Kafka's novels and stories fascinate readers and critics of each generation. Although all theories attempt to appropriate Kafka, there is no one key to his work. This work aims to present a point of view while taking account of previous Kafka research.
Franz Kafka (1883–1924) is one of the most influential of modern authors, whose darkly fascinating novels and stories - where themes such as power, punishment and alienation loom large - have become emblematic of modern life. This Introduction offers a clear and accessible account of Kafka's life, work and literary influence and overturns many myths surrounding them. His texts are in fact far more engaging, diverse, light-hearted and ironic than is commonly suggested by clichés of 'the Kafkaesque'. And, once explored in detail, they are less difficult and impenetrable than is often assumed. Through close analysis of their style, imagery and narrative perspective, Carolin Duttlinger aims to give readers the confidence to (re-)discover Kafka's works without constant recourse to the mantras of critical orthodoxy. In addition, she situates Kafka's texts within their wider cultural, historical and political contexts illustrating how they respond to the concerns of their age, and of our own.
"Trust me," the insect repeated. Franz did not. What if Franz Kafka did not succumb to tuberculosis at the age of 40? What if he awoke the day after his supposed death to find himself attended by the giant insect he once imagined in his own story The Metamorphosis? And what if he were recruited by a mysterious agency to investigate a rash of bizarre, mysterious murders plaguing 1924 Vienna? Murders that are possibly connected to an equally mysterious performer who commits suicide every night at the music hall (but cannot be connected to any crimes)? The Hanging Artist leads the newly rehabilitated Franz Kafka on an absurdist round of discoveries, the solution of which is more fantastical than anything he imagined. “Terrific” The Washington Post (‘The best science fiction and fantasy of 2019’).