There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved." The Show Won't Go On covers almost every genre of entertainment and is full of unearthed anecdotes, exclusive interviews, colorful characters, and ironic twists. With dozens of heart-stopping stories, it's the perfect book to dip into on any page.
Meet Charles Paris: a washed-up actor with a taste for wine, women . . . and solving crimes! A binge-worthy cozy mystery series from the original king of British cozy crime, internationally best-selling, award-winning author Simon Brett, OBE. For fans of Richard Osman - but with added bite! "Like a little malice in your mysteries? Some cynicism in your cosies? Simon Brett is happy to oblige" THE NEW YORK TIMES "Few crime writers are as enchantingly gifted" THE SUNDAY TIMES "One of British crime's most assured craftsmen . . . Perfect entertainment" THE GUARDIAN "A new Simon Brett is an event for mystery fans" P.D. JAMES "Murder most enjoyable" COLIN DEXTER _______________________ A middle-aged actor - and sometimes sleuth - on his summer hols A British seaside town in September A variety show, with an electric headline act . . . It's all good fun until A COMEDIAN DIES (Mostly) out of work actor Charles Paris is indulging in a particularly British tradition: taking a seaside summer holiday, and hiding from the rain. A little less traditional is his current company: Frances, his long-estranged wife. Today's dubious (indoor) entertainment takes the form of the Sun 'n' Funtime variety show at Hunstanton's decaying Winter Gardens, headlined by a young stage comedian who's slated to be the next big thing. His act is more electrifying than anyone could have expected: as soon as he picks up his guitar and mike, he sensationally drops dead. Electrocuted, it becomes clear, in a tragic accident caused by faulty wiring. But Charles, who's starting to worry about how often he stumbles upon corpses, quickly has reason to doubt the coroner's conclusions. With suspects aplenty popping up, was it death by misadventure - or good old-fashioned murder? Fans of Agatha Christie, The Thursday Murder Club, Anthony Horowitz, Alexander McCall Smith, M.C. Beaton and Faith Martin will love this hilarious cozy traditional mystery series featuring one of the funniest antiheroes in crime fiction. Written over a fifty-year-period, it perfectly captures life and contemporary attitudes in 1970s London - and beyond! READERS ADORE CHARLES PARIS: "A likable case . . . A neat, swift read by anybody's standard" Kirkus Reviews "I love this series and recommend it to all who enjoy light hearted who-dun-its set within a theatrical background" Norma, 5* GoodReads review "The mystery is great and kept me guessing but the way that Charles Paris accidentally blunders his way through the story with all his faults is joyful" Nic, 5* GoodReads review "Great writer. I find his storytelling on a par with the great Agatha" Rosie, 5* Amazon review "Simon Brett never disappoints. Charles Paris is one of my favourite fictional sleuths" Ellen, 5* Amazon review "One of Brett's best" Richmonde, 5* Amazon review THE CHARLES PARIS MYSTERIES, IN ORDER: 1. Cast in Order of Disappearance 2. So Much Blood 3. Star Trap 4. An Amateur Corpse 5. A Comedian Dies 6. The Dead Side of the Mike 7. Situation Tragedy 8. Murder Unprompted 9. Murder in the Title 10. Not Dead, Only Resting 11. Dead Giveaway 12. What Bloody Man is That 13. A Series of Murders 14. Corporate Bodies 15. A Reconstructed Corpse 16. Sicken and So Die 17. Dead Room Farce 18. A Decent Interval 19. The Cinderella Killer 20. A Deadly Habit
NEW YORK TIMES BESTSELLER • “Driving, wild and hilarious” (The Washington Post), here is the incredible “memoir” of the legendary actor, gambler, raconteur, and Saturday Night Live veteran. When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”
An honest, irreverent, laugh-out-loud guide to coping with death and dying from Emmy-nominated writer and New York Times bestselling co-author of Sh*tty Mom Laurie Kilmartin. Death is not for the faint of heart, and sometimes the best way to cope is through humor. No one knows this better than comedian Laurie Kilmartin. She made headlines by live-tweeting her father’s time in hospice and her grieving process after he passed, and channeled her experience into a comedy special, 45 Jokes About My Dead Dad. Dead People Suck is her hilarious guide to surviving (sometimes) death, dying, and grief without losing your mind. If you are old and about to die, sick and about to die, or with a loved one who is about to pass away or who has passed away, there’s something for you. With chapters like “Are You An Old Man With Daughters? Please Shred Your Porn,” “If Cancer was an STD, It Would Be Cured By Now,” and “Unsubscribing Your Dead Parent from Tea Party Emails,” Laurie Kilmartin guides you through some of life’s most complicated moments with equal parts heart and sarcasm.
