Arrested for snorting cocaine off a car bonnet, award-winning author and quintessential dilettante Frederic Beigbeder reflects on his troubled childhood, while spending a night in the cells.
Martin Turnell's The Rise of the French Novel is a successor to his highly praised earlier books, The Novel in France (1951) and The Art of French Fiction (1959). His aim now, however, is somewhat different, as can be seen from the title. It is well known that the reputations of many writers, novelists especially, diminish for a period following their deaths. Although in the eighteenth century Marivaux, Crébillon fils, and Rousseau all enjoyed a great deal of popularity during their lifetimes, it is only recently that they have been subject to truly searching studies. Yet they remain little read in English-speaking countries. Turnell emphasizes that in spite of the hostility of French critics and the fact that the novel did not reach its supremacy even in France until the nineteenth century, the beginning of its great rise was indeed with such writers as these. Their strong influence led such nineteenth-century novelists as Stendhal and Flaubert to all kinds of changes related to style, the enormous increase in the range of subject matter, and the marked development of language. Flaubert is the most striking example. It was pointed out some time ago by Eisenstein that Madame Bovary anticipates cinematic technique. One of Turnell's most interesting chapters explores the connections between the novel and film in general, and Madame Bovary in particular. In our own time, two of the most popular French novelists in both the United States and England are Alain-Fournier and Radiguet. They are given enthusiastic appreciations in Turnell's thoughtful book.
A single day in Paris changes the lives of three Americans as they each set off to explore the city with a French tutor, learning about language, love, and loss as their lives intersect in surprising ways. Josie, Riley, and Jeremy have come to the City of Light for different reasons: Josie, a young high school teacher, arrives in hopes of healing a broken heart. Riley, a spirited but lonely expat housewife, struggles to feel connected to her husband and her new country. And Jeremy, the reserved husband of a renowned actress, is accompanying his wife on a film shoot, yet he feels distant from her world. As they meet with their tutors—Josie with Nico, a sensitive poet; Riley with Phillippe, a shameless flirt; and Jeremy with the consummately beautiful Chantal—each succumbs to unexpected passion and unpredictable adventures. Yet as they traverse Paris’s grand boulevards and intimate, winding streets, they uncover surprising secrets about one another—and come to understand long-buried truths about themselves.
Award-winning romance author Sophia Nash makes her women’s fiction debut with a beautifully crafted, funny, and life-affirming story set in the Atlantic seaside region of France, as one woman returns to France to sell her family home and finds an unexpected chance to start over—perfect for fans of Le Divorce and The Little Paris Bookshop. Home is the last place Kate expected to find herself… As a child, Kate Hamilton was packed off each summer to her grandfather’s ivy-covered villa in southern France. That ancestral home, named Marthe Marie, is now crumbling, and it falls to Kate—regarded as the most responsible and practical member of her family—to return to the rugged, beautiful seaside region to confront her grandfather’s debts and convince him to sell. Kate makes her living as a psychologist and life coach, but her own life is in as much disarray as Marthe Marie. Her marriage has ended, and she’s convinced that she has failed her teenaged daughter, Lily, in unforgiveable ways. While delving into colorful family history and the consequences of her own choices, Kate reluctantly agrees to provide coaching to Major Edward Soames, a British military officer suffering with post-traumatic stress. Breaking through his shell, and dealing with idiosyncratic locals intent on viewing her as an Americanized outsider, will give Kate new insight into who—and where—she wants to be. The answers will prove as surprising as the secrets that reside in the centuries-old villa. Witty and sophisticated, rich in history and culture, Sophia Nash’s novel vividly evokes both its idyllic French setting and the universal themes of self-forgiveness and rebuilding in a story as touching as it is wise.
This volume offers a unique and valuable insight into the novel in French over the past two centuries. In a series of essays, acknowledged experts discuss a variety of topics including nineteenth-century realism, women and fiction, popular fiction, experiment and innovation, war and the Holocaust, the Francophone novel, and postmodern fiction. They offer a challenging reassessment of major figures, while deliberately reading traditional views of literary history against the grain. Theoretical discussion is combined with close reading of texts and exploration of context, comparison with other genres and other literatures, and reference to novels from earlier periods. This companionable introduction includes a chronology and guide to further reading. From it emerges a strong sense of the vitality and energy of the modern French novel, and of the debates surrounding it.
