Join Laura and her family on their journey across the flat Kansas prairie. There are gophers and rabbits to play with in the daytime, and a cozy camp awaits at night. Renée Graef's enchanting full-color illustrations, inspired by Garth Williams' classic artwork, bring Laura and her family lovingly to life in this ninth title in the My First Little House Books series, picture books adapted from Laura Ingalls Wilder's beloved storybooks.
Over 2,200 Jokes from America’s favorite live radio show A treasury of hilarity from Garrison Keillor and the cast of public radio’s A Prairie Home Companion. A guy walks into a bar. Eight Canada Geese walk into a bar. A termite jumps up on the bar and asks, “Where is the bar tender?” Drum roll. The Sixth Edition of the perennially popular Pretty Good Joke Book is everything the first five were and more. More puns, one-liners, light bulb jokes, knock-knock jokes, and third-grader jokes (have you heard the one about Elvis Parsley?). More religion jokes, political jokes, lawyer jokes, blonde jokes, and jokes in questionable taste (Why did the urologist lose his license? He got in trouble with his peers). More jokes about chickens, relationships, and senior moments (the nice thing about Alzheimer’s is you can enjoy the same jokes again and again). It all started back in 1996, when A Prairie Home Companion fans laughed themselves silly during the first Joke Show. The broadcast was such a hit that it became an almost-annual gagfest. Then fans wanted to read the jokes, share them, and pass them around, and the first Pretty Good Joke Book was born. With over 200 new and updated jokes, the latest edition promises countless giggles, chortles, and guffaws anyone—fans of the radio show or not—will enjoy.
Boy Life on the Prairie was first published in 1899, some eighteen years before the appearance of Hamlin Garland?s A Son of the Middle Border. The broad scope of the latter book, as B. R. McElderry, Jr., tells us in the introduction to this new edition of Boy Life, has overshadowed the ?earlier and better book of reminiscence dealing specifically with Garland?s boyhood experiences on an Iowa farm from 1869 to about 1881. When he wrote Boy Life on the Prairie Garland was much closer to the subject than he was in 1917, and he had the advantage of a more restricted aim: to tell directly and specifically what it was like to grow up in northeast Iowa in the years just after the Civil War. It may safely be said that no one else has given so clear and informative an account. When one considers other accounts of boyhood in nineteenth-century America?those of Aldrich, Clemens, Warner, and Howells, for example?one is impressed with the thoroughness and precision of Garland?s book. Aside from Main-Travelled Roads, Boy Life, is probably the best single book that Garland ever wrote.? The Bison Book edition is the first in more than fifty years to reproduce in full the 1899 text. It also includes an introduction addressed ?To My Young Readers? and the ?Author?s Notes? which appeared in the 1926 edition published by Allyn & Bacon. The forty-seven line drawings and six full-page illustrations by E. W. Deming are reproduced from the 1899 edition. In his introduction, Dr. McElderry provides a thorough and interesting analysis of Boy Life and compares it with the sketches written in 1888 which were Garland?s first attempt at reminiscence, as well as with A Son of the Middle Border.
As she did with swamps in DEEP IN THE SWAMP, the author patterns the verses in this vivid exploration of the prairie ecosystem on the popular counting rhyme, "Over in the Meadow". With delightful collage illustrations and additional informative text, this showcase of the animals, flora, and fauna native to the prairie in Badlands National Park, South Dakota is solid science fun!
A delicate, stunning account of life on the prairie from Newbery medalist Patricia MacLachlan. Cool summer mornings begin with the rose orange sun and the smell of earth, and fade into hot summer nights with a yellow moon, covered in a quilt of stars. There are wagon rides, farm dogs, trips into town, and games of kick the can. These are prairie days. Patricia MacLachlan applies her lyrical, sparse voice and vibrant, tender art from Micha Archer to transport readers to the prairie of her youth in this stunning celebration of the beauty in the world.
The third book in Laura Ingalls Wilder's treasured Little House series—now available as an ebook! This digital version features Garth Williams's classic illustrations, which appear in vibrant full color on a full-color device and in rich black-and-white on all other devices. The adventures continue for Laura Ingalls and her family as they leave their little house in the Big Woods of Wisconsin and set out for the big skies of the Kansas Territory. They travel for many days in their covered wagon until they find the best spot to build their house. Soon they are planting and plowing, hunting wild ducks and turkeys, and gathering grass for their cows. Just when they begin to feel settled, they are caught in the middle of a dangerous conflict. The nine Little House books are inspired by Laura's own childhood and have been cherished by generations of readers as both a unique glimpse into America's frontier history and as heartwarming, unforgettable stories.
Chloe Ellefson and her sister, Kari, have long dreamed of visiting each historic site dedicated to Laura Ingalls Wilder. When Chloe takes custody of a quilt once owned by the beloved author, the sisters set out on the trip of a lifetime, hoping to prove that Wilder stitched it herself. But death strikes as the journey begins, and trouble stalks their fellow travelers. Among the "Little House" devotees are academic critics, greedy collectors, and obsessive fans. Kari is distracted by family problems, and unexpected news from Chloe's boyfriend jeopardizes her own future. As the sisters travel deeper into Wilder territory, Chloe races to discover the truth about a precious artifact—and her own heart—before a killer can strike again.
Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber. The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room. Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire. Dora’s dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain. In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away. Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron’s son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.
