A definitive and detailed pictorial guide to the beautifully embroidered dress accessories used every day by the imperial family and the middle classes in China during the Qing dynasty and early twentieth century. A first of its kind!
Featuring over 450 archival photographs and line drawings, Chinese Dress traces the evolution of Chinese clothing from court and formal costumes to the fashions of modern China. A comprehensive and sumptuously illustrated book, Chinese Dress is the essential reference for costume historians, fashion designers and collectors, as well as lovers of beautiful clothes everywhere. Chapters include: Dress of the Qing Manchu Rulers 1644-1911 Dress of the Manchu Consorts 1644-1911 Attire of Mandarins and Merchants Attire of Chinese Women Republican Dress 1912-1949 Clothing of the Lower Classes Clothing for Children Dress in New China 1950-2006 From Imperial robes to foot binding to the cheongsam, Chinese Dress spotlights traditional Chinese dress against a background of historical, cultural and social change, opening a fascinating window for anyone seeking to deepen their understanding of China, Chinese culture and Chinese fashion history.
Focusing on the costumes of Beijing opera, this comprehensive volume provides both theory and analysis of the costumes and the method of selection for the roles as well as technical information on embroidery, patterns and construction.
This handsome book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. The Arts of China to AD 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900.
This edited volume on radical dress reforms in East Asia takes a fresh look at the symbols and languages of modernity in dress and body. Dress reform movements around the turn of the twentieth century in the region have received little critical attention as a multicultural discourse of labor, body, gender identity, colonialism, and government authority. With contributions by leading experts of costume/textile history of China, Korea, and Japan, this book presents up-to-date scholarship using diverse methodologies in costume history, history of consumption, and international trade. Thematically organized into sections exploring the garments and uniforms, accessories, fabrics, and fashion styles of Asia, this edited volume offers case studies for students and scholars in an ever-expanding field of material culture including, but not limited to, economic history, visual culture, art history, history of journalism, and popular culture. Fashion, Identity, and Power in Modern Asia stimulates further research on the impact of modernity and imperialism in neglected areas such as military uniform, school uniform, women’s accessories, hairstyles, and textile trade.
How did scientists, artists, designers, manufacturers and amateur enthusiasts experience and value the sea and its products? Examining the commoditization of the ocean world during the nineteenth century, this book demonstrates how the transaction of oceanic objects inspired a multifaceted material discourse stemming from scientific exploration, colonial expansion, industrialization, and the rise of middle-class leisure. From the seashore to the seabed, marine organisms and environments, made tangible through processing and representational technologies, captivated practitioners and audiences. Combining essays and case studies by scholars, curators, and scientists, Sea Currents investigates the collecting and display, illustration and ornamentation, and trade and consumption of marine flora and fauna, analysing their material, aesthetic and commercial dimensions. Traversing global art history, the history of science, empire studies, anthropology, ecocriticism and material culture, this book surveys the currency of marine matter embedded in the economies and ecologies of a modernizing ocean world.
INTRODUCTION: MAPPING THE MONGUOR Gerald Roche and CK Stuart CONTENTS THE MONGUOR THE ORIGIN OF THE MONGUOR Cui Yongzhong, Zhang Dezu, and Du Changshun; translated by Keith Dede THE FOURTH QINGHAI PROVINCIAL TU (MONGUOR) LITERATURE FORUM Limusishiden and Ha Mingzong DULUUN LUNKUANG 'THE SEVEN VALLEYS' MAP OF THE DULUUN LUNKUANG HEALTH AND ILLNESS AMONG THE MONGGHUL Limusishiden A MONGGHUL COMMUNAL RITUAL: DIINQUARI Limusishiden and CK Stuart MONASTIC CUSTOMARIES AND THE PROMOTION OF DGE LUGS SCHOLASTICISM IN A MDO AND BEYOND Brenton Sullivan BILINGUALISM IN SONG: THE RABBIT SONG OF THE FULAAN NARA HUZHU MONGGHUL Qi Huimin and Burgel RM Levy SANCHUAN 'THE THREE VALLEYS' MAP OF SANCHUAN A FAITHFUL SERVANT, SAMT'ANDJIMBA (1816-1900) Valère Rondelez; translated by Xénia de Heering ON THE SHIRONGOLS Grigorij Potanin; translated by Juha Janhunen with assistance from Wen Xiangcheng and Zhu Yongzhong MANGGHUER FOLKTALES AND HISTORICAL NARRATIVES Grigori Potanin; translated by Xénia de Heering MANGGHUER EMBROIDERY: A VANISHING TRADITION Aila Pullinen KHRE TSE BZHI 'THE FOUR ESTATES' MAP OF THE KHRE TSE BZHI THE ORIGIN OF GNYAN THOG VILLAGE AND THE HISTORY OF ITS CHIEFTAINS Blo bzang snyan grags; translated by Lcags mo tshe ring RKA GSAR, A MONGUOR (TU) VILLAGE IN REB GONG (TONGREN): COMMUNAL RITUALS AND EVERYDAY LIFE Tshe ring skyid AN INTRODUCTION TO RGYA TSHANG MA, A MONGUOR (TU) VILLAGE IN REB GONG (TONGREN) Tshe ring skyid REFERENCES SELECTED NON-ENGLISH TERMS INDEX