A New York Times bestseller and a "Best Thriller of the Year" Winner of the Goncourt Prize and now an international phenomenon, this dizzying, whip-smart novel blends crime, fantasy, sci-fi, and thriller as it plumbs the mysteries surrounding a Paris-New York flight. Who would we be if we had made different choices? Told that secret, left that relationship, written that book? We all wonder—the passengers of Air France 006 will find out. In their own way, they were all living double lives when they boarded the plane: Blake, a respectable family man who works as a contract killer. Slimboy, a Nigerian pop star who uses his womanizing image to hide that he’s gay. Joanna, a Black American lawyer pressured to play the good old boys’ game to succeed with her Big Pharma client. Victor Miesel, a critically acclaimed yet largely obscure writer suddenly on the precipice of global fame. About to start their descent to JFK, they hit a shockingly violent patch of turbulence, emerging on the other side to a reality both perfectly familiar and utterly strange. As it charts the fallout of this logic-defying event, The Anomaly takes us on a journey from Lagos and Mumbai to the White House and a top-secret hangar. In Hervé Le Tellier’s most ambitious work yet, high literature follows the lead of a bingeable Netflix series, drawing on the best of genre fiction from “chick lit” to mystery, while also playfully critiquing their hallmarks. An ingenious, timely variation on the doppelgänger theme, it taps into the parts of ourselves that elude us most.
"The delicate arc of these poems intimates—rather than tells—a love story: celebration, fear of loss, storm, abandonment, an opening forth. Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna Warren This debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary. Antique Book The sky was crazed with swallows. We walked in the frozen grass of your new city, I was gauzed with sleep. Trees shook down their gaudy nests. The ceramic pots were caparisoned with snow. I was jealous of the river, how the light broke it, of the skein of windows where we saw ourselves. Where we walked, the ice cracked like an antique book, opening and closing. The leaves beneath it were the marbled pages. Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.
A daring young woman will risk her life to find her destiny in this atmospheric, beautifully drawn historical debut novel—a tale of love, hope, and danger set during the First World War. Lady Elizabeth Neville-Ashford wants to travel the world, pursue a career, and marry for love. But in 1914, the stifling restrictions of aristocratic British society and her mother’s rigid expectations forbid Lilly from following her heart. When war breaks out, the spirited young woman seizes her chance for independence. Defying her parents, she moves to London and eventually becomes an ambulance driver in the newly formed Women’s Army Auxiliary Corps—an exciting and treacherous job that takes her close to the Western Front. Assigned to a field hospital in France, Lilly is reunited with Robert Fraser, her dear brother Edward’s best friend. The handsome Scottish surgeon has always encouraged Lilly’s dreams. She doesn’t care that Robbie grew up in poverty—she yearns for their friendly affection to become something more. Lily is the most beautiful—and forbidden—woman Robbie has ever known. Fearful for her life, he’s determined to keep her safe, even if it means breaking her heart. In a world divided by class, filled with uncertainty and death, can their hope for love survive. . . or will it become another casualty of this tragic war? The paperback includes a P.S. section with additional insights from the author, background material, suggestions for further reading, and more.
It's 1989, the Berlin Wall is coming down, and Kate has just graduated from Yale, eager to pursue her dreams as a fledgling painter. When she receives a job offer to work as the assistant to Lydia Schell, a famous American photographer in Paris, she immediately accepts. Kate may speak fluent French, but she arrives at the Schell household in the fashionable Sixth Arrondissement both dazzled and wildly impressionable. She finds herself surrounded by a seductive cast of characters, including the bright, pretentious Schells, with whom she boards, and their assortment of famous friends; Kate's own flamboyant cousin; a fellow Yalie who seems to have it all figured out; and a band of independently wealthy young men with royal lineage. As Kate rediscovers Paris and her roots there, while trying to fit into Lydia's glamorous and complicated family, she begins to question the kindness of the people to whom she is so drawn as well as her own motives for wanting them to love her.