A Critical and Historical Corpus of Florentine Painting: The fourteenth century. 16 v. in 17
Author: Richard Offner
Publisher:
Published: 1981
Total Pages: 170
ISBN-13:
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Author: Richard Offner
Publisher:
Published: 1981
Total Pages: 170
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Offner
Publisher:
Published: 2000
Total Pages: 646
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Offner
Publisher:
Published: 1984
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Offner
Publisher:
Published: 2011
Total Pages: 552
ISBN-13:
DOWNLOAD EBOOKAuthor: Evelyn S. Welch
Publisher: Oxford University Press, USA
Published: 2000
Total Pages: 356
ISBN-13: 9780192842794
DOWNLOAD EBOOK"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Author: Richard Offner
Publisher:
Published: 1984
Total Pages: 526
ISBN-13:
DOWNLOAD EBOOKAuthor: Lisa Pon
Publisher: Cambridge University Press
Published: 2015-03-23
Total Pages: 305
ISBN-13: 1316300668
DOWNLOAD EBOOKIn 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.
Author: Diana Norman
Publisher: Yale University Press
Published: 1995-01-01
Total Pages: 284
ISBN-13: 0300061242
DOWNLOAD EBOOKSiena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting') ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .
Author: Miklós Boskovits
Publisher: Edizioni Polistampa
Published: 2009
Total Pages: 278
ISBN-13:
DOWNLOAD EBOOKThis book represents the culmination of years of hard work and intense passion. It celebrates the love of beauty as it is manifested in the art collection introduced in the volume. The works catalogued encompass around one fifth of Alanas entire Italian Old Master collection. It is the product of work and research, of numerous visits to different countries and cities in order to see the original works of art, visit art fairs, and seek the advice of a variety of specialists. The collection covers the period that goes from Italian Gothic to Italian High Renaissance art. Alanas aim has always been to build a collection that considers not only the great masters, but also those who followed in their footsteps and added their personal contributions alongside the achievements of the major figures. Alanas ambition has been to chart the history and evolution of the different Italian schools, the ways in which they inspired one another, and ultimately created so many distinctively beautiful works of art. In order to do this, this collection has been conceived as a living one, which continues to improve, evolve and welcome new works. A private and artistic history of each master is given, as well as rich visual reproductions, basic information, and a thorough technical explanation of both the most important masterpieces (those in color) and the ones that are relevant to the style or period (those in black and white). The volume concludes with a table noting the names and locations of the works mentioned in the book, as well as an extensive bibliography.
Author: Laurence B. Kanter
Publisher: Metropolitan Museum of Art
Published: 2005
Total Pages: 350
ISBN-13: 1588391744
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