A Dictionary of Music, Theoretical and Practical
Author: Thomas Busby
Publisher:
Published: 1813
Total Pages: 332
ISBN-13:
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Author: Thomas Busby
Publisher:
Published: 1813
Total Pages: 332
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael C. Thomsett
Publisher: McFarland
Published: 2016-03-25
Total Pages: 288
ISBN-13: 1476615268
DOWNLOAD EBOOKNoted lexicographer Thomsett here dissects more than 1,400 terms, a buttula to zither, with clarity and precision; 383 high quality original illustrations render concepts that make verbal explanation difficult. Fully cross referenced, this dictionary is an authoritative source for researchers, musicologists, professional musicians, teachers and students of music, and educated members of the public. The richly detailed and comprehensive dictionary proper is followed by a five-language glossary of instruments. An illustrated notation guide provides identification of symbols used in musical scores. The final section comprehensively covers scales, keys and chords.
Author:
Publisher: Alfred Music Publishing
Published:
Total Pages: 372
ISBN-13: 9781457410710
DOWNLOAD EBOOKThis pocket-sized dictionary presents current and correct notation practices in an easy-to-use format. Generously illustrated and concise, this book is essential to any musician looking for a handy reference for the correct notation of music. A most welcome and beneficial source for every musician, whether using a pencil or a computer.
Author: L. C. Harnsberger
Publisher: Alfred Music
Published:
Total Pages: 36
ISBN-13: 9781457410758
DOWNLOAD EBOOKThis Essential Dictionary packs a wealth of information into our "user-friendly" Handy Guide format. Covering virtually every aspect of music theory, the volume includes everything from scales and modes to comprehensive ranges of woodwinds, brass, stringed instruments (with open-string pitches) and voices. Also includes tablature and guitar notation, and features written and sounding ranges for transposing instruments. A must-have for musicians of all levels!
Author: Catherine Schmidt-Jones
Publisher:
Published: 2018-01-28
Total Pages: 278
ISBN-13: 9781680921540
DOWNLOAD EBOOKThe main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.
Author: Thomas Busby
Publisher:
Published: 1827
Total Pages: 378
ISBN-13:
DOWNLOAD EBOOKAuthor: John Weeks Moore
Publisher:
Published: 1876
Total Pages: 220
ISBN-13:
DOWNLOAD EBOOKAuthor: Francesco Galeazzi
Publisher: University of Illinois Press
Published: 2012-06-21
Total Pages: 434
ISBN-13: 0252037081
DOWNLOAD EBOOKA virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.
Author: Rachel Harris
Publisher: Routledge
Published: 2017-11-20
Total Pages: 352
ISBN-13: 1351752154
DOWNLOAD EBOOKThis volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Wright’s work, which comprises, at the time of writing, six field-defining volumes and countless articles, has reconfigured the relationship between historical musicology and ethnomusicology. No account of the transformation of these fields in recent years can afford to ignore his work. Ranging across the Middle East, Central Asia and North India, this volume brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers’ reports and descriptions of instruments, on musical institutions and other spaces of musical performance. An introduction provides an overview and critical discussion of Wright’s major publications. The central chapters cover the geographical regions and historical periods addressed in Wright’s publications, with particular emphasis on Ottoman and Timurid legacies. Others discuss music in Greece, Iraq and Iran. Each explores historical continuities and discontinuities, and the constantly changing relationships between music theory and practice. An edited interview with Owen Wright concludes the book and provides a personal assessment of his scholarship and his approach to the history of the music of the Islamic Middle East. Extending the implications of Wright’s own work, this volume argues for an ethnomusicology of the Islamic Middle East in which past and present, text and performance are systematically in dialogue.
Author: Stephen Blum
Publisher: Oxford University Press
Published: 2023-04-28
Total Pages: 241
ISBN-13: 0197683746
DOWNLOAD EBOOKDuring the 1960s and 70s some ethnomusicologists formed relationships with music-makers and ritual specialists in an attempt to interpret how they understood their musical actions. Subsequently ethnomusicologists have studied the respects in which explicit and implicit theory is involved in communication of musical knowledge. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by existing institutions. They are assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory. That exercise is increasingly recognized as a necessary effort of decolonization. A thorough yet concise introduction to this field, Music Theory in Ethnomusicology outlines a conception of music theory suited to cross-cultural research on musical practices.