A Brief Declaration of the Lord's Supper (Classic Reprint)
A Brief Declaration of the Lord's Supper (Classic Reprint)

Author: Nicholas Ridley

Publisher:

Published: 2015-07-20

Total Pages: 356

ISBN-13: 9781331863557

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Excerpt from A Brief Declaration of the Lord's Supper A Brief Declaration of the Lord's Supper was written by Nicholas Ridley in 1895. This is a 354 page book, containing 83342 words and 6 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Brief Declaration of The Lord's Supper
A Brief Declaration of The Lord's Supper

Author: Nicholas Ridley

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781016786096

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Clear and Simple Treatise on the Lord's Supper
A Clear and Simple Treatise on the Lord's Supper

Author: Theodore Beza

Publisher: Reformation Heritage Books

Published: 2016-07-29

Total Pages: 208

ISBN-13: 1601784686

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Theodore Beza's A Clear and Simple Treatise Respecting the Lord's Supper (1559) advances a tireless defense of the Reformed perspective on the Lord's Supper, responding chapter by chapter to specific arguments raised against John Calvin by his Lutheran opponent, Joachim Westphal. Beza makes great use of the concept of metonymy, or a figure of speech, in his interpretation of the words of institution, yet he equally champions the position that the Lord's Supper is not a bare symbol and that in it we have true communion with the risen Christ. And like Calvin, Beza refers extensively to the church fathers, especially Augustine, in defense of his position. This often-overlooked treatise marks some of the major differences between the Reformed and the Lutheran movements during the so-called second generation of the Reformation. A critical issue at the time, sacramental theology was at the forefront of the original break with Rome and prevented the various Protestant movements from uniting. Its translation into English from the original Latin provides a wider opportunity for those interested in these movements to learn more about some of the substantial issues of the period. Table of Contents: A Clear and Simple Treatise on the Lord’s Supper, in Which the Published Slanders of Joachim Westphal Are Finally Refuted Appendix A: A System of Doctrine on the Sacramental Substance Appendix B: The Moral, Ceremonial, and Political Law of God as Derived from the Books of Moses and Distributed into Particular Classes

The Reformation of Romance
The Reformation of Romance

Author: Christina Wald

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2014-08-27

Total Pages: 298

ISBN-13: 3110394960

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This study takes a fresh look at the abundant scenarios of disguise in early modern prose fiction and suggests reading them in the light of the contemporary religio-political developments. More specifically, it argues that Elizabethan narratives adopt aspects of the heated Eucharist debate during the Reformation, including officially renounced notions like transubstantiation, to negotiate culturally pressing concerns regarding identity change. Drawing on the rich field of research on the adaptation of pre-Reformation concerns in Anglican England, the book traces a cross-fertilisation between the Reformation and the literary mode of romance. The study brings together topics which are currently being strongly debated in early modern studies: the turn to religion, a renewed interest in aesthetics, and a growing engagement with prose fiction. Narratives which are discussed in detail are William Baldwin’s Beware the Cat, Robert Greene’s Pandosto and Menaphon, Philip Sidney’s Old and New Arcadia, and Thomas Lodge’s Rosalynd and A Margarite of America, George Gascoigne’s Steele Glas, John Lyly’s Euphues: An Anatomy of Wit and Euphues and his England, Barnabe Riche’s Farewell, Greene’s A Quip for an Upstart Courtier, and Thomas Nashe’s The Unfortunate Traveller.

Staging Reform, Reforming the Stage
Staging Reform, Reforming the Stage

Author: Huston Diehl

Publisher: Cornell University Press

Published: 2019-06-07

Total Pages: 261

ISBN-13: 1501734083

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Huston Diehl sees Elizabethan and Jacobean drama as both a product of the Protestant Reformation—a reformed drama—and a producer of Protestant habits of thought—a reforming drama. According to Diehl, the popular London theater, which flourished in the years after Elizabeth reestablished Protestantism in England, rehearsed the religious crises that disrupted, divided, energized, and in many respects revolutionized English society. Drawing on the insights of symbolic anthropologists, Diehl explores the relationship between the suppression of late medieval religious cultures, with their rituals, symbols, plays, processions, and devotional practices, and the emergence of a popular theater under the Protestant monarchs Elizabeth and James. Questioning long-held assumptions that the reformed religion was inherently antitheatrical, she shows how the reformers invented new forms of theater, even as they condemned a Roman Catholic theatricality they associated with magic, sensuality, and duplicity. Using as her central texts the tragedies of Thomas Kyd, Christopher Marlowe, William Shakespeare, Thomas Middleton, and John Webster, Diehl maintains that plays of the period reflexively explore their own power to dazzle, seduce, and deceive. Employing a reformed rhetoric that is both powerful and profoundly disturbing, they disrupt their own stunning spectacles. Out of this creative tension between theatricality and antitheatricality emerges a distinctly Protestant aesthetic.