David Kline has been called a "twentieth–century Henry David Thoreau" by his friends and contemporaries; an apt comparison given the quiet exuberance with which he records the quotidian goings–on on his organic family farm. Under David's attentive gaze and in his clear, insightful prose the reader is enveloped in the rhythms of farm life; not only the planting and harvesting of crops throughout the year, but the migration patterns of birds, the health and virility of honeybees left nearly to their own devices, the songs and silences of frogs and toads, the disappearance and resurgence of praying mantises in fields–turned woodlands, the search for monarch butterflies in the milkweed. There's rhythm in community, too—neighbors gathering to plant potatoes or to maintain an elderly friend's tomato garden, organic farming conferences and meetings around family dining tables or university panels. Interspersed with local lore (when the spring's first bumblebee appears the children can go barefoot) is deep technical knowledge of cultivation and land management and the hazards of modern agri–business. Kline records statewide meetings of district supervisors, knows which speakers and committee chairmen are in the pockets of the oil and gas lobbyists, stands up and says his part. At a time when America's population is being turned toward the benefits of small, local farming practices on our health and our environment, Kline's daybook offers a striking example of the ways in which we are connected to our environment, and the pleasure we can take in daily work and stewardship.
* NOW WITH A NEW CHAPTER * 'A hugely enjoyable romp through the pleasures and pitfalls of setting up home in a foreign land.'- Guardian Given the opportunity of a new life in rural Jutland, Helen Russell discovered a startling statistic: Denmark, land of long dark winters, cured herring, Lego and pastries, was the happiest place on earth. Keen to know their secrets, Helen gave herself a year to uncover the formula for Danish happiness. From childcare, education, food and interior design to SAD and taxes, The Year of Living Danishly records a funny, poignant journey, showing us what the Danes get right, what they get wrong, and how we might all live a little more Danishly ourselves. In this new edition, six years on Helen reveals how her life and family have changed, and explores how Denmark, too – or her understanding of it – has shifted. It's a messy and flawed place, she concludes – but can still be a model for a better way of living.
This is a record of one year of a nine-year project to create a garden on a scrubby rural plot within commuting distance of New York City. Two of Duck Hill's three acres belong to the horses, dogs, chickens, geese and other animals who appear in this journal, but the heart of the land - and of the book - is the garden; the white garden, the herb garden, the main garden, the hedges, the shrub roses, the nasturtium border and all the other plants and plans in Page Dickey's project.
A richly textured history of the resilience and adaptability of western Kansans to survive two major depressions and the epic Dust Bowl years--separated only by a brief "golden age" of war-related prosperity. Miner, known as the "dean of Kansas history," vividly relates the people's negotiation with the high plains environment, which happens to teach harsh lessons of mutability and perseverance better than most places.
The text in this ebook has been fixed to preserve the layout of the book and cannot be enlarged. It is best viewed on a tablet and we recommend downloading a sample before purchase.
"This is the account of twenty-three years of wilderness wandering, sea voyages and overland treks to survey the earth, with no home or possessions other than what fit in my trusty backpack. There was no specific destination in mind except to visit countries, not the airports and luxury hotels but the country itself, to experience local culture and ways of life. This entailed sleeping in tribesmen's huts and cheap hostels and using local transportation whenever possible: traversing jungle roads packed eighteen souls to a single Peugeot station wagon in Guinea-Bissau, boating the length of the Amazon snacking on roasted piranha, and hitchhiking across Iraq during the war. I've floated on dilapidated ferries across surging estuaries, ridden horseback or in military trucks across deserts and plains, followed the course of rivers, crossed wastelands, bused and trekked through deep jungle, traversed mountain ranges and lounged on the remotest beaches. I adopted local customs and ate local food: roasted goat's eye as the guest of honour at a Mongolian tribal feast, alligator nuggets, mystery kabobs, ‘bush meat' ubiquitous to certain regions of Africa ... but drew the line at wheelbarrows brimming over with smoked monkey corpses. A man's got to know his limitations." --Mike Spencer Bown In 1990, Calgary-raised Mike Spencer Bown packed a backpack and began a journey that would eventually take him through each of the world's 195 countries and span more than two decades. From relaxing on the white sand beaches of Bali to waiting out blizzards in Tibetan caves, Bown trekked from country to country, driven by a desire to see the world in the most authentic way possible, not to just collect stamps on his passport. Eventually, he began to earn international recognition for some of his more unconventional destinations--such as a memorable trip to war-torn Mogadishu. The World's Most Travelled Man is an eye-opening account of the universal human experience as seen from each corner of the changing world. Blending a romantic connection to nature through solitude and the social examination of culture, Bown fully immerses himself in each experience, however diverse, dangerous or dirty, veering way, way off the backpacker circuit to see the world through an unparalleled perspective. The World's Most Travelled Man is a journey of global proportions shared with the humility of a man who simply wants to satisfy his own curiosity and live life to the fullest.
A tribute to the everyday rewards of rural living. The authors record the rhythms of their work and days, along the way providing advice and instruction on dozens of traditional country arts and crafts. 250 full-color photos.
The changing seasons make grandly visible not only nature's recurring miracle of life, death, and rebirth which enfolds and nurtures us all but also the special character of a particular region observed over time, its secret beauties and sudden terrors, the coursing life of the place itself. Jim Bones' magnificent photographic record of a year in the Texas Hill Country chronicles that sequence of natural details which mark the year's passing in a part of Texas many Texans have come to revere as a kind of heartland. Complementing the photographs, John Graves's essay on the region tells the history of the land and those who have lived on it, evoking both the special qualities of the Hill Country and the nature of man's kinship with his soil. Stretching to the north within the curve of the Balcones Escarpment, the Hill Country lies close to the center of the state, but something other than geography engenders the heartland aura. Its carved limestone cliffs, its scrubby eroded hills, its gushing springs and clear-flowing streams and its abundant wildlife hold strong appeal for Texans from more fertile but flatter land east and more spectacular but barren land west. Man's hand upon this earth has not always been gentle, but change has come slowly to the Hill Country. It is rough terrain, not rich enough in soil or minerals to have tempted much exploitation, and this, together with its remarkable varied natural beauty, explains its special power over the heart and mind. Finding unique patterns of the place in the seasonal changes of weather, water, and light, of the land, its plants and its animals, Bones' photographs capture those fleeting phenomena which define the permanent meaning and value of the natural world and reveal the singular charm of this small and relatively undisturbed part of it. His work eloquently affirms a truth too often forgotten in an increasingly mechanized and urban world--that in making peace with nature we make peace with ourselves. Most of the photographs were taken while Bones was resident fellow at Paisano, a 254-acre ranch along Barton Creek that belonged to J. Frank Dobie and now serves as a place where Southwestern artists and writers can live and work. The Dobie-Paisano Fellowship is offered annually by the Texas Institute of Letters and the University of Texas at Austin. A refugee from technical fields more concerned with exploiting than preserving nature.