This book revolves around the author's experience in Burma. The author, who spent over thirty years as a civil servant in Burma, provides a narrative of his official life, offering personal impressions of the people and character of Burma, as well as his observations on the events he experienced. The book includes illustrations and a glossary of Burmese words.
Excerpt from A Civil Servant in Burma This is not a guide-book, or a history, or a study of manners and customs. It is a plain story of official life for more than thirty years. It does not compete with any of the books already written about Burma, except, perhaps, the monumental work of General Fytche. While pursuing as a rule a track of chronological order, I have not hesitated to wander into by-paths of dissertation and description. I could not write without attempting to give fragmentary impressions of the people and their character. As far as possible I have limited my narrative to events within my own knowledge; my judgments are based on my own observation. I have to express my acknowledgments to the friends who have given me photographs to illustrate the book. My special thanks are due to Mr. A. Leeds, I.C.S. (retired), for a large number of characteristic and charming pictures. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is the first comprehensive history of Burmese painting, from eleventh-century Pagan to the present, including over 175 painters and more than 300 photographs of work. The book explores the historical transformations of the art, with psychological interpretations of major artists, the legends which followed them, and analysis of their oeuvres. It also probes the unusual lateral dimensions of Burmese painting, where 1,000 years of tradition have continued to survive and shape a rich corpus of largely unknown work. Ranard links the traditional roots of Burmese painting in India with later influences from China, Thailand, Britain, Northern Europe, and America. Burma is an isolated country, but its art has been a major wellspring of inspiration in Southeast Asia. Today, the country struggles to reconcile complex pressures, and Ranard digs deeply to uncover layers of conflict reflected in Burmese painting.
An unforgettable adventure story of two journeys, one hundred years apart, into the untravelled heart of Burma. Part travelogue, part history, part reportage, The Trouser People is an enormously appealing and vivid account of Sir George Scott, the unsung Victorian adventurer who hacked, bullied and charmed his way through uncharted jungle to help establish British colonial rule in Burma. Born in Scotland in 1851, Scott was a die-hard imperialist with a fondness for gargantuan pith helmets and a bluffness of expression that bordered on the Pythonesque. But, as Andrew Marshall discovered, he was also a writer and photographer of rare sensibility. He spent a lifetime documenting the tribes who lived in Burma's vast wilderness and is the author of The Burman, published in 1882 and still in print today. He also not only mapped the lawless frontiers of this "geographical nowhere" - the British Empire's eastern-most land border with China - but he widened the imperial goalposts in another way: he introduced football to Burma, where today it is a national obsession. Inspired by Scott's unpublished diaries, Andrew Marshall retraces the explorer's intrepid footsteps from the mouldering colonial splendour of Rangoon to the fabled royal capital of Mandalay. In the process he discovers modern Burma, a hermit nation misruled by a brutal military dictatorship, its soldiers, like the British colonialists before them, nicknamed "the trouser people" by the country's sarong-wearing civilians. Wonderfully observed, mordantly funny, and skilfully recounted, The Trouser People is an offbeat and thrilling journey through Britain's lost heritage and a powerful expose of Burma's modern tragedy. AUTHOR: Andrew Marshall is a British journalist living in Bangkok, Thailand, who specialises in Asian topics. He is co-author of The Cult at the End of the World, a study of the Aum Shinrikyo and is a contributor to many daily and weekly publications. SELLING POINTS: One of the most significant and revealing books on Burma published Fully revised and updated edition Includes the author's eyewitness account of the 'Saffron Revolution' of 2007 REVIEWS "A witty, beautifully turned travelogue.. enlivened by Andrew Marshall's eye for the absurd" -The Daily Telegraph "An evocative travel book" -New York Times 30 b/w photographs
A major contribution to the literature of Burmese history and politics, this book traces the rich and tragic history of the Mon people of Burma and Thailand, from the pre-colonial era to the present day. This vivid account of ethnic politics and civil war situates the story of Mon nationalism within the 'big picture' of developments in Burma, Thailand and the region. Primarily an empirical study, it also addresses issues of identity and anticipates Burmese politics in the new millennium. A particular feature of the book is its first-hand descriptions of insurgency and displacement, drawn from the author's experiences as an aid worker in the war zone.
