A Companion to the U.S. Civil War presents a comprehensive historiographical collection of essays covering all major military, political, social, and economic aspects of the American Civil War (1861-1865). Represents the most comprehensive coverage available relating to all aspects of the U.S. Civil War Features contributions from dozens of experts in Civil War scholarship Covers major campaigns and battles, and military and political figures, as well as non-military aspects of the conflict such as gender, emancipation, literature, ethnicity, slavery, and memory
"A Companion to the U.S. Civil War presents a comprehensive historiographical collection of essays covering all major military, political, social, cultural and economic aspects of the American civil war (1861-1865)"--
A Companion to the U.S. Civil War presents a comprehensive historiographical collection of essays covering all major military, political, social, and economic aspects of the American Civil War (1861-1865). Represents the most comprehensive coverage available relating to all aspects of the U.S. Civil War Features contributions from dozens of experts in Civil War scholarship Covers major campaigns and battles, and military and political figures, as well as non-military aspects of the conflict such as gender, emancipation, literature, ethnicity, slavery, and memory
As the Civil War entered its first full calendar year for the Old Dominion, Virginians began to experience the full ramifications of the conflict. Their expectations for the coming year did not prepare them for what was about to happen; in 1862 the war became earnest and real, and the state became then and thereafter the major battleground of the war in the East. Virginia emerged from the year 1861 in much the same state of uncertainty and confusion as the rest of the Confederacy. While the North was known to be rebuilding its army, no one could be sure if the northern people and government were willing to continue the war. The landscape and the people of Virginia were a part of the battlefield. Virginia at War, 1862 demonstrates how no aspect of life in the Commonwealth escaped the war's impact. The collection of essays examines topics as diverse as daily civilian life and the effects of military occupation, the massive influx of tens of thousands of wounded and sick into Richmond, and the wartime expansion of Virginia's industrial base, the largest in the Confederacy. Out on the field, Robert E. Lee's army was devastated by the Battle of Antietam, and Lee strove to rebuild the army with recruits from the interior of the state. Many Virginians, however, were far behind the front lines. A growing illustrated press brought the war into the homes of civilians and allowed them to see what was happening in their state and in the larger war beyond their borders. To round out this volume, indefatigable Richmond diarist Judith McGuire continues her day-by-day reflections on life during wartime. The second in a five-volume series examining each year of the war, Virginia at War, 1862 illuminates the happenings on both homefront and battlefield in the state that served as the crucible of America's greatest internal conflict.
This work is a retelling of stories once shared over tea cups, including what life meant to a young American woman during a vital and formative period of American history. While a true Virginian, the lady also speaks well of her experiences with Union soldiers and officers. Real names of the subjects were changed in deference to the wishes of living persons at the time.
More Civil War battles were fought on Virginian soil than on that of any other Confederate state. No state suffered more from invasion and occupation than the Old Dominion, and none witnessed as much of the war. Virginia’s story of the Civil War stands unique among the Confederate States. Virginia at War, 1861 looks at Virginia on the eve of secession, detailing the activities of the convention that finally took the state out of the Union and explaining how Richmond became the capital of the new Confederate nation. Chapters in the book examine Virginia’s private state army and its little-known state navy, as well as the impact that secession and the first year of the war had on Virginia’s black community, both slave and free. Virginia was the only Confederate state to suffer an internal secession, and the story of that “other Virginia” that broke away and became West Virginia is explored in all its bizarre complexity. Virginia at War, 1861 is the first in a new five-volume series, edited by William C. Davis and James I. Robertson Jr. for the Virginia Center for Civil War Studies at Virginia Tech. Each volume will bring together leading Civil War historians to study one year of the Civil War in Virginia.
She and her biographer were both real-life Scarlett O'Haras. Born to privilege and wealth in antebellum Virginia, she married at seventeen and then was plunged into the events of the American Civil War. Myrta Lockett Avary was her biographer and though Avary does not give up her friend's identity, the story captured the imagination of the world when first published in 1903. Avary also wrote "Dixie After the War," which may have been the inspiration for Margaret Mitchell's "Gone With the Wind." She was also the original editor of "A Diary from Dixie as written by Mary Boykin Chestnut," featured very prominently in Ken Burns' documentary, The Civil War. A write for major periodicals during her day, Myrta Avary was a successful and well-known writer. We're fortunate that she chronicled the world that was left behind in the wake of the Civil War. "The narrative is one that both interests and charms. The beginning of the end of the long and desperate struggle is unusually well told, and now the survivors lived during the last days of the fading Confederacy forms a vivid picture of those distressful times.”—Baltimore Herald. “The style of the narrative is attractively informal and chatty. Its pathos is that of simplicity. It throws upon a cruel period of our national career a side-light, bringing out tender and softening interests too little visible in the pages of formal history.”—New York World. “This is a tale that will appeal to every Southern man and woman, and can not fail to be of interest to every reader. It is-as fresh and vivacious, even in dealing with dark days, as the young soul that underwent the hardships of a most cruel war."—Louisville Courier-Journal. “Taken at this time, when the years have buried all resentment, dulled all sorrows, and brought new generations to the scenes, a work of this kind can not fail of value just as it can not fail in interest. Official history moves with two great strides to permit of the smaller, more intimate events; fiction lacks the realistic, powerful appeal of actuality; such works as this must be depended upon to fill in the unoccupied interstices, to show us just what were the lives of those who were in this conflict or who lived in the midst of it without being able actively to participate in it. And of this type 'A Virginia Girl in the Civil War ' is a truly admirable example.”—Philadelphia Record.
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Excerpt from A Virginia Girl in the Civil War, 1861-1865: Being a Record of the Actual Experiences of the Wife of a Confederate Officer This history was told over the tea-cups. One winter, in the South, I had for my neighbor a gentle, little brown-haired lady, who spent many evenings at my fireside, as I at hers, where with bits of needlework in our hands we gossiped away as women will. I discovered in her an unconscious heroine, and her Civil War experiences made ever an interesting topic. Wishing to share with others the reminiscences she gave me, I seek to present them here in her own words. Just as they stand, they are, I believe, unique, possessing at once the charm of romance and the veracity of history. They supply a graphic, if artless, picture of the social life of one of the most interesting and dramatic periods of our national existence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
When the Civil War began in 1861, Lucy Rebecca Buck was the eighteen-year-old daughter of a prosperous planter living on her family's plantation in Virginia's Shenandoah Valley. On Christmas Day of that year Buck began the diary that she would keep for the duration of the war, during which time troops were quartered in her home and battles were literally waged in her front yard. The extraordinary chronicle mirrors the experience of many women torn between loyalty to the Confederate cause and dissatisfaction with the unrealistic ideology of white southern womanhood. In the environment of war, these women could not feign weakness, could not shrink from public gaze, and could not assume the presence of protection that was supposedly their right. This radical disjuncture, coming as it did during a period of extreme deprivation and loss, caused Buck and other so-called southern belles to question the very ideology with which they had been raised, often between the pages of private diaries. In powerful, unsentimental language, Buck's diary reveals her anger and ambivalence about the challenges thrust upon her after upheaval of her self, her family, and the world as she knew it. This document provides an extraordinary glimpse into the "shadows on the heart" of both Lucy Buck and the American South.
