A Compendious Book of Godly and Spiritual Songs
Author: John Wedderburn
Publisher:
Published: 1897
Total Pages: 508
ISBN-13:
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Author: John Wedderburn
Publisher:
Published: 1897
Total Pages: 508
ISBN-13:
DOWNLOAD EBOOKAuthor: Ross W. Duffin
Publisher: A-R Editions, Inc.
Published:
Total Pages: 227
ISBN-13: 198720820X
DOWNLOAD EBOOKOne of the monuments of mid-sixteenth-century Scottish letters is Ane Compendeous Buke of Godlye Psalmes and Spirituall sangis, also known simply as the Gude and Godlie Ballatis, first published in Edinburgh in 1565 and reprinted for decades afterwards. Although a few secular tunes, like “Go from my window” and “John come kiss me now,” are inferred in the volume through the use of poetic parodies, well over a hundred of the collection’s self-described “sangis” give no musical direction whatsoever. A half-century ago, Helena Mennie Shire questioned whether the GGB’s music could be properly recovered, thereby reclaiming it “as a book of versions intended for singing.” Using contrafacta from the early Lutheran repertoire, from Coverdale’s Goostly Psalmes of 1535, and particularly the Forme of Prayers (the Scottish psalter) of 1564, this edition presents tunes and lyrics for all of the songs in the corrected GGB edition of 1578, uniquely preserved at the Huntington Library in San Marino, California.
Author: Benjamin Breckinridge Warfield
Publisher:
Published: 1899
Total Pages: 824
ISBN-13:
DOWNLOAD EBOOKIncludes section "Reviews of recent theological literature".
Author: University of Aberdeen. Library
Publisher:
Published: 1921
Total Pages: 330
ISBN-13:
DOWNLOAD EBOOKAuthor: Frances Wilkins
Publisher: Routledge
Published: 2018-01-17
Total Pages: 313
ISBN-13: 1351847414
DOWNLOAD EBOOKFollowing three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.
Author: Carlos R. Messerli
Publisher: Kirk House Publishers
Published: 2005
Total Pages: 324
ISBN-13: 9781932688115
DOWNLOAD EBOOKThe essays in this book, by distinguished musicologists, teachers, and church musicians, reflect the Lutheran musical heritage of the church and contribute new insights into the vibrant and diverse traditions of twenty-first century church music. Thine the Amen is a practical, instructional, and scholarly book. These essays contain something for everyone interested in sacred music, the teacher, the singer, or the listener.
Author: Alexander Ferrier Mitchell
Publisher:
Published: 1897
Total Pages: 504
ISBN-13:
DOWNLOAD EBOOKAuthor: Sir Adolphus William Ward
Publisher:
Published: 1911
Total Pages: 708
ISBN-13:
DOWNLOAD EBOOKAuthor: Kevin Murphy
Publisher: Bucknell University Press
Published: 2013-01-30
Total Pages: 319
ISBN-13: 1611484952
DOWNLOAD EBOOKStudies in Ephemera: Text and Image in Eighteenth-Century Print bringstogether established and emerging scholars of early modern print culture to explore the dynamic relationships between words and illustrations in awide variety of popular cheap print from the seventeenth to the early nineteenth century. While ephemerawas ubiquitous in the period, it is scarcely visible to us now, because only a handful of the thousands of examplesonce in existence have been preserved. Nonetheless, single-sheet printed works, as well as pamphlets and chapbooks, constituted a central part of visual and literary culture, and were eagerly consumed by rich and poor alike in Great Britain, North America, and on the Continent. Displayed in homes, posted in taverns and other public spaces, or visible in shop windows on city streets, ephemeral works used sensational means to address themes of great topicality. The English broadside ballad, of central concern in this volume, grew out of oral culture; the genre addressed issues of nationality, history, gender and sexuality, economics, and more. Richly illustrated and well researched, Studiesin Ephemera offers interdisciplinary perspectives into how ephemeralworks reached their audiences through visual and textual means. It also includes essays that describe how collections of ephemera are categorized in digital and conventional archives, and how our understanding of these works is shaped by their organization into collections. This timely and fascinating book will appeal to archivists, and students and scholars in many fields, including art history, comparative literature, social and economic history, and English literature. Contributors: Georgia Barnhill, Theodore Barrow, Tara Burk, Adam Fox, Alexandra Franklin, Patricia Fumerton, Paula McDowell, Kevin D. Murphy, Sally O’Driscoll, Ruth Perry
Author: Judith M. Davidoff
Publisher: Fairleigh Dickinson Univ Press
Published: 1988
Total Pages: 258
ISBN-13: 9780838632086
DOWNLOAD EBOOKThis book advances the argument that there exist in Middle English verse distinct narrative patterns that affected medieval contemporary audiences in symbolic ways. The author focuses upon one particular narrative pattern that occurs in a large number of poems, allowing us to discern, even if we do not share, unstated medieval assumptions about narrative structure.