When a stranger walks into the neighborhood bar, The Fine Kettle O’Fish, Finn and the others aren’t sure what to think of him—at first. Soon, it’s apparent that Malcolm, the new guy, is bothering everyone’s favorite striptease artist, Violet, who has had a rough time climbing out of the gutter. Something is lurking in Mal’s past, and something has to be done. A short story.
Winner of the Commonwealth Prize New York Times Book Review—Notable Fiction 2002 Entertainment Weekly—Best Fiction of 2002 Los Angeles Times Book Review—Best of the Best 2002 Washington Post Book World—Raves 2002 Chicago Tribune—Favorite Books of 2002 Christian Science Monitor—Best Books 2002 Publishers Weekly—Best Books of 2002 The Cleveland Plain Dealer—Year’s Best Books Minneapolis Star Tribune—Standout Books of 2002 Once upon a time, when the earth was still young, before the fish in the sea and all the living things on land began to be destroyed, a man named William Buelow Gould was sentenced to life imprisonment at the most feared penal colony in the British Empire, and there ordered to paint a book of fish. He fell in love with the black mistress of the warder and discovered too late that to love is not safe; he attempted to keep a record of the strange reality he saw in prison, only to realize that history is not written by those who are ruled. Acclaimed as a masterpiece around the world, Gould’s Book of Fish is at once a marvelously imagined epic of nineteenth-century Australia and a contemporary fable, a tale of horror, and a celebration of love, all transformed by a convict painter into pictures of fish.
This book, Victorians and Their Animals: Beast on a Leash, investigates the notion that British Victorians did see themselves as naturally dominant species over other humans and over animals. They conscientiously, hegemonically were determined to rule those beneath them and the animal within themselves albeit with varying degrees of success and failure. The articles in this collection apply posthuman and other theories, including queer, postcolonialism, deconstruction, and Marxism, in their exploration of Victorian attitudes toward animals. They study the biopolitical relationships between human and nonhuman animals in several key Victorian literary works. Some of this book’s chapters deal with animal ethics and moral aesthetics. Also being studied is the representation of animals in several Victorian novels as narrative devices to signify class status and gender dynamics, either to iterate socially acceptable mores or to satirize hypocrisy or breach of behavior or to voice social protest. All of the chapters analyse the interdependence of people and animals during the nineteenth century.
Presents a humorous look at the English language, including information on word and phrase origins, slang, style, usage, punctuation, and pronunciation.
Long-time word-detective and bestselling author of Port Out, Starboard Home, Michael Quinion brings us the answers to nearly two hundred of the most intriguing questions he's been asked about language over the years. Sent to him by enquiring readers from all around the globe, Michael's answers about the meanings and histories behind the quirky phrases, slang and language that we all use are set to delight, amuse and enlighten even the most hardened word-obsessive. Did you know that 'Blighty' comes from an ancient Arabic word? Or that Liberace cried his way to the bank so many times people think he came up with the phrase? That 'cloud nine' started out as 'cloud seven' in the speakeasies of '30s America? And that the first person to have their thunder stolen was a dismal playwright from Drury Lane? Michael Quinion's Why is Q Always Followed By U? is full of surprising discoveries, entertaining quotations and memorable information. There are plenty of colourful stories out there, but Michael Quinion will help you discover the truth that lies behind the cock-and-bull stories and make sure you're always linguistically on the ball.