIC, AKOMFRAH, ANDRE and ARCANGEL, to RYMAN, SANDBACK and WEINER. Each is accompanied by a short narrative, notable review or previously published extract by many of the finest writers of the last half century including: Stuart Morgan, Okwui Enwezor, Iwona Blazwick, Germano Celant, Chrissie Iles, Lisa Phillips, Roberta Smith, Homi K Bhabha, Tom McCarthy and Robert Storr. As well as a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays and recollections by the founder, Nicholas Logsdail, and other members of the Lisson Gallery including Ossian Ward and Greg Hilty.These individual contributions, distributed throughout the book, address specific themes relevant to the gallery's unrivalled longevity and position at the centre of international contemporary art in Britain over the last 50 years: BEGINNINGS, COLLECTORS, MINIMALISM, INTERNATIONALISM, MARKET, MATERIAL, etc.Designed by renowned Dutch graphic designer Irma Boom, and follows the success of her Seth Siegelaub catalogue and exhibition design for the Stedelijk Museum, Amsterdam in 2016.
The bestselling author of The Art Forger and The Muralist delivers a page-turning historical thriller of art and revenge, of history and love, that will transport readers to 1920s Paris and America. It’s the summer of 1922, and nineteen-year-old Paulien Mertens finds herself in Paris—broke, disowned, and completely alone. Everyone in Belgium, including her own family, believes she stole millions in a sophisticated con game perpetrated by her then-fiancé, George Everard. To protect herself from the law and the wrath of those who lost everything, she creates a new identity, a Frenchwoman named Vivienne Gregsby, and sets out to recover her father’s art collection, prove her innocence—and exact revenge on George. When the eccentric and wealthy American art collector Edwin Bradley offers Vivienne the perfect job, she is soon caught up in the Parisian world of post-Impressionists and expatriates—including Gertrude Stein and Henri Matisse, with whom Vivienne becomes romantically entwined. As she travels between Paris and Philadelphia, where Bradley is building an art museum, her life becomes even more complicated: George returns with unclear motives . . . and then Vivienne is arrested for Bradley’s murder. B. A. Shapiro has made the historical art thriller her own. In The Collector’s Apprentice, she gives us an unforgettable tale about the lengths to which people will go for their obsession, whether it be art, money, love, or vengeance.
A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and The Sunday Times (London). An “exquisite” (The Washington Post) “hauntingly beautiful” (Associated Press) portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staff who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at The New Yorker, Patrick Bringley never thought that he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and your delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All the Beauty in the World is an “empathic” (The New York Times Book Review), “moving” (NPR), “consoling, and beautiful” (The Guardian) portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.
This book broadly educates preservice teachers and scholars about current research on computational thinking (CT). More specifically, attention is given to computational algorithmic thinking (CAT), particularly among underrepresented K–12 student groups in STEM education. Computational algorithmic thinking (CAT)—a precursor to CT—is explored in this text as the ability to design, implement, and evaluate the application of algorithms to solve a variety of problems. Drawing on observations from research studies that focused on innovative STEM programs, including underrepresented students in rural, suburban, and urban contexts, the authors reflect on project-based learning experiences, pedagogy, and evaluation that are conducive to developing advanced computational thinking, specifically among diverse student populations. This practical text includes vignettes and visual examples to illustrate how coding, computer modeling, robotics, and drones may be used to promote CT and CAT among students in diverse classrooms.
Ideal reference book of activities for anyone wanting to develop children's learning outdoors. "Play underpins all development and learning in young children" Practice Guidance for the Early Years Foundation Stage (2008, page 7). Learning through play is at the heart of the EYFS, and this series aims to give the practitioner as many play ideas as possible to support children's learning.