Does anyone ever see us for who we really are? Jo Knowles’s revelatory novel of interlocking stories peers behind the scrim as it follows nine teens and one teacher through a seemingly ordinary day. Thanks to a bully in gym class, unpopular Nate suffers a broken finger—the middle one, splinted to flip off the world. It won’t be the last time a middle finger is raised on this day. Dreamer Claire envisions herself sitting in an artsy café, filling a journal, but fate has other plans. One cheerleader dates a closeted basketball star; another questions just how, as a “big girl,” she fits in. A group of boys scam drivers for beer money without remorse—or so it seems. Over the course of a single day, these voices and others speak loud and clear about the complex dance that is life in a small town. They resonate in a gritty and unflinching portrayal of a day like any other, with ordinary traumas, heartbreak, and revenge. But on any given day, the line where presentation and perception meet is a tenuous one, so hard to discern. Unless, of course, one looks a little closer—and reads between the lines.
New York Times Bestseller Named one of the Best Books of the Year by NPR, the Washington Post, Kirkus Reviews, and Library Journal Winner of the Audie Award The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
THE STORY: Now an aspiring young architect in Terre Haute, Indiana, Willum Cubbert has often told his friends about the debt he owes to Rick Steadman, a fellow ex-GI whom he has never met but who saved his life after he was seriously wounded in Vie
Senior year.Three girls. Three guys.Hockey and rivalry.Mean girls and friendships.Old loves and new chances.One more year of being invisible.One more year to win it all.The countdown begins. Senior year can't come or end fast enough for Amelia Campbell. For the shy, nerdy girl-next-door that she is, high school is torture and all she wants is for it to be over. Having her heart broken by a popular, womanizing boy all those years ago doesn't help the matters. Nor does his best friend who still has a habit of mercilessly teasing her. Now, she only has one year left, one year to be invisible before she can move on with her life. Derek King doesn't do drama, but his life is all about drama once Maximillian Sanders steps foot into his town, his school, and into Amelia's life. Max is always around, and he is making her smile again. But the boy who once broke her heart isn't ready to let her go. Older and wiser, Derek isn't about to let someone take away what he wants, and he wants Amelia. She's set on not believing in him and on not getting her heart broken once again. He is set on showing her wrong. She says she hates him, but maybe the line between past and present, love and hate is thinner than she ever realized.
I am waiting for Mark. For the last several months he has been missing, Garbo-like, from public life. But in reality he has been writing a new book. We have agreed to go back over the original manuscripts for this edition, to do some editing, add in some extras, delete a few choice words and phrases. We meet in his London home, where he is dressed in a workday uniform of brown shirt, jeans and trainers, hair clipped up in practical busy-busy fashion, all smiles and loud laughter. We first met over five years ago. Then we tentatively shook hands and the laughter was nervous. All that has changed. But some things have not. He still famously hates interviews. Around us there is evidence of a very regular existence. There are books scattered everywhere, a Sony widescreen with a DVD of Shackleton sitting below it. Atop the fireplace hangs a painting called Fishermen by James Southall, a tableau of weather-beaten sea dogs wrestling with a rowing boat; a gift he bought himself on the anniversary of a publication. Balanced against a wall in the office next door is a replica of the Rosebud sledge burned at the dramatic conclusion of Citizen Kane. As I unpack my scripts, I begin with a question. You once said, 'There is a figure that is adored, but I'd question very strongly that it's me.' There is silence. A stare. You did say it. 'Well supposedly I said that. But in what context did I say it?' Just talking about people building up this image of you. It was one of the first things you ever said to me. 'Yes, but I'm not, am I?' There was also that interview that described you as someone fragile being who's hidden himself away. 'That was fairly amusing. A lot of the time it doesn't bother me. I suppose I do think I go out of my way to be a very normal person and I just find it frustrating that people think that I'm some kind of weirdo reclusive that never comes out into the world.' His voice notches up in volume. Did you ever feel you would finish your first book? 'Oh yeah,' he sighs. 'I mean, there were so many times I thought, I'll have the book finished this year, definitely, I'll get it out this year. Then there were a couple of years where I thought, I'm never gonna do this. I don't know why. Time evaporates.' He walks over and picks up the manuscripts. He reads a bit. He laughs. 'Did I really agree to this?' he asks. Mark knows the answer. 'A couple of people who read the first book Tour De Europa,' he says, 'they either really liked it or they found it very uncomfortable. I liked the idea of it being uncomfortable. I thought that was great. I love the ambiguity. But I also loved looking back on lost conversations and instantly remembering an emotion.' A clock somewhere strikes two and a friend arrives with tea, pizza, avocado with balsamic vinegar and cream cake for afters, only to be playfully admonished by Mark, who protests, 'I can't eat all this shit!' It would appear some things never change.
It is possible to find true love through dating. In True Love Dates, Debra Fileta encourages singles not to "kiss dating goodbye" but instead to experience a season of dating as a way to find real love. Through powerful, real-life stories and Fileta's personal journey, this book offers profound insights from the expertise of a professional counselor. Christians are looking for answers to finding true love. They are disillusioned with the church that has provided little practical application in the area of love and relationships. They're bombarded by Christian books that shun dating, idolize courting, fixate on spirituality, and in the end, offer little real relationship help. True Love Dates provides honest help for dating by providing a guide into vital relationship essentials. Debra is a professional Christian counselor who reaches millions with her popular blog, Truelovedates.com, and her book offers sound advice grounded in Christian spirituality. She delivers insight, direction, and counsel when it comes to entering the world of dating and learning to do it right the first time around. Drawing on the stories and struggles of hundreds of young men and women who have pursued the search for true love, Fileta helps readers bypass unnecessary pain while focusing on the things that really matter in the world of dating.
Drawing upon interviews with adults married to a partner of a different class background, The Power of the Past reveals the intimate connections between love and class and how enduring class attributes shape who they love and how their marriage unfolds.
