A Documentary History of the Negro People in the United States: 1910-1932
Author: Herbert Aptheker
Publisher:
Published: 1951
Total Pages: 792
ISBN-13:
DOWNLOAD EBOOKContains primary source material.
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Author: Herbert Aptheker
Publisher:
Published: 1951
Total Pages: 792
ISBN-13:
DOWNLOAD EBOOKContains primary source material.
Author: Herbert Aptheker
Publisher:
Published: 1969
Total Pages: 964
ISBN-13:
DOWNLOAD EBOOKAuthor: Herbert Aptheker
Publisher:
Published: 1962
Total Pages: 808
ISBN-13:
DOWNLOAD EBOOKAuthor: David C. King
Publisher: Marshall Cavendish
Published: 2009
Total Pages: 448
ISBN-13: 9780761431206
DOWNLOAD EBOOKCelebrates the diversity of life through the exploration of cultures around the world.
Author: Clarence S. Kailin
Publisher:
Published: 1980
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: Aberjhani
Publisher: Infobase Publishing
Published: 2003
Total Pages: 449
ISBN-13: 1438130171
DOWNLOAD EBOOKPresents articles on the period known as the Harlem Renaissance, during which African American artists, poets, writers, thinkers, and musicians flourished in Harlem, New York.
Author: Nicholas J. Johnson
Publisher: Aspen Publishing
Published: 2021-10-06
Total Pages: 1470
ISBN-13: 1543826822
DOWNLOAD EBOOKThe right to keep and bear arms evokes great controversy. To some, it is a bulwark against tyranny and criminal violence; to others, it is an anachronism and serious danger.Firearms Law and the Second Amendment is the leading casebook and scholarly treatise on arms law. It provides a comprehensive domestic and international treatment of the history of arms law. In-depth coverage of modern federal and state laws and litigation prepare students to be practice-ready for firearms cases. The book covers legal history from ninth-century England through the United States in 2021. It examines arms laws and culture in broad social context, ranging from racial issues to technological advances. Seven online chapters cover arms laws in global historical context, from Confucian times to the present. The online chapters also discuss arms law and policy relating to race, gender, sexual orientation, and other statuses and how firearms and ammunition work. New to the Third Edition: Important cases and new regulatory issues since the 2017 second edition, including public carry, limits on in-home possession, bans on types of arms, non-firearm arms (like knives or sprays), Red Flag laws, and restoration of firearms rights Expanded social science and criminological data about firearms ownership and crimes Deeper coverage of state arms control laws and constitutional provisions Extended analysis of how Native American firearm policies and skills shaped interactions with European-Americans, provided the tools for three centuries of resistance, and became a foundation of American arms culture The latest research on English legal history, which is essential to modern cases on the right to bear arms Professors, students, and practicing lawyers will benefit from: Practical advice and resource guides for lawyers, like early career prosecutors or defenders, who will soon practice firearms law Five chapters on the diverse approaches of lower courts in applying the Supreme Court precedents in Heller and McDonald to contemporary laws Historical sources that shaped, and continue to influence, the right to arms
Author: Daniel Bernardi
Publisher: Rutgers University Press
Published: 1996
Total Pages: 396
ISBN-13: 9780813522760
DOWNLOAD EBOOKAs indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social. In this first anthology on race in early cinema, fourteen scholars examine the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant? Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white. The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Analyses of The Birth of a Nation, Romona, Nanook of the North and Madame Butterfly and the directorial styles of D. W. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume.
Author: Paul Robeson
Publisher: Modern Library
Published: 2000-02-08
Total Pages: 449
ISBN-13: 037575539X
DOWNLOAD EBOOKThe Messenger was the third most popular magazine of the Harlem Renaissance after The Crisis and Opportunity. Unlike the other two magazines, The Messenger was not tied to a civil rights organization. Labor activist A. Philip Randolph and economist Chandler Owen started the magazine in 1917 to advance the cause of socialism to the black masses. They believed that a socialist society was the only one that would be free from racism. The socialist ideology of The Messenger "the only magazine of scientific radicalism in the world published by Negroes," was reflected in the pieces and authors published in its pages. The Messenger Reader contains poetry, stories, and essays from Paul Robeson, Zora Neale Hurston, Wallace Thurman, and Dorothy West. The Messenger Reader, will be a welcome addition to the critically acclaimed Modern Library Harlem Renaissance series.
Author: Vincent L. Wimbush
Publisher: Wipf and Stock Publishers
Published: 2012-09-01
Total Pages: 912
ISBN-13: 1725230895
DOWNLOAD EBOOKPerhaps no other group of people has been as much formed by biblical texts and tropes as African Americans. From literature and the arts to popular culture and everyday life, the Bible courses through black society and culture like blood through veins. Despite the enormous recent interest in African American religion, relatively little attention has been paid to the diversity of ways in which African Americans have utilized the Bible. African Americans and the Bible is the fruit of a four-year collaborative research project directed by Vincent L. Wimbush and funded by the Lilly Endowment. It brings together scholars and experts (sixty-eight in all) from a wide range of academic and artistic fields and disciplines--including ethnography, cultural history, and biblical studies as well as art, music, film, dance, drama, and literature. The focus is on the interaction between the people known as African Americans and that complex of visions, rhetorics, and ideologies known as the Bible. As such, the book is less about the meaning(s) of the Bible than about the Bible and meaning(s), less about the world(s) of the Bible than about how worlds and the Bible interact--in short, about how a text constructs a people and a people constructs a text. It is about a particular sociocultural formation but also about the dynamics that obtain in the interrelation between any group of people and sacred texts in general. Thus African Americans and the Bible provides an exemplum of sociocultural formation and a critical lens through which the process of sociocultural formation can be viewed.