"This is the history of a certain Frederick Mayer family of Milwaukee, Wisconsin, starting in the middle of the 19th century ... The story first centers on Frederick Mayer and Philippina Laubenheimer Mayer ... The word 'Mayerei" designates and includes all members of this particular Mayer family."--Introduction.
A tribute to Milwaukee's German heritage, this book reflects on the cultural influence of Germans on the city and features traditional German recipes from local restaurants and family kitchens.
This artist's book together with the artist's sculptural works, reflects in a free and almost humorous manner on centuries-old traditions in sculpture, sophisticated design, and banal, everyday culture.
A guided tour through the nuanced politics of architectural illusion, »The Vatican to Vegas« takes the reader from lavish Baroque fantasies of the seventeenth century to the Electronic Baroque of today. The ›scripted spaces‹ described by Norman Klein are punctuated with devices widely used in special effects since 1500: shocks, surprise twists, grand fakes and copies. Since its publication 2004, »The Vatican To Vegas« has emerged as a classic across many fields, from media, architecture, to the fine arts and urban planning. Its timing was ironic: Klein assumed in 2004 that the future of scripted illusion was about to radically shift. This new edition brings the ironic story up to the present, and into the digitally overwhelmed ›scripted spaces‹ of the future.
“Christopher Frayling's Spaghetti Westerns is a particularly entertaining and enjoyably readable book. Frayling is obviously both a film buff and film critic, so he is able to appreciate Spaghetti Westerns as popular entertainments, to celebrate their cinematic stylishness, while simultaneously knowledgeably exploring their many social and political dimensions.” – Gary Crowdus, Cineaste “Unquestionably the single best book written about the Western.” – Journal of Popular Film and Television
American culture has been one of the most controversial exports of the United States: greeted with enthusiasm by some, with hostility by others. Yet, few societies escape its influence. However, not all changes should be interpreted simply as "Americanization." The shaping of the postwar world has been much more complex than this term implies as is shown in this volume that explores the links between Americanization and modernity in Western Europe and Japan. In considering the impact of products and images ranging from movies and music to fashion and architecture, a multi-disciplinary group of contributors asks how American culture has been employed internationally in the articulation of postwar identities - be they national or subnational, socially sanctioned or socially transgressive. Their essays on France, Italy, Germany and Japan move beyond the simple paradigms of colonization and democratic modernization, yet retain a sensitivity to the asymmetries in the postwar power relationships between these countries and the United States. An extensive introduction historically locates changing interpretations of American influences abroad and suggests the problems and promises of "Americanization" as an analytical tool. Its comparative focus and interdisciplinary scope will appeal to a wide range of students and scholars of cold war and post-cold war history.