In 'A Collection of Recollections: Between Here and There' Jen Schneider curates, collects, and shares bits and pieces of story and life. From “bus delays” to “knees on concrete” to “states of suspension”, the pieces prompt new ways of thinking about both language and lived experiences. Exploring a range of experiences from “rec time” to “things that go bump in the night”, the collection plays with time, form, and fashion in ways both experiential and experimental. Full of “angles” and “tangles”, the work counters chance and curates curiosity. For anyone who questions, queries, and wonders, this collection will not disappoint.
My raison dtre. This is a book of my memoirs, but it is more than that. It goes back in time to include stories I have heard since childhood about my forefathers (and mothers). I am grateful that the writing bug has been so strong in the Falla family. I look on whatever writing abilities I have as a gift. To me, it is more than a hobbyits a passion! The histories that were written by Uncle Art Falla in the history books of Kinsella and District (Hoofprints and Homesteading) and of Sedgewick and District (Sedgewick Sentinel) were invaluable in my writing of this book. Picking the brains of family memberssisters, cousins, and Aunt Thordis Taylor have been of enormous assistance. While our memories of any particular incident may not be exactly the same, the sharing and the jogging has made the memories I have come alive. In 2005, my original book Collections & Recollections: 1st edition was printed. It is a book of memoirs. I have received wonderful feedback on that book and hope that you enjoy this book as much as did the readers of Collections & Recollections: 1st edition. I have lived too interesting a life to not leave this legacy. It seemed only right to include stories about my childrens paternal ancestors, the Snethuns and the Sathers. After having been married to Andy Snethun for fifty-five years, in many ways, these families seem like my family. I hope you enjoy following the unique lives of several generations of these pioneer families. I have really tried to write only stories that very few of my readers will be able to say, That happened to me too. Scattered throughout my memoirs, you will find poetry, all of which are my originals. Sometimes I write poetry like I talknot knowing when to quit! I write poetry as long as the thoughts keep coming. (I try to control myself when I talk so I dont do the same).
An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher; of the small apartment that, when she was nineteen, became the home in which she transformed herself; of how punk rock gave form and voice to her own fury and explosive energy. Solnit recounts how she came to recognize the epidemic of violence against women around her, the street harassment that unsettled her, the trauma that changed her, and the authority figures who routinely disdained and disbelieved girls and women, including her. Looking back, she sees all these as consequences of the voicelessness that was and still is the ordinary condition of women, and how she contended with that while becoming a writer and a public voice for women's rights. She explores the forces that liberated her as a person and as a writer--books themselves, the gay men around her who offered other visions of what gender, family, and joy could be, and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. These influences taught her how to write in the way she has ever since, and gave her a voice that has resonated with and empowered many others.
Recollections and Opinions of an Old Pioneer by Peter Hardeman Burnett, first published in 1880, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Since the 1980s, France has experienced a vigorous revival of interest in its past and cultural heritage. This study brings together scholars from multidisciplinary backgrounds and engages them in debate with professionals from France.