From the headline-making, New York Times bestselling author of I Hate Everyone...Starting With Me comes another intimate glimpse into the delightfully hilarious mind of Joan Rivers. When her daughter Melissa gives her a diary for Christmas, at first Joan is horrified—who the hell does Melissa think she is? That fat pig, Bridget Jones? But as Joan, being both beautiful and introspective, begins to record her day-to-day musings, she realizes she has a lot to say. About everything. And everyone, God help them. The result? A no-holds-barred, delightfully vicious and always hilarious look at the everyday life of the ultimate diva. Follow Joan on a family vacation in Mexico and on trips between New York and Los Angeles where she mingles with the stars, never missing a beat as she delivers blistering critiques on current events, and excoriating insights about life, pop culture, and celebrities (from A to D list), all in her relentlessly funny signature style. This is the Diary of a Mad Diva. Forget about Anais Nin, Anne Frank, and Sylvia Plath. For the first time in a century, a diary by someone that’s actually worth reading.
“A gorgeous scrapbook of the late icon’s life—featuring clippings, letters, and dozens of finely honed quips from her famous-joke files.” —Vanity Fair Joan Rivers is an enduring icon of the twentieth century, and her wildly popular humor has appealed to generations of fans. With a career that began in the late 1950s, Joan kept mementos over the course of her entire working life, and Joan Rivers Confidential is a compilation of never-before-seen personal archives. Assembled by her daughter Melissa with Scott Currie, the book contains scripts and monologues, letters from famous friends, exchanges with fans, rare photographs, as well as classic and never-before-heard jokes—many simply scribbled on everything from hotel stationery to airplane boarding passes. Touching on subjects from her 50 years in show business (The Tonight Show, Las Vegas, Elizabeth Taylor, Heidi Abromowitz, the red carpet, and Fashion Police), this is a revelatory and humor-filled insider look at the popular, multitalented comedian. “It’s easy to forget, in this era of Amy Schumer and Sarah Silverman, how revolutionary it was for a meticulously coiffed, nice Jewish girl from Brooklyn—born in 1933!—to get up onstage and crack jokes about hookers, the Holocaust, and her vagina. What fun it is to be reminded.” —W Magazine “From joke cards and contracts to personal letters from pals like Nancy Reagan and Prince Charles, Rivers’ mountain of memorabilia was mostly sealed and largely unseen—until now.” —Women’s Wear Daily “For fans, this is a gold mine. For others who are simply curious about this unstoppable force, it’s a fun, loving tribute.” —Southern Jewish Life
With wry wit and touching humor, Louie Anderson, New York Times bestselling author and Emmy Award–winning comedian currently starring in Zach Galifianakis’s Baskets, shares his journey of turning life’s challenges into joy, as well as plenty of wisdom he’s still discovering from his late mother. “I started out writing these letters to my mom, but a few friends said I should write a book. I said ‘okay’ because next to ‘we’ll see,’ ‘okay’ is as non-committal as you can get. But somehow, I stuck with it. I hope you like it. I hope that after you read it, you’ll write or call your own mom—and dad, sister, brother, cousin, nephew. Or have lunch with them. Or breakfast. It doesn’t have to be lunch. But do it now. Don’t wait like I did.” —Louie Louie Anderson has channeled his beloved mom, Ora Zella Anderson, in his stand-up routine for decades, but she died before seeing him reach his greatest heights, culminating in his breakout TV role as Christine Baskets, the mesmerizing character she inspired. Hey Mom is Louie’s way of catching her up on the triumphs, disappointments, and continuing challenges in life. Full of heartache, but also great hope, and of course—given Louie’s inimitable comedic voice—laugh-out-loud stories and his trademark observations on life’s many absurdities, Hey Mom shows a poignant side of Louie you may not know, and proves that he is one of the most nuanced and wide-ranging comics working today.
The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.
