A Catalogue of Books in Foreign Languages now on sale by Payne and Foss, Pall Mall
Author: Thomas Payne
Publisher:
Published: 1827
Total Pages: 344
ISBN-13:
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Author: Thomas Payne
Publisher:
Published: 1827
Total Pages: 344
ISBN-13:
DOWNLOAD EBOOKAuthor: St. Bride Foundation Institute. Technical Reference Library
Publisher:
Published: 1920
Total Pages: 1032
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1963
Total Pages: 464
ISBN-13:
DOWNLOAD EBOOKAuthor: Ian Anders Gadd
Publisher: Oxford University Press, USA
Published: 2013-11
Total Pages: 834
ISBN-13: 0199543151
DOWNLOAD EBOOKThe history of Oxford University Press spans five centuries of printing and publishing. Taking the story from 1780 to 1896, this volume covers developments in publishing technology, the output of the University Press, its relationship with the University and city of Oxford, and its growing place in the wider book trade.
Author: Payne and Foss
Publisher:
Published: 1824
Total Pages: 74
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Payne
Publisher:
Published: 1827
Total Pages: 360
ISBN-13:
DOWNLOAD EBOOKAuthor: W. H. Gee
Publisher:
Published: 1880
Total Pages: 76
ISBN-13:
DOWNLOAD EBOOKAuthor: British museum. Dept. of printed books
Publisher:
Published: 1931
Total Pages: 464
ISBN-13:
DOWNLOAD EBOOKAuthor: Allison Stedman
Publisher: Rowman & Littlefield
Published: 2013
Total Pages: 243
ISBN-13: 1611484367
DOWNLOAD EBOOKRococo Fiction in France reconfigures the history of the "long eighteenth century" by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo's evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo's counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment. The first part of the study investigates the relationship between Montaigne's philosophy of literary production and those of early seventeenth-century "table-talk" novelists, libertine writers, and playwrights involved in the quarrel over Corneille's play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier's literary portrait galleries, Jean Donneau de Vis 's periodical the Mercure Galant, and other forms of rococo literary production--by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Pr chac--had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies--in such late seventeenth-century women writers as d'Aulnoy, Lh ritier, Murat, and Durand--in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner.