In Salthill-on-Hudson, a half-hour train ride from Manhattan, everyone is rich, beautiful, and -- though they look much younger -- middle-aged. But when Adam Berendt, a charismatic, mysterious sculptor, dies suddenly in a brash act of heroism, shock waves rock the town. But who was Adam Berendt? Was he in fact a hero, or someone more flawed and human?
Finally returned to print in a beautiful new trade paperback edition, comes Joyce Carol Oates’ lost classic: a satirical, often surreal, and beautifully plotted Gothic Romance that follows the exploits of the audacious Zinn sisters, whose 19th century pursuit of adventurous lives turns a lens on contemporary American culture. Set in a nineteenth century similar to our own, A Bloodsmoor Romance follows the beautiful Zinn sisters, five young women who refuse—for the most part—”the obligations of Christian marriage.” Full of Oates’s mordant wit and breathlessly told in the Victorian style by an unnamed narrator shocked by the Zinn sisters’ sexuality, impulsivity, and rude rejection of the mores of their time, A Bloodsmoor Romance is a delicious filigree of literary conventions, “a novel of manners” in the tradition of Austen, Dickens, and Alcott which Oates turns on its head. Oates’s dark romp interweaves murder and mayhem, ghosts, and abductions, substance abuse and gender identity, women’s suffrage, the American spiritualist movement, and sexual aberration, as the Zinn sisters come into contact with some of the 19th century’s greatest characters, from Mark Twain to Oscar Wilde. A biting assessment of the American landscape and a virtuosic transformation of a literary genre, A Bloodsmoor Romance is a compelling, hilarious, and magical anti-romance—Little Women by way of Stephen King.
A wealthy and notorious clan, the Bellefleurs live in a region not unlike the Adirondacks, in an enormous mansion on the shores of mythic Lake Noir. They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch. Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery. Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius that forces us "to ask again how anyone can possibly write such books, such absolutely convincing scenes, rousing in us, again and again, the familiar Oates effect, the point of all her art: joyful terror gradually ebbing toward wonder" (John Gardner).
An engrossing early novel from Joyce Carol Oates’s earlier novels explores a fraught and perilous relationship between two women Originally published in 1985, Solstice is the gripping story of Monica Jensen and Sheila Trask, two young women who are complete opposites yet find themselves irresistibly drawn to each other. Monica is a shy, modest, and recently divorced school teacher while Sheila is a worldly, sophisticated, and nocturnal painter driven by the needs of her art. Over the months, their friendship deepens, first to love and then to a near-fatal obsession. Engaging, dark, and mysterious, Solstice is Joyce Carol Oates’s psychological masterpiece of friendship and fixation.
"Filled with surprising, exotic, and dangerous treats, is the perfect thing for a winter's night by the fire." -Washington Post In Mysteries of Winterthurn, the brilliant young detective-hero Xavier Kilgarvan is confronted with three baffling cases—"The Virgin in the Rose-Bower," "The Devil's Half-Acre," and "The Blood-Stained Gown"—that tax his genius for detection to the utmost, just as his forbidden passion for his cousin Perdita becomes an obsession that shapes his life.
New York Times Bestselling Author Finally returned to print in a beautiful trade paperback edition, a haunting gothic tale that illuminates the fortunes and misfortunes of a 19th-century immigrant family of confidence artists—a story of morality, duplicity, and retribution that explores the depths of human manipulation and vulnerability “Oates . . . rarely falters throughout this epic. . . . An American tragedy.”—People “My Heart Laid Bare shows Oates at her most playful, extravagant and inventive.”—The San Francisco Chronicle The patriarch of the Licht family, Abraham has raised a brood of talented con artists, children molded in his image, and experts in The Game, his calling and philosophy of life. Traveling from one small town to the next across the continent, from the Northeast to the frontier West, they skillfully swindle unsuspecting victims, playing on their greed, lust, pride, and small-mindedness. Despite their success, Abraham cannot banish a past that haunts him: the ghost of his ancestor Sarah Licht, a former con woman who met with a gruesome fate. As Abraham moves his family from town to town, involving them in more and more complex and impressive schemes, he finds himself caught between the specter of Sarah and the growing terrors of his present. As his carefully crafted lies and schemes begin to fracture and disintegrate before his eyes, Abraham discovers that the bond of family is as tenuous and treacherous as the tricks he perpetrates upon unsuspecting strangers.
Four brand-new novellas by the #1 New York Times-bestselling, National Book Award-winning “grand mistress of ghoulishness” (Publishers Weekly). An academic in Pennsylvania discovers a terrifying trauma from her past after inheriting a house in Cardiff, Maine from someone she has never heard of. A pubescent girl, overcome with loneliness, befriends a feral cat that becomes her protector from the increasingly aggressive males that surround her. A brilliant but shy college sophomore is distraught to discover that she’s pregnant, and the professor who takes her under his wing may not have innocent intentions. And a woman who marries into a family shattered by tragedy finds herself haunted by her predecessor’s voice, an inexplicably befouled well, and a compulsive attraction to a garage that took two lives. In these psychologically daring, chillingly suspenseful pieces, the author of We Were the Mulvaneys and Blonde writes about women facing threats past and present, once again cementing her reputation for “great intelligence and dead-on imaginative powers” (Los Angeles Times Book Review).
Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures. It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams.
