Oscar Fingal O'Flahertie Wills Wilde was an Irish playwright, poet and author of numerous short stories and one novel. Known for his biting wit, and a plentitude of aphorisms, he became one of the most successful playwrights of the late Victorian era in London, and one of the greatest celebrities of his day. Several of his plays continue to be widely performed, especially "The Importance of Being Earnest".
'A Critic in Pall Mall: Being Extracts from Reviews and Miscellanies' is a collection of Oscar Wilde's journalistic essays that showcase his wit, intelligence, and astute observations. The book is an abridgment of Wilde's reviews, but still offers a substantial amount of his work, including essays on George Sand and William Morris, as well as his grand essays 'A Chinese Sage' and 'Walter Pater's Appreciations'. Wilde's critical eye is razor-sharp, and his writing is a pleasure to read. He offers insights on literature, society, and life that are both entertaining and enlightening.
"A Critic in Pall Mall" is not a work by Oscar Wilde. Instead, it is a collection of essays and reviews written by Oscar Wilde that was published in 1885 under the title "The Critic As Artist." This collection includes two dialogues: "The Critic As Artist: With Some Remarks on the Importance of Doing Nothing" and "The Decay of Lying: An Observation." In "The Critic As Artist," Wilde explores the role of the critic and the artist in society, arguing that the critic plays an essential role in shaping public opinion about art. He discusses the importance of individualism, aesthetics, and the idea that the critic's subjective response to art is as valuable as objective analysis. In "The Decay of Lying," Wilde satirically examines the relationship between art and reality. He argues that life imitates art far more than art imitates life, advocating for the value of artistic expression and imagination over strict adherence to reality. Both essays are known for their wit, humor, and paradoxical statements, which are characteristic of Wilde's writing style. These essays are considered significant contributions to the fields of literary criticism and aesthetics.
Keep track of the books you read, record thoughts on your favorite books, get inspired for your next read, and reflect on your literary spiritual journey with this beautifully designed journal for readers. The perfect addition to any personal library, To Read or Not to Read encourages readers of all genres to immerse themselves in a classically illustrated reading journal complete with DIY book review pages and inspirational reading lists. To Read or Not to Read allows readers to step into the book critic role and determine which books to recommend, and which ones to skip based on their reflections throughout the journal. It includes a "How Bookish Are You?" quiz and spotlights on authors such as Flannery O'Connor and Frederick Douglass, whose published works have greatly influenced the combined spheres of faith and literature. With additional fun facts and helpful conversation starters for literary discussions, this journal will become the signature accessory at book clubs, on nightstands, and on every book lover's shelf.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. • On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.” • To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.” • To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.” • To Norman Mailer: “I am cuter than you are.” Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote. Praise for Kurt Vonnegut: Letters “Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review “[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR “Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday “These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
