A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists, with References to Their Works, and Notices of Their Patrons, from the Estab

A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists, with References to Their Works, and Notices of Their Patrons, from the Estab

Author: John William Bradley

Publisher: Scott Press

Published: 2010-05

Total Pages: 442

ISBN-13: 1446003787

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This reference work examines the craft of miniaturists and the related techniques of calligraphy and illumination. It gives details of illuminated books and the people who executed them, including biographical notes and bibliographical details.


A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists

A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists

Author: John William Bradley

Publisher: Burns & Oates

Published: 1999

Total Pages: 1136

ISBN-13: 9781855066366

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First published in 1887-9, this remarkable reference work examines the craft of miniaturists and the related trades and techniques of calligraphy and illumination. An art that flourished particularly before the advent of printing, these craftsmen and women enriched manuscripts with pictures, ornate borders, ornamental writing, portraits and the decoration of letters. Also included are copyists - those who painstakingly transcribed volumes by hand before the mechanical printing press. Compiled by John William Bradley (1830-1916), this 3-volume work was the first serious and systematic attempt to catalogue the practitioners of this craft. Giving precise and often contemporary statements respecting illuminated books and the men and women who executed them, the Dictionary 'will help a reader to form some notion of an artist's manner and style of work, as well as of his time and place in art history'. Occasioning a great amount of original research, the book is still full of useful information that would otherwise only be covered in a wide variety of sources. This set will interest scholars of art history, medieval studies and the history of printing. It will also fascinate those studying religious iconography, as many of the artist practitioners can be found here. Arranged alphabetically, with biographical notes, some bibliographical details of their works, their patrons, their locations and the sources consulted, the Dictionary of Miniaturists... continues to be a valuable and unique reference source. --an original and unique work still valuable to modern scholars --the original edition of this work is uncommon and expensive --no other book examines this subject in such depth


A Dictionary of Miniaturists, Illuminators, Calligraphers, and Copyists

A Dictionary of Miniaturists, Illuminators, Calligraphers, and Copyists

Author: John William Bradley

Publisher: Forgotten Books

Published: 2017-10-15

Total Pages: 378

ISBN-13: 9780266359203

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Excerpt from A Dictionary of Miniaturists, Illuminators, Calligraphers, and Copyists: With References to Their Works, and Notices of Their Patrons Wrote, probably during the Caroling. Epoch, Severi Sulpicn Vita Martini Episcopi, and ten other tracts collected in a volume formerly in the Cathedral Library at Quedlinburg. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Playing the Canterbury Tales

Playing the Canterbury Tales

Author: Andrew Higl

Publisher: Routledge

Published: 2016-04-22

Total Pages: 211

ISBN-13: 1317079841

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Playing the Canterbury Tales addresses the additions, continuations, and reordering of the Canterbury Tales found in the manuscripts and early printed editions of the Tales. Many modern editions present a specific set of tales in a specific order, and often leave out an entire corpus of continuations and additions. Andrew Higl makes a case for understanding the additions and changes to Chaucer's original open and fragmented work by thinking of them as distinct interactive moves in a game similar to the storytelling game the pilgrims play. Using examples and theories from new media studies, Higl demonstrates that the Tales are best viewed as an "interactive fiction," reshaped by active readers. Readers participated in the ongoing creation and production of the tales by adding new text and rearranging existing text, and through this textual transmission, they introduced new social and literary meaning to the work. This theoretical model and the boundaries between the canonical and apocryphal texts are explored in six case studies: the spurious prologues of the Wife of Bath's Tale, John Lydgate's influence on the Tales, the Northumberland manuscript, the ploughman character, and the Cook's Tale. The Canterbury Tales are a more dynamic and unstable literary work than usually encountered in a modern critical edition.


Bibliography of Emblematic Manuscripts

Bibliography of Emblematic Manuscripts

Author: Sandra Sider

Publisher: McGill-Queen's Press - MQUP

Published: 1997

Total Pages: 248

ISBN-13: 9780773515505

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This bibliography provides descriptions of 432 manuscripts from Europe and the United States, of which 341 contain visual imagery in various media. The manuscripts feature tripartite emblems proper, as well as festivity books, hieroglyphic texts, proto-emblematic material, allegories, triumphs, symbolic source books, schemata, devotional handbooks, and libri amicorum with emblematic imagery.


Women as Scribes

Women as Scribes

Author: Alison I. Beach

Publisher: Cambridge University Press

Published: 2004-04-29

Total Pages: 220

ISBN-13: 9780521792431

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Professor Beach's book on female scribes in twelfth-century Bavaria - a full-length study of the role of women copyists in the Middle Ages - is underpinned by the notion that the scriptorium was central to the intellectual revival of the Middle Ages and that women played a role in this renaissance. The author examines the exceptional quantity of evidence of female scribal activity in three different religious communities, pointing out the various ways in which the women worked - alone, with other women, and even alongside men - to produce books for monastic libraries, and discussing why their work should have been made visible, whereas that of other female scribes remains invisible. Beach's focus on manuscript production, and the religious, intellectual, social and economic factors which shaped that production, enables her to draw wide-ranging conclusions of interest not only to palaeographers but also to those interested in reading, literacy, religion and gender history.