For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
In this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.The first part of the book, "Some Notes on Reception," contains overviews of texts about
The Royal Library at Windsor Castle houses one of the world's greatest collections of drawings. Collected by individual monarchs over the last five centuries, they range from portraits by Hans Holbein, recorded in the collection on the death of King Henry VIII in 1547, to drawings by contemporary artists such as David Hockney, presented to and commissioned by The Queen during the current reign. Charles II acquired an unrivalled group of studies by Leonardo da Vinci, along with many other drawings by the artists of the Italian Renaissance; George III purchased thousands of drawings by the greatest artists of the seventeenth and eighteenth centuries, such as Poussin, Bernini and Canaletto; and Queen Victoria and Prince Albert commissioned many hundreds of watercolours as mementoes of their lives together.