Dancing with the Revolution

Dancing with the Revolution

Author: Elizabeth B. Schwall

Publisher: UNC Press Books

Published: 2021-04-06

Total Pages: 319

ISBN-13: 1469662981

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Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.


A Dancer in the Revolution

A Dancer in the Revolution

Author: Howard Eugene Johnson

Publisher: Empire State Editions

Published: 2014

Total Pages: 191

ISBN-13: 9780823256532

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A Dancer in the Revolution explores Johnson's twenty-plus years in the Communist Party and illuminates in compelling detail how the Harlem branch functioned and flourished in the 1930s and '40s. Johnson thrived as a charismatic leader, using the connections he built up as an athlete and dancer to create alliances between communist organizations and a cross-section of the Black community. In his memoir, Johnson also exposes the homoerotic tourism that was a feature of Harlem's nightlife in the 1930s. Some of America's leading white literary, musical, and artistic figures were attracted to Harlem not only for the community's artistic creativity but to engage in illicit sex--gay and straight--with their Black counterparts. A Dancer in the Revolution is an invaluable contribution to the literature on Black political thought and pragmatism. It reveals the unique place that Black dancers and artists hold in civil rights pursuits and anti-racism campaigns in the United States and beyond.


A Dancer in the Revolution

A Dancer in the Revolution

Author: Howard Eugene Johnson

Publisher: Fordham Univ Press

Published: 2014-04-01

Total Pages: 210

ISBN-13: 0823256553

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A Cotton Club dancer and Communist Party leader shares the story of his life in arts and activism from the Harlem Renaissance through the Civil Rights Era. Through his extraordinary life, Howard “Stretch” Johnson epitomized the generation of African Americans who broke through boundaries to make the United States more democratic. In this lively and engaging memoir, Johnson traces his path to becoming a dancer in Harlem’s historic Cotton Club, a communist youth leader and, later, a professor of Black studies. A Dancer in the Revolution is a powerful story of Black resilience and triumph, as well as a window into Harlem’s neighborhood life, culture, and politics from the 1930s to the 1970s. Johnson thrived as a leader in the Harlem Communist Party, using his connections as a dancer to forge alliances between the party and the Black community. But Johnson also exposes another—often ignored—aspect of Harlem life: the homoerotic tourism that flourished there in the 1930s. Johnson’s journey bears witness to critical times and events that shaped the Black condition and American society in the process. It also illustrates how political activism can be a powerful force, not only for social change, but also personal fulfillment.


Revolutionary Bodies

Revolutionary Bodies

Author: Emily Wilcox

Publisher: University of California Press

Published: 2018-10-23

Total Pages: 322

ISBN-13: 0520300572

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At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Revolutionary Bodies is the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.


Balanchine and the Lost Muse

Balanchine and the Lost Muse

Author: Elizabeth Kendall

Publisher: OUP USA

Published: 2013-08-29

Total Pages: 305

ISBN-13: 019995934X

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Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.


Contemporary Dance in Cuba

Contemporary Dance in Cuba

Author: Suki John

Publisher: McFarland

Published: 2012-08-08

Total Pages: 233

ISBN-13: 0786493259

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The lens of dance can provide a multifaceted view of the present-day Cuban experience. Cuban contemporary dance, or tecnica cubana as it is known throughout Latin America, is a highly evolved hybrid of ballet, North American modern dance, Afro-Cuban tradition, flamenco and Cuban nightclub cabaret. Unlike most dance forms, tecnica was created intentionally with government backing. For Cuba, a dancing country, it was natural--and highly effective--for the Revolutionary regime to link national image with the visceral power of dance. Written by a dancer who traveled and worked in Cuba from the 1970s to the present, this book provides an inside look at daily life in Cuba. From watching the great Alicia Alonso, to describing the economic trials of the 1990s "Special Period," the author uses history, humor, personal experience, rich description and extensive interviews to reveal contemporary life and dance in Cuba.


A Revolution in Movement

A Revolution in Movement

Author: K. Mitchell Snow

Publisher:

Published: 2021

Total Pages: 320

ISBN-13: 9780813058726

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'A Revolution in Movement' illuminates how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance - the emulation of Diaghilev's Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance.


Dancing with Cuba

Dancing with Cuba

Author: Alma Guillermoprieto

Publisher: Vintage

Published: 2007-12-18

Total Pages: 306

ISBN-13: 0307425444

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In 1970 a young dancer named Alma Guillermoprieto left New York to take a job teaching at Cuba’s National School of Dance. For six months, she worked in mirrorless studios (it was considered more revolutionary); her poorly trained but ardent students worked without them but dreamt of greatness. Yet in the midst of chronic shortages and revolutionary upheaval, Guillermoprieto found in Cuba a people whose sense of purpose touched her forever. In this electrifying memoir, Guillermoprieto–now an award-winning journalist and arguably one of our finest writers on Latin America– resurrects a time when dancers and revolutionaries seemed to occupy the same historical stage and even a floor exercise could be a profoundly political act. Exuberant and elegiac, tender and unsparing, Dancing with Cuba is a triumph of memory and feeling.


Dance Theatre in Ireland

Dance Theatre in Ireland

Author: A. McGrath

Publisher: Springer

Published: 2012-12-03

Total Pages: 277

ISBN-13: 113703548X

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Dance theatre has become a site of transformation in the Irish performance landscape. This book conducts a socio-political and cultural reading of dance theatre practice in Ireland from Yeats' dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and CoisCéim Dance Theatre at the start of the 21st.


Dancing in Damascus

Dancing in Damascus

Author: miriam cooke

Publisher: Taylor & Francis

Published: 2016-10-04

Total Pages: 155

ISBN-13: 1315532921

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On March 17, 2011, many Syrians rose up against the authoritarian Asad regime that had ruled them with an iron fist for forty years. Initial successes were quickly quashed, and the revolution seemed to devolve into a civil war pitting the government against its citizens and extremist mercenaries. As of late 2015, almost 300,000 Syrians have been killed and over half of a total population of 23 million forced out of their homes. Nine million are internally displaced and over four million are wandering the world, many on foot or in leaky boats. Countless numbers have been disappeared. These shocking statistics and the unstoppable violence notwithstanding, the revolution goes on. The story of the attempted crushing of the revolution is known. Less well covered has been the role of artists and intellectuals in representing to the world and to their people the resilience of revolutionary resistance and defiance. How is it possible that artists, filmmakers and writers have not been cowed into numbed silence but are becoming more and more creative? How can we make sense of their insistence that despite the apocalypse engulfing the country their revolution is ongoing and that their works participate in its persistence? With smartphones, pens, voices and brushes, these artists registered their determination to keep the idea of the revolution alive. Dancing in Damascus traces the first four years of the Syrian revolution and the activists’ creative responses to physical and emotional violence.