Print Culture in Early Modern France
Print Culture in Early Modern France

Author: Carl Goldstein

Publisher: Cambridge University Press

Published: 2012-02-13

Total Pages: 239

ISBN-13: 1139505033

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In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects. The consummate print professional, Bosse persistently explored the endless possibilities of print – single-sheet prints combining text and image, book illustration, broadsides, placards, almanacs, theses, and pamphlets. Bosse had a profound understanding of print technology as a fundamental agent of change. Unlike previous studies, which have largely focused on the printed word, this book demonstrates the extent to which the contributions of an individual printmaker and the visual image are fundamental to understanding the nature and development of early modern print culture.

Fake?
Fake?

Author: Mark Jones

Publisher: Univ of California Press

Published: 1990-01-01

Total Pages: 316

ISBN-13: 9780520070875

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Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.

Persepolis
Persepolis

Author: Ali Mousavi

Publisher: Walter de Gruyter

Published: 2012-04-19

Total Pages: 264

ISBN-13: 1614510334

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Persepolis: Discovery and Afterlife of a World Wonder presents the first full study of the history of archaeological exploration at Persepolis after its destruction in 330 BC. Based in part on archival evidence, anecdotal information, and unpublished documents, this book describes in detail the history of archaeological exploration, visual documentation, and excavations at one of the most celebrated sites of the ancient world. The book addresses a broad audience of readers ranging from students of the archaeology, history, and art history of ancient, medieval, and modern Iran to scholars in Classical Studies and Ancient Near Eastern Studies.