Halloween is always tricky for Charly, and this year they are determined to find a costume that showcases both the feminine and masculine halves of their identity. Digging through their costume box, they explore many fun costumes. Some are masc. Some are femme. Some are neither. But all are lacking. As trick-or-treating looms, they must think outside the box to find the perfect costume--something that will allow them to present as one hundred percent Charly.
A gorgeously illustrated story about loss, community, and bringing comfort to others. Every year on All Souls Day, Mara and her grandparents visit homes in their neighborhood to bring comfort and a song to those mourning the death of a loved one. But this year, Mara and Nene have lost Popi. As Nene leads Mara through their yearly ritual, Mara compares her own grief to that of each neighbor they visit. Then she catches sight of the frozen tears on Nene's face. Setting aside the bitterness icing her heart to help her beloved grandmother, Mara rekindles Popi's song and brings her community together to honor him. Popi's All Souls Song is a poignant, timeless story with luminous art, drawing readers into the realization that no person's loss or grief is bigger or more important than anyone else's. And when we bring comfort to others, we experience comfort ourselves. Backmatter includes an author's note with a brief history of the All Souls Day holiday and traditions associated with the day.
Drawing on the author's experience as the mother of a transgender child and her years of advocacy work, this book helps Christian parents navigate the emotional, spiritual, and logistical landscape of raising a gender-diverse child. It paints a picture of who transgender, nonbinary, and gender-diverse young people are and what they need to thrive.
Life sucks. Big time. But guess what? I've got a dream no one can kill, and I've been planning how to make it come true. Charly's holdin' it down--she's got the attention of Mason, the new cutie around the way, she's setting the style for her crew, and if you get in her way, she'll mush you. Despite her frontin', her game is shaky--she's got no phone, no ride, and she's living on the outskirts of Chicago. Even worse: she's got a dream-killing mother and has to work part-time to help pay the bills. But Charly's got a plan to rise above it all--using the acting skills she's honed over the years to save face around the haters. All she's got to do now is get to New York without dropping the ball on making her and Mason official. But between the most messed up travel plans ever and a bunch of broken promises, Charly's got a long journey ahead of her. That's okay, 'cause nothing will stop her, not even the biggest challenge of all that's waiting at her destination. . .. "Kelli reinvents the urban heroine--she's cuter, smarter, fearless. Excellent read." --Travis Hunter, author of On the Come Up Praise For Kelli London "Kelli's stories are edgy and addictive. You won't want the story to end." --RM Johnson, author of Stacie & Cole "An amazing tale that is sure to delight, teach, and intrigue teens everywhere!" --Ni-Ni Simone on Boyfriend Season
The true story of a young man in the heady, hippie days of 1970s Toronto, who gets a job as a psychiatric assistant in a famous mental hospital. He decides they need a piano, and organizes a Variety Show with patients, nurses and doctors to raise the money they need. A one-person play produced in 2017 by Artword Theatre and performed by Charly Chiarelli and Ronald Weihs.
It’s been a year since Sam defeated the Malifex, and ever since that day, Sam has felt different—alone. When he gets the chance to visit his Wiccan friend Charly and the wizard Amergin, Sam goes, never suspecting that he is stepping back into the ancient and dangerous world of magic. This time, the Sidhe, Fairy Folk, kidnap Amergin and are plotting to release the Malifex back into the world. Will Sam be able to draw upon the powers of the Green Man to save the world yet again, or will the evil power of the Malifex be freed to cover the earth once more?
A powerful story of sisters cruelly torn apart by a shameful event in British-Australian history. Clare Flynn, author of The Pearl of Penang London 1962. A strict and loveless English children's home, or the promise of Australian sunshine, sandy beaches and eating fruit straight from the tree. Which would you choose? Ten-year-old Lucy Rivers and her five-year-old sister Charly are thrilled when a child migrant scheme offers them the chance to escape their miserable past. But on arrival in Sydney, the girls discover their fantasy future is more nightmare than dream. Lucy's lot is near-slavery at Seabreeze Farm where living conditions are inhuman, the flies and heat unbearable and the owner a sadistic bully. What must she do to survive? Meanwhile Charly, adopted by the nurturing and privileged Ashwood family, gradually senses that her new parents are hiding something. When the truth emerges, the whole family crumbles. Can Charly recover from this bittersweet deception? Will the sisters, stranded miles apart in a strange country, ever find each other again? A poignant testament to child migrants who suffered unforgivable evil, The Lost Blackbird explores the power of family bonds and our desire to know who we are. "... her best book yet ... portrayal of childhood grieving is exquisitely sensitive and accurate." Dr Norman James, psychiatrist.
Something is rotten in the state of Spain. The uninterred corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy’s Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939–75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain’s transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch’s persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain’s ongoing transition towards democratic pluralism, Patriarchy’s Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to haunt Iberian society.
