Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.
The collection of English books printed before 1801 in the University Library of the Vrije Universiteit at Amsterdam is one of the largest collections of such books outside the English-speaking world, and by far the largest in the Netherlands. The collection numbers 5,600 titles and covers all subjects, but is especially concentrated on (reformed) protestantism in Great Britain, the Netherlands and America, and the exchange of ideas between these countries. The collection of which the existence is practically unknown, contains many rare items from the 16th to the 18th century. It covers the periods of the well-known and widely used bibliographies of English printed books (STC, Wing, and ESTC); in a large number of cases the catalogue entries correct or supplement these bibliographies. The catalogue is aimed both at a general public of bibliographers, literary and book- historians working with books from the STC, Wing and ESTC periods, and at researchers in the Netherlands, Great Britain and elsewhere specialised in church history and the manifold historical and cultural relations between the British Isles and the Low Countries.
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